Works matching DE "RECITATIVE"
Results: 16
Text Rendering in Eighteenth Century Recitativo Secco.
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- Journal of Singing, 2009, v. 65, n. 5, p. 577
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A Solution for Simple (secco) Theater Recitative.
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- Journal of Singing, 2009, v. 65, n. 4, p. 421
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How to Sing Recitative: Some Advice from the 1700s.
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- Journal of Singing, 2004, v. 61, n. 2, p. 143
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Lietuvių formulinės dainos ir formulinės pasakos: atlikimo aspektas.
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- Musicology of Lithuania / Lietuvos muzikologija, 2013, n. 14, p. 173
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The performance of affect in recitativo semplice.
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- Music Performance Research, 2012, v. 5, p. 49
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Texture and dramaturgy in Recitative and Chorus no. 58, from Bach's Matthäus-Passion.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 241
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Dinu Lipatti - Sonatina for the left hand.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 1, p. 23
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DMITRI ŞOSTAKOVICI - REPRESENTATIVE OF THE NATIONAL RUSSIAN MUSIC IN THE 20TH CENTURY. THE OPERA LADY MACBETH FROM MŢENSK, BETWEEN TRADITION AND MODERNITY.
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- Bulletin of the Transilvania University of Brasov, Series VIII: Art & Sport, 2012, v. 5, n. (54) 1, p. 17
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ARIAS, RECITATIVES, DUETS AND VOCAL ENSEMBLES IN THE OPERA DON PASQUALE BY GAETANO DONIZETTI.
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- Review of Artistic Education, 2019, v. 17, n. 1, p. 77, doi. 10.2478/RAE-2019-0009
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'CETTE HORRIBLE INNOVATION': THE FIRST VERSION OF THE RECITATIVE PARTS OF ROUSSEAU'S 'LE DEVIN DU VILLAGE'.
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- Music & Letters, 2001, v. 82, n. 2, p. 177, doi. 10.1093/ml/82.2.177
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THE LIFE AND WORLD OF A SINGER: FINDING MY WAY.
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- Philosophy of Music Education Review, 2006, v. 14, n. 1, p. 65, doi. 10.1353/pme.2006.0005
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Who does what? On the roles of the violoncello and double bass in the performance of Handel's recitatives.
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- Early Music, 2016, v. 44, n. 1, p. 45, doi. 10.1093/em/caw013
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Performance practice of recitativo secco in the first half of the 18th century.
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- Early Music, 2005, v. 33, n. 3, p. 473, doi. 10.1093/em/cah105
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A Thread of Recitative Ruffs: Schemas and Schenker's Analysis of "Erbarm es, Gott".
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- Music Theory Online, 2024, v. 30, n. 2, p. 1, doi. 10.30535/mto.30.2.1
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A Note on Oratorio Sant’Elena al Calvario by Pietro Metastasio.
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- Italica, 2019, v. 96, n. 3, p. 506, doi. 10.5406/23256672.96.3.08
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Agonal Elements in the Depiction of War in Monteverdi's Eighth Book of Madrigals.
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- Musicological Annual / Muzikoloski Zbornik, 2012, v. 48, n. 1, p. 5
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- Article