Let the World Listen Right: The Mississippi Delta Hip-Hop Story.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
Works matching DE "RAP music -- History %26 criticism"
Results: 30
1
2
Brooklyn Cosmopolitanisms: Situated Imaginations of Metropolitan Cultures in Paul Auster's The Brooklyn Follies and Mos Def's Black on Both Sides.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
3
South African Rap Music, Counter Discourses, Identity, and Commodification Beyond the Prophets of Da City.
- Published in:
- Journal of Southern African Studies, 2011, v. 37, n. 1, p. 27, doi. 10.1080/03057070.2011.552540
- By:
- Publication type:
- Article
4
Muhammad Ali Versus the “Modern Athlete”: On Voice in Mediated Sports Culture.
- Published in:
- Critical Studies in Media Communication, 2009, v. 26, n. 3, p. 191, doi. 10.1080/15295030903015088
- By:
- Publication type:
- Article
5
Black Women and Black Men in Hip Hop Music: Misogyny, Violence and the Negotiation of (White-Owned) Space.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2012, v. 45, n. 1, p. 118, doi. 10.1111/j.1540-5931.2011.00898.x
- By:
- Publication type:
- Article
6
Preachers, Gangsters, Pranksters: MC Solaar and Hip-Hop as Overt and Covert Revolt.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2011, v. 44, n. 2, p. 233, doi. 10.1111/j.1540-5931.2011.00830.x
- By:
- Publication type:
- Article
7
Rhymin’ And Stealin’: Musical Borrowing in Hip-Hop.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
8
The Hip Hop Reader & Obama Reader.
- Published in:
- 2016
- Publication type:
- Book Review
9
Gender Politics of Hip-Hop and Hip-Life Music in New York and Ghana.
- Published in:
- Afro-Americans in New York Life & History, 2015, v. 39, n. 1, p. 7
- By:
- Publication type:
- Article
10
"GROWIN' UP IN THE 'HOOD SAME AS ME": BLACK AND BROWN HIP HOP SUBJECTIVITIES AT AN H-TOWN RECORD STORE.
- Published in:
- Journal of South Texas, 2017, v. 30, n. 2, p. 74
- By:
- Publication type:
- Article
11
'These stories have to be told': Chicano rap as historical source.
- Published in:
- Popular Music History, 2019, v. 12, n. 2, p. 174, doi. 10.1558/pomh.39209
- By:
- Publication type:
- Article
12
The Hip Hop and Obama Reader.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
13
Trends in German Hip Hop Music and Its Usefulness for the Classroom.
- Published in:
- Die Unterrichtspraxis / Teaching German, 2008, v. 41, n. 1, p. 46, doi. 10.1111/j.1756-1221.2008.00005.x
- By:
- Publication type:
- Article
14
Break Beats in the Bronx: Rediscovering Hip-Hop's Early Years.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
15
Bling and Blessings: Thoughts on the Intersections of Rap Music and Religious Meaning.
- Published in:
- 2007
- By:
- Publication type:
- Essay
16
"Beats, Rhymes, and Life": Hip hop's unlikely movement.
- Published in:
- Media Development, 2014, v. 61, n. 4, p. 5
- By:
- Publication type:
- Article
17
Today's Black Ships: The Cultural and Economic Impacts of the Japanese Hip-Hop Movement.
- Published in:
- Multicultural Review, 2009, v. 18, n. 2, p. 28
- By:
- Publication type:
- Article
18
Mapping and Re-Membering Hip Hop History, Hiphopography and African Diasporic History.
- Published in:
- Western Journal of Black Studies, 2013, v. 37, n. 2, p. 126
- Publication type:
- Article
19
Tricky's Maxinquaye: Rhizomes, rap and the resuscitation of the Blues.
- Published in:
- Atlantic Studies, 2009, v. 6, n. 2, p. 223, doi. 10.1080/14788810902981092
- By:
- Publication type:
- Article
20
Philosophy and Hip-Hop: Ruminations on Postmodern Cultural Form.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
21
Hip-Hop Quebec: Self and Synthesis.
- Published in:
- Popular Music & Society, 2011, v. 34, n. 2, p. 177, doi. 10.1080/03007761003726407
- By:
- Publication type:
- Article
22
Part IV: Is Die Antwoord Blackface?
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 417, doi. 10.1080/17533171.2012.715486
- By:
- Publication type:
- Article
23
Part III: Ask no questions, hear no lies: Staying on Die Antwoord's surface.
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 409, doi. 10.1080/17533171.2012.715485
- By:
- Publication type:
- Article
24
Part I: Die Antwoord's State of Exception.
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 393, doi. 10.1080/17533171.2012.715483
- By:
- Publication type:
- Article
25
Part II: Zef /Poor White Kitsch Chique: Die Antwoord's Comedy of Degradation.
- Published in:
- Safundi, 2012, v. 13, n. 3/4, p. 399, doi. 10.1080/17533171.2012.715484
- By:
- Publication type:
- Article
26
African Hip Hop and Politics of Change in an Era of Rapid Globalization.
- Published in:
- History Compass, 2010, v. 8, n. 12, p. 1316, doi. 10.1111/j.1478-0542.2010.00745.x
- By:
- Publication type:
- Article
27
Gunfighter Nation: Rap, Hip-Hop and the American Frontier.
- Published in:
- Journal of the American Studies Association of Texas, 2008, v. 39, p. 15
- By:
- Publication type:
- Article
28
Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
29
Ladies Just.
- Published in:
- Words.Beats.Life: The Global Journal of Hip-Hop Culture, 2010, v. 4, n. 2, p. 58
- By:
- Publication type:
- Article
30
The Emergence of Estonian Hip-Hop in the 1990s.
- Published in:
- Res Musica, 2018, n. 10, p. 63
- By:
- Publication type:
- Article