Rousseau and Favart at Fontainebleau, Pergolesi at Versailles.Published in:Journal for Eighteenth-Century Studies, 2009, v. 32, n. 4, p. 591, doi. 10.1111/j.1754-0208.2009.00229.xBy:CHARLTON, DAVIDPublication type:Article
Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique.Published in:Journal for Eighteenth-Century Studies, 2009, v. 32, n. 4, p. 607, doi. 10.1111/j.1754-0208.2009.00230.xBy:WENTZ, JEDPublication type:Article
OLD SLUTS AND DANGEROUS MINUETS: OR, THE UNDERLYING MUSICAL TENSIONS OF THE QUERELLE DES BOUFFONS.Published in:Eighteenth-Century Studies, 2012, v. 45, n. 4, p. 549, doi. 10.1353/ecs.2012.0059By:Higgins, GeoffreyPublication type:Article