Lost at Sea: Intermedial Encounters in the Films of Janie Geiser.
- Published in:
- Grey Room, 2009, v. 36, p. 114, doi. 10.1162/grey.2009.1.36.114
- By:
- Publication type:
- Article
Works matching DE "PHOTOGRAPHY in motion pictures"
Results: 21
1
2
From Photography to Film and Back Again Helmar Lerski's Dramaturgy of the Human Face.
- Published in:
- Monatshefte, 2017, v. 109, n. 2, p. 229, doi. 10.3368/m.109.2.229
- By:
- Publication type:
- Article
3
Transcendence and The Tree of Life: Beyond the Face of the Screen with Terrence Malick, Emmanuel Levinas, and Roland Barthes.
- Published in:
- Journal for the Study of Religion, Nature & Culture, 2014, v. 8, n. 3, p. 329, doi. 10.1558/jsrnc.v8i3.329
- By:
- Publication type:
- Article
4
Photography, postmemory and touch in Pedro Almodóvar's Madres paralelas.
- Published in:
- Screen, 2023, v. 64, n. 4, p. 446, doi. 10.1093/screen/hjad037
- By:
- Publication type:
- Article
5
Photography and the Representation of History in Georges Perec's Ellis Island: Tales of Vagrancy and Hope.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
6
ARTE Y SENSACIONALISMO: LA FOTOGRAFÍA EN FEMME FATALE.
- Published in:
- Aposta, 2010, n. 45, p. 1
- By:
- Publication type:
- Article
7
Picturing Family Histories.
- Published in:
- Scandinavian Studies, 2010, v. 82, n. 4, p. 439, doi. 10.2307/25769044
- By:
- Publication type:
- Article
8
To Make You See: Photography as Intermedial Resource in Theatre and Film Adaptation (Closer and The Winter Guest).
- Published in:
- Adaptation, 2015, v. 8, n. 2, p. 176, doi. 10.1093/adaptation/apv008
- By:
- Publication type:
- Article
9
The True Meaning of Pictures: Shelby Lee Adams' Appalachia (2002).
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
10
Photographs in the Film Paris, Texas as a Specific Text.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
Stereo Visual Culture: Between the Documentary and Entertainment.
- Published in:
- International Journal of the Image, 2013, v. 3, n. 4, p. 9, doi. 10.18848/2154-8560/cgp/v03i04/44095
- By:
- Publication type:
- Article
12
"Something from Nothing": How Digital Art Recreates the Image.
- Published in:
- International Journal of the Image, 2013, v. 3, n. 3, p. 85, doi. 10.18848/2154-8560/cgp/v03i03/44091
- By:
- Publication type:
- Article
13
The Photograph as Gendered Arbiter of Truth in Contemporary Detective Films.
- Published in:
- International Journal of the Image, 2011, v. 1, n. 4, p. 29, doi. 10.18848/2154-8560/cgp/v01i04/44228
- By:
- Publication type:
- Article
14
MUSIC IN MOTION.
- Published in:
- 1970
- Publication type:
- Book Review
15
Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films.
- Published in:
- Comparative Studies of South Asia, Africa, & the Middle East, 2010, v. 30, n. 1, p. 69, doi. 10.1215/1089201x-2009-052
- By:
- Publication type:
- Article
16
"See Mr. Ince…".
- Published in:
- Image, 1956, v. 5, n. 5, p. 100
- By:
- Publication type:
- Article
17
THE HEYDAY OF THE MAGIC LANTERN.
- Published in:
- Image, 1954, v. 3, n. 3, p. 21
- By:
- Publication type:
- Article
18
Reflexiones sobre el cine y la fotografía social en "Ciudad de Dios".
- Published in:
- Athenea Digital (Revista de Pensamiento e Investigación Social), 2009, p. 21
- By:
- Publication type:
- Article
19
Soft power.
- Published in:
- Journal of Chinese Cinemas, 2016, v. 10, n. 1, p. 30, doi. 10.1080/17508061.2016.1139798
- By:
- Publication type:
- Article
20
Stasis and statuary in Bazinian cinema.
- Published in:
- Critical Quarterly, 2011, p. 107, doi. 10.1111/j.1467-8705.2011.00046.x
- By:
- Publication type:
- Article
21
Toward a Transnational African Cinema: Image and Authenticity in La Vie sur terre.
- Published in:
- Black Camera: The New Series, 2012, v. 3, n. 2, p. 8, doi. 10.2979/blackcamera.3.2.8
- By:
- Publication type:
- Article