Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film before World War II.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
Works matching DE "RACE in the theater"
Results: 34
1
2
Review of Stephen Richter and Mónica Andrade's Marqués: A Narco Macbeth. University of California, Santa Cruz, 26 February 2016–6 March 2016. Available on YouTube.
- Published in:
- 2021
- By:
- Publication type:
- Performance Review
3
The Color of Revolution: Race Trumps Class in Theatre Union's Stevedore, 1934.
- Published in:
- New England Theatre Journal, 2011, v. 22, p. 23
- By:
- Publication type:
- Article
4
Performing Race and Torture on the Early Modern Stage/Barbarous Play: Race on the English Renaissance Stage.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
‘On my mind's world map, I see an Africa’: Bando de Teatro Olodum's re-routing of Afro-Brazilian identity.
- Published in:
- 2014
- By:
- Publication type:
- Table of Contents
6
Diversifying African American Drama.
- Published in:
- Theatre Topics, 2009, v. 19, n. 1, p. 59, doi. 10.1353/tt.0.0052
- By:
- Publication type:
- Article
7
« Blesser » le spectateur blanc américain : Les Nègres aux États-Unis, 1961-1964 et 2003.
- Published in:
- Études Françaises, 2015, v. 51, n. 1, p. 67, doi. 10.7202/1028521ar
- By:
- Publication type:
- Article
8
The Japan of Pure Invention: Gilbert and Sullivan's “The Mikado.”.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
9
Weyward Macbeth: Intersections of Race and Performance.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
10
WHEN UNCLE TOM DIDN'T DIE: THE ANTISLAVERY POLITICS OF H. J. CONWAY'S UNCLE TOM'S CABIN.
- Published in:
- Theatre Survey, 2012, v. 53, n. 2, p. 203, doi. 10.1017/S0040557412000051
- By:
- Publication type:
- Article
11
TROUBLING VISION: PERFORMANCE, VISUALITY, AND BLACKNESS.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
12
ENACTING OTHERS: POLITICS OF IDENTITY IN ELEANOR ANTIN, NIKKI S. LEE, ADRIAN PIPER, AND ANNA DEAVERE SMITH.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
13
THE PROBLEM OF THE COLOR[BLIND]: RACIAL TRANSGRESSION AND THE POLITICS OF BLACK PERFORMANCE.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
14
WHITING UP: WHITEFACE MINSTRELS AND STAGE EUROPEANS IN AFRICAN AMERICAN PERFORMANCE.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
15
LIVING WITH LYNCHING: AFRICAN AMERICAN LYNCHING PLAYS, PERFORMANCE, AND CITIZENSHIP, 1890-1930.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
16
THE AFRICAN AMERICAN THEATRICAL BODY: RECEPTION, PERFORMANCE, AND THE STAGE.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
17
RACIAL INNOCENCE: PERFORMING AMERICAN CHILDHOOD FROM SLAVERY TO CIVIL RIGHTS.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
18
A Statement of Objectives (and a Conversation).
- Published in:
- Canadian Theatre Review, 2012, n. 150, p. 14, doi. 10.3138/ctr.150.14
- By:
- Publication type:
- Article
19
Audiences Writing Race in Shakespeare Performance.
- Published in:
- Shakespeare Studies (Rosemont Publishing & Printing Corporation), 2019, v. 47, p. 112
- By:
- Publication type:
- Article
20
Uncle Tom's Cabin in China: Ouyang Yuqian's Regret of a Black Slave and the Tactics of Impersonating Race, Gender, and Class.
- Published in:
- Asian Theatre Journal, 2019, v. 36, n. 1, p. 165, doi. 10.1353/atj.2019.0008
- By:
- Publication type:
- Article
21
A big black lady stops the show: Black women, performances of excess and the power of saying no.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 1, p. 29, doi. 10.1386/smt.6.1.29_1
- By:
- Publication type:
- Article
22
'If I Sing': Voice, singing and song.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 1, p. 3, doi. 10.1386/smt.6.1.3_2
- By:
- Publication type:
- Article
23
Performing Race on the Original-Practices Stage: A Call to Action.
- Published in:
- Shakespeare Bulletin, 2009, v. 27, n. 3, p. 425, doi. 10.1353/shb.0.0104
- By:
- Publication type:
- Article
24
Brazilian Black Theatre: A Political Theatre Against Racism.
- Published in:
- TDR: The Drama Review (MIT Press), 2019, v. 63, n. 1, p. 32, doi. 10.1162/dram_a_00815
- By:
- Publication type:
- Article
25
No Safe Spaces: Re-casting Race, Ethnicity, and Nationality in American Theater.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
26
Construction of Race in Southern Thoafre: From Federalism to the Federal Theatre Project.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
27
The Cambridge Companion to Shakespeare and Race.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
28
Esther Kim Lee. Made-Up Asians: Yellowface During the Exclusion Era.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
29
Backpages 34.3.
- Published in:
- Contemporary Theatre Review, 2024, v. 34, n. 3, p. 394, doi. 10.1080/10486801.2024.2389709
- Publication type:
- Article
30
British Muslim Feminisms on Stage.
- Published in:
- Contemporary Theatre Review, 2018, v. 28, n. 3, p. 378, doi. 10.1080/10486801.2018.1475361
- By:
- Publication type:
- Article
31
Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space.
- Published in:
- Contemporary Theatre Review, 2016, v. 26, n. 2, p. 211, doi. 10.1080/10486801.2016.1143820
- By:
- Publication type:
- Article
32
Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945 ed. by Cheryl Black and Jonathan Shandell (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
33
Weyward Macbeth: Intersections of Race and Performance.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
34
The Blackness Within: Early Modern Color-concept, Physiology and Aaron the Moor in Shakespeare's Titus Andronicus.
- Published in:
- Mediterranean Studies (Manchester University Press), 2010, v. 19, n. 1, p. 86, doi. 10.2307/mediterraneanstu.19.2010.0086
- By:
- Publication type:
- Article