Imaging Axis Terror: War Propaganda and the 1943 "The Nature of the Enemy" Exhibition at Rockefeller Center.Published in:Amerikastudien, 2020, v. 65, n. 1, p. 85, doi. 10.33675/amst/2020/1/8By:DECKER, CHRISTOFPublication type:Article
Photography and Scale: Projection, Exhibition, Collection.Published in:2015By:Lugon, OlivierPublication type:Essay
Creative Collaborations: Australian Photomurals and International Expositions 1937–40.Published in:History of Photography, 2021, v. 45, n. 2, p. 162, doi. 10.1080/03087298.2022.2027139By:De Lorenzo, CatherinePublication type:Article
The Big Picture: The Materiality of Size in Ansel Adams's Large-Scale Works.Published in:History of Photography, 2019, v. 43, n. 4, p. 380, doi. 10.1080/03087298.2019.1798646By:Taylor, LauriePublication type:Article
Urban photography as counter-monument in Urruzola's Miradas ausentes (en la calle).Published in:Journal of Romance Studies, 2013, v. 13, n. 3, p. 32, doi. 10.3828/jrs.13.3.32By:Rojinsky, DavidPublication type:Article