POSES, POSSES E CENÁRIOS: AS FOTOGRAFIAS COMO NARRATIVAS DA CONQUISTA DA EUROPA.Published in:Revista Estudos Feministas, 2012, v. 20, n. 2, p. 525, doi. 10.1590/S0104-026X2012000200013By:Goulart Carrijo, GilsonPublication type:Article
Imag(in)ing Trans Partnerships: Collaborative Photography and Intimacy.Published in:2014By:Davidmann, SaraPublication type:Case Study
PHOTOGRAPHY, PERFORMANCE, AND THE MAKING OF FEMALE IMAGES IN MODERN CHINA.Published in:Journal of Women's History, 2005, v. 17, n. 4, p. 56, doi. 10.1353/jowh.2005.0054By:Laikwan PangPublication type:Article
Whipping the Binary.Published in:Photography & Culture, 2014, v. 7, n. 3, p. 303, doi. 10.2752/175145214X14153800234892By:Levine, J. J.Publication type:Article
Diane Arbus's Women and Transvestites: Separate Selves.Published in:History of Photography, 1992, v. 16, n. 1, p. 34, doi. 10.1080/03087298.1992.10442519By:Hulick, Diana EmeryPublication type:Article