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THE POLYCHROME CERAMICS OF TUTUTEPEC (YUCU DZAA), OAXACA, MEXICO: ICONOGRAPHY AND IDEOLOGY.
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- Ancient Mesoamerica, 2016, v. 27, n. 2, p. 389, doi. 10.1017/S0956536116000213
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CONSERVATION OF POLYCHROME WOOD - PRINCIPLES AND CASE STUDY.
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- Pro Ligno, 2015, v. 11, n. 4, p. 545
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John J. Earley's Mosaic Concrete Art: Gods, saints, and battle maps.
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- Concrete International, 2019, v. 41, n. 3, p. 27
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UNRAVELLING THE GORDIAN KNOT: COMBINING TECHNOLOGIES TO ANALYSE ROCK ART IN PLEITO CAVE.
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- Proceedings of the Society for California Archaeology, 2016, v. 30, p. 183
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Jožef Straub in Slovenia, research and conservation-restoration interventions.
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- Journal for Protection of Monuments / Varstvo Spomenikov, 2019, n. 51, p. 69
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CHARACTERIZATION AND EXAMINATION OF PIGMENTS, GROUNDS AND MEDIA FROM ANCIENT EGYPTIAN CARTONNAGE.
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- Egyptian Journal of Archaeological & Restoration Studies, 2014, v. 4, n. 1, p. 35
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A complete Raman study of common acid red dyes: application to the identification of artistic materials in polychrome prints.
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- Journal of Raman Spectroscopy, 2017, v. 48, n. 4, p. 601, doi. 10.1002/jrs.5082
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Radiocarbon dating of lead white: novel application in the study of polychrome sculpture.
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- Scientific Reports, 2021, v. 11, n. 1, p. 1, doi. 10.1038/s41598-021-91814-y
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PROTEOMICS TOOLS FOR THE CONTEMPORARY IDENTIFICATION OF PROTEINACEOUS BINDERS IN GILDED SAMPLES.
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- International Journal of Conservation Science, 2015, v. 6, p. 507
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THE VERMEILLONNER, AN ORIGINAL SEVENTEENTH CENTURY FRENCH GILDING TECHNIQUE, ALSO USED IN SPAIN (BRONCEADO) AND PORTUGAL (FOSCADO) DURING THE EIGHTEENTH CENTURY.
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- International Journal of Conservation Science, 2015, v. 6, p. 487
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POLYCHROME SCULPTURES OF ST. FRANCIS OF ASSISI CHURCH, OLD GOA: A CHALLENGE IN SCIENTIFIC CONSERVATION.
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- International Journal of Conservation Science, 2015, v. 6, p. 465
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- Article
CREATING THE ILLUSION: THE MARBLE AND STONE-LIKE DECORATION OF THE MAIN ALTARPIECE OF ST. FRANCIS CHURCH, IN VISEU.
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- International Journal of Conservation Science, 2015, v. 6, p. 473
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Vaquerías ceramics: a techno-stylistic study of the earliest polychrome pottery in the Argentine Northwest.
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- Antiquity, 2020, v. 94, n. 373, p. 62, doi. 10.15184/aqy.2019.239
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- Article
Pigments characterization of polychrome vases production at Lipára: New insights by noninvasive spectroscopic methods.
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- XRS: X-ray Spectrometry, 2018, v. 47, n. 1, p. 46, doi. 10.1002/xrs.2810
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Coloring the Book in Ming-Qing China: Polychrome Woodblock Printing, ca. 1600-1900.
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- Quarterly Journal of Chinese Studies, 2015, v. 3, n. 3, p. 33
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Holy Corn. Interdisciplinary Study of a Mexican 16th-Century Polychrome Maize Stem, Paper, and Colorín Wood Sculpture.
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- Heritage (2571-9408), 2021, v. 4, n. 3, p. 1538, doi. 10.3390/heritage4030085
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In Response.
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- NCECA Journal, 2013, v. 34, p. 37
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Non-invasive dendrochronology of late-medieval objects in Oslo: refinement of a technique and discoveries.
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- Applied Physics A: Materials Science & Processing, 2017, v. 123, n. 6, p. 1, doi. 10.1007/s00339-017-1019-x
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The altarpieces of Della Robbia atelier in Marche region: investigations on technology and provenance.
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- Applied Physics A: Materials Science & Processing, 2013, v. 113, n. 4, p. 1129, doi. 10.1007/s00339-013-7784-2
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A THIRD LATE SAXON FLOOR TILE FROM LONDON.
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- Transactions of the London & Middlesex Archaeological Society, 2013, v. 64, p. 105
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Chryselephantine and polychrome: Richard Cockle Lucas and the effect of coloured ivories in mid-Victorian Britain.
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- Sculpture Journal, 2014, v. 23, n. 2, p. 159, doi. 10.3828/sj.2014.16
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Transparent forms: tinting, whiteness and John Gibson's Venus.
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- Sculpture Journal, 2014, v. 23, n. 2, p. 185, doi. 10.3828/sj.2014.18
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A New Palette: Reassessing the Development of Enamel Colors in Early Eighteenth-Century China.
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- Journal of Glass Studies, 2022, v. 64, p. 147
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The introduction of the glaze in al-Andalus: Technological waves and Oriental influences.
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- Libyan Studies, 2020, v. 51, p. 87, doi. 10.1017/lis.2020.8
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Scientific investigation by technical photography, OM, ESEM, XRF, XRD and FTIR of an ancient Egyptian polychrome wooden coffin.
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- Conservar Património, 2017, n. 26, p. 51, doi. 10.14568/cp2017008
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