CINE Y REVOLUCIÓN EN LOS AÑOS SESENTA LATINOAMERICANOS. LA VIOLENCIA COMO TEMA EN EL CINE DE INTERVENCIÓN POLÍTICA (URUGUAY, BRASIL Y ARGENTINA).Published in:Historia y Espacio, 2016, n. 46, p. 1By:Alvira, PabloPublication type:Article
LA TETA ASUSTADA (PERÚ, 2009) DE CLAUDIA LLOSA: ¿MEMORIA U OLVIDO?Published in:Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 421By:Lillo, GastónPublication type:Article
MEMORIA E IMPUNIDAD A TRAVÉS DEL IMAGINARIO CINEMATOGRÁFICO: LA MUJER SIN CABEZA (LUCRECIA MARTEL, 2008) Y EL SECRETO DE SUS OJOS (JUAN JOSÉ CAMPANELLA, 2009).Published in:Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 377By:Moraña, AnaPublication type:Article
Cinema of the Dark Side: Atrocity and the Ethics of Film Spectatorship.Published in:2017By:Maus, Derek C.Publication type:Book Review
Kampfplatz Kino: Filme als Gegenstand politischer Gewalt in der Bundesrepublik.Published in:Tel Aviver Jahrbuch für Deutsche Geschichte, 2014, v. 42, p. 161By:Ebbrecht-Hartmann, TobiasPublication type:Article
Book Review: Ruth Glynn, Giancarlo Lombardi and Alan O’Leary (eds): Terrorism, Italian Style: Representations of Political Violence in Contemporary Italian Cinema.Published in:2013By:Hajek, AndreaPublication type:Book Review
NO, THE ACT OF KILLING IS NOT UNETHICAL.Published in:2014By:van Klinken, GerryPublication type:Film/TV Criticism and Review
“MISSING VICTIMS” OF THE 1965–66 VIOLENCE IN INDONESIA: Representing Impunity On-screen in The Act of Killing.Published in:2014By:Hearman, VannessaPublication type:Film/TV Criticism and Review