"The Negro As He Really Is": W. E. B. Du Bois and Arthur Radclyffe Dugmore.Published in:Exposure (00988863), 2013, v. 46, n. 1, p. 36By:Dimock, GeorgePublication type:Article
Marcia Michael Subverts the Post-Colonial Gaze.Published in:Exposure (00988863), 2011, v. 44, n. 2, p. 14By:Mestrich, QianaPublication type:Article
The Photographer's Intent: Understanding the Narratives We Amplify.Published in:2020By:Kropf, Aleisha L.Publication type:Editorial
Capturing Racial Pathology: American Medical Photography in the Era of Jim Crow.Published in:American Journal of Public Health, 2020, v. 110, n. 1, p. 75, doi. 10.2105/AJPH.2019.305357By:Kenny, Stephen C.Publication type:Article
Photographing Handsworth: photography, meaning and identity in a British inner city.Published in:2012By:Connell, KieranPublication type:Case Study
The Likeness of Fugitivity: William Notman's Carte-de-visite Portrait of John Anderson.Published in:2013By:Boone, EmiliePublication type:Essay
Envisioning Emancipation: Black Americans and the End of Slavery.Published in:2014Publication type:Book Review
Colored Photographs: A Question of Infrastructure.Published in:2017By:FERRARI, LUDMILAPublication type:Image
MELUS Multi-Ethnic Literature of the United States Volume 39, Number 2 Summer 2014 - Front Cover.Published in:2014Publication type:Cover Art