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CATASTROPHE AND FINITUDE IN LEE CHANG DONG'S PEPPERMINT CANDY: TEMPORALITY, NARRATIVE, AND KOREAN HISTORY.
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- Post Script, 2008, v. 27, n. 3, p. 132
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- Article
EDOITORIAL.
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- Asian Cinema, 2012, v. 23, n. 2, p. 125
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- Article
Gendered trauma in Korean cinema: Peppermint Candy and My Own Breathing.
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- New Cinemas: Journal of Contemporary Film, 2011, v. 8, n. 3, p. 179, doi. 10.1386/ncin.8.3.179_1
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- Article