Performanz und Essentialismus von Geschlecht bei Kleist: Eine doppelte Dialektik zwischen Subordination und Handlungsfähigkeit.Published in:2011By:Schmidt, RicardaPublication type:Literary Criticism
"Make Music, Women, Music!": The Amazonian Power of Music in Heinrich von Kleist's Penthesilea (1808).Published in:2011By:Emm, AmyPublication type:Essay
"Weil ich der raschen Lippe Herr nicht bin": Oral Transgression as Enlightenment Disavowal in Kleist's Penthesilea.Published in:2006By:Benbow, Heather MerlePublication type:Literary Criticism
Forging Feeling: Kleist's Theatrical Theory of Re-layed Emotionality.Published in:MLN, 2009, v. 124, n. 3, p. 666, doi. 10.1353/mln.0.0151By:Pahl, KatrinPublication type:Article
The Amazon State in Kleist's Penthesilea: Revolutionary Republic of Female Liberation or Anti-individualistic Totalitarianism?Published in:2009By:Oergel, MaikePublication type:Essay
Theater and Film, or "Adolphe Appia and Me": A Discussion with Hans-Jürgen Syberberg.Published in:2010By:Cardullo, BertPublication type:Interview
The Gorgon Effect: The Witness's Report as a Device for Multimodal Emotional Engagement.Published in:Texas Studies in Literature & Language, 2024, v. 66, n. 4, p. 422By:Enoch, Taylor;E. Rasche, Samuel;Gambino, Renata;Pulvirenti, GraziaPublication type:Article