OpenKinoAI: A Framework for Intelligent Cinematography and Editing of Live Performances.
- Published in:
- Leonardo, 2022, p. 373, doi. 10.1162/leon_a_02226
- By:
- Publication type:
- Article
Works matching DE "POST-production in motion pictures"
Results: 47
1
2
Towards assisting the decision‐making process for content creators in cinematic virtual reality through the analysis of movie cuts and their influence on viewers' behavior.
- Published in:
- International Transactions in Operational Research, 2023, v. 30, n. 3, p. 1245, doi. 10.1111/itor.13106
- By:
- Publication type:
- Article
3
The Magic of the Space: An interview with Niall Brady and Steve Fanagan about Room (2015).
- Published in:
- New Soundtrack, 2016, v. 6, n. 2, p. 159, doi. 10.3366/sound.2016.0089
- By:
- Publication type:
- Article
4
Why use Linear Workflows with Non-linear Tools?
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 51, doi. 10.3366/sound.2016.0082
- By:
- Publication type:
- Article
5
'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037
- By:
- Publication type:
- Article
6
Digital Cinema: the Role of the Visual Effects Supervisor.
- Published in:
- 2012
- By:
- Publication type:
- Essay
7
An International Survey of Sound Effects in Early Cinema.
- Published in:
- Film History, 1999, v. 11, n. 4, p. 485
- By:
- Publication type:
- Article
8
Technology and aesthetics.
- Published in:
- Film History, 1999, v. 11, n. 1, p. 55
- By:
- Publication type:
- Article
9
The challenge of sound restoration from 1927 to digital.
- Published in:
- Film History, 1995, v. 7, n. 3, p. 264
- By:
- Publication type:
- Article
10
RASTOS MEDŽIA GOS KINO IMPLIKACIJOS PRAEITIES PASAKOJIMŲ VERTINIMUI . SERGEJAUS LOZNICOS FILMO PASIRODYMAS ATVEJIS.
- Published in:
- 2012
- By:
- Publication type:
- Case Study
11
One Take as a Technical and Organizational Challenge for Filmmakers in Poland.
- Published in:
- Quarterly Review of Film & Video, 2023, v. 40, n. 8, p. 1158, doi. 10.1080/10509208.2023.2225404
- By:
- Publication type:
- Article
12
¿Cómo escribir la historia del cine chileno de los sesenta?
- Published in:
- Revista Letral, 2022, n. 29, p. 209, doi. 10.30827/rl.vi29.24962
- By:
- Publication type:
- Article
13
'The curse of the thing is Technicolor blood: why need vampires be messier feeders than anyone else?': The BBFC and Hammer's Colour Films, 1957–1962'.
- Published in:
- Historical Journal of Film, Radio & Television, 2019, v. 39, n. 2, p. 233, doi. 10.1080/01439685.2018.1527065
- By:
- Publication type:
- Article
14
(Post)Production: Classifications and Infrastructures of Digital Visual Effects.
- Published in:
- Critical Studies in Media Communication, 2015, v. 32, n. 3, p. 161, doi. 10.1080/15295036.2015.1045304
- By:
- Publication type:
- Article
15
A STUDY ON THE EDITING FREQUENCIES TRENDS FOR FILMS EMOTION CLIPS.
- Published in:
- International Journal of Organizational Innovation, 2017, v. 9, n. 3, p. 40
- By:
- Publication type:
- Article
16
PRO TOOLS, PLAYBACK, AND THE VALUE OF POSTPRODUCTION SOUND LABOR IN CANADA.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2015, n. 76, p. 37, doi. 10.7560/VLT7604
- By:
- Publication type:
- Article
17
Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
18
Reading the Title Sequence (Vorspann, Générique).
- Published in:
- Cinema Journal, 2009, v. 48, n. 4, p. 44, doi. 10.1353/cj.0.0142
- By:
- Publication type:
- Article
19
Digital Cinematography: Evolution of Craft or Revolution in Production?
- Published in:
- Journal of Film & Video, 2014, v. 66, n. 2, p. 3, doi. 10.5406/jfilmvideo.66.2.0003
- By:
- Publication type:
- Article
20
THE EDITING ROOM HANDBOOK: HOW TO TAME THE CHAOS OF THE EDITING ROOM, 4TH ED.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
21
La duración del plano en el videoclip: hacia una categorización de los recursos formales en el vídeo musical contemporáneo.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2017, v. 22, n. 42, p. 35, doi. 10.1387/zer.17796
- By:
- Publication type:
- Article
22
"بعض قضايا المنهج: في علوم السياسة والتاريخ والقانون والديموغرافيا".
- Published in:
- Arab Policy / Siyasat Arabiya, 2023, v. 11, n. 60, p. 157
- By:
- Publication type:
- Article
23
CONSTRUCTING REALITY: SOUND DESIGN IN REALISTIC CINEMA.
- Published in:
- Porte Akademik: Journal of Music & Dance Studies / Porte Akademik Müzik ve Dans Araştırmaları Dergisi, 2015, v. 11, p. 46
- By:
- Publication type:
- Article
24
Smooth movement/Frenetic motion/flicker - Vice Versa Et Cetera.
- Published in:
- Animation Practice, Process & Production, 2012, v. 1, n. 2, p. 347, doi. 10.1386/ap3.1.2.347_1
- By:
- Publication type:
- Article
25
Neuroanimatics: Hyperrealism and digital animation's accidental mark.
- Published in:
- Animation Practice, Process & Production, 2012, v. 1, n. 2, p. 315, doi. 10.1386/ap3.1.2.315_1
- By:
- Publication type:
- Article
26
Seeking Spoilage: The Impact of Content Challenge, Self-Control, and Traits on Spoiler Selection.
- Published in:
- Journal of Broadcasting & Electronic Media, 2022, v. 66, n. 3, p. 440, doi. 10.1080/08838151.2022.2110593
- By:
- Publication type:
- Article
27
Correcting geometric distortions in stereoscopic 3D imaging.
- Published in:
- PLoS ONE, 2018, v. 13, n. 10, p. 1, doi. 10.1371/journal.pone.0205032
- By:
- Publication type:
- Article
28
Gives Credit.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
29
Montadoras como espectadoras.
- Published in:
- Revista Estudos Feministas, 2023, v. 31, n. 3, p. 1, doi. 10.1590/1806-9584-2023v31n387554
- By:
- Publication type:
- Article
30
Where to look at the movies: Analyzing visual attention to understand movie editing.
- Published in:
- Behavior Research Methods, 2023, v. 55, n. 6, p. 2940, doi. 10.3758/s13428-022-01949-7
- By:
- Publication type:
- Article
31
Como el cielo después de llover: entreviendo y escuchando a Mercedes Gaviria Jaramillo.
- Published in:
- Imagofagia, 2023, n. 27, p. 338
- By:
- Publication type:
- Article
32
El montaje cinematográfico y la memoria.
- Published in:
- Pensamiento, Palabra y Obra, 2024, n. 31, p. 121, doi. 10.17227/ppo.num31-20075
- By:
- Publication type:
- Article
33
The Tambani project: A computer animation of The Greedy Hippo.
- Published in:
- Literator, 2012, v. 33, n. 1, p. 1, doi. 10.4102/lit.v33i1.27
- By:
- Publication type:
- Article
34
Effects of Continuity or Discontinuity in Actual Film Editing.
- Published in:
- Empirical Studies of the Arts, 2018, v. 36, n. 2, p. 222, doi. 10.1177/0276237417744590
- By:
- Publication type:
- Article
35
Predicting box office from the screenplay: A text analytical approach.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 2, p. 135, doi. 10.1386/josc.7.2.135_1
- By:
- Publication type:
- Article
36
Confluencias dieciochescas. Cartografías del saber en el siglo ilustrado.
- Published in:
- Cuadernos Dieciochistas, 2022, v. 23, p. 485
- By:
- Publication type:
- Article
37
Beyond Tautology? Audio-Visual Film Criticism.
- Published in:
- Film Criticism, 2016, v. 40, n. 1, p. 1, doi. 10.3998/fc.13761232.0040.113
- By:
- Publication type:
- Article
38
To Think the Home in Terms of the Factory: Social Reproduction, Postproduction and Home Movies in Godard and Miéville.
- Published in:
- Third Text, 2017, v. 31, n. 1, p. 79, doi. 10.1080/09528822.2017.1364548
- By:
- Publication type:
- Article
39
Programming gender: surveillance, identity, and paranoia in Ex Machina.
- Published in:
- Cultural Studies, 2023, v. 37, n. 1, p. 46, doi. 10.1080/09502386.2022.2042575
- By:
- Publication type:
- Article
40
Writing Australian History On-Screen: Television and Film Period Dramas "Down Under": Edited by Jo Parnell and Julie Anne Taddeo. Lanham: Lexington Books, 2023. Pp. 216. US$95.00 paper.
- Published in:
- Australian Historical Studies, 2024, v. 55, n. 2, p. 411, doi. 10.1080/1031461X.2024.2330140
- By:
- Publication type:
- Article
41
The Third Division of Production: Post Production.
- Published in:
- TechTrends: Linking Research & Practice to Improve Learning, 2011, v. 55, n. 1, p. 12, doi. 10.1007/s11528-011-0459-y
- By:
- Publication type:
- Article
42
Examining the Chinese-Australian post-production relationship through Chinese audiences’ cinema experience.
- Published in:
- Studies in Australasian Cinema, 2017, v. 11, n. 3, p. 122, doi. 10.1080/17503175.2017.1385143
- By:
- Publication type:
- Article
43
New Ethnographic Film in the New China.
- Published in:
- Visual Anthropology Review, 2014, v. 30, n. 1, p. 1, doi. 10.1111/var.12026
- By:
- Publication type:
- Article
44
«Pläne sind schön; aber Improvisieren besser»: Der Briefwechsel Scheuermeier-Jud von Anfang 1919 bis Mitte 1920.
- Published in:
- Vox Romanica: Annales Helvetici Explorandis Linguis Romanicis Destinati, 2023, v. 82, n. 1, p. 21, doi. 10.24053/VOX-2023-002
- By:
- Publication type:
- Article
45
The play of parallel editing in Hong Sangsoo's The Day After.
- Published in:
- Journal of Japanese & Korean Cinema, 2023, v. 15, n. 1, p. 70, doi. 10.1080/17564905.2022.2121595
- By:
- Publication type:
- Article
46
Creative Titles.
- Published in:
- Music, Sound & the Moving Image, 2014, v. 8, n. 2, p. 179, doi. 10.3828/msmi.2014.11
- By:
- Publication type:
- Article
47
Introduction: The Future of Sound Studies.
- Published in:
- Music, Sound & the Moving Image, 2008, v. 2, n. 2, p. 109, doi. 10.3828/msmi.2.2.2
- By:
- Publication type:
- Article