EVIDENCE FOR AND AGAINST AUDIENCE-ACTOR CONTACT IN ARISTOPHANES (PAX 877–906, ACH. 257–83, THESM. 659–87 AND NUB. 275–355).Published in:2015By:DONELAN, JASPER F.Publication type:Literary Criticism
Triumph of Hilarity? Some Reflections on the Structure and Function of the Final Scenes in Aristophanic Comedy.Published in:Trends in Classics, 2016, v. 8, n. 1, p. 33, doi. 10.1515/tc-2016-0003By:Pirrotta, SerenaPublication type:Article
Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs.Published in:2008By:Pearcy, Lee T.Publication type:Book Review
Aristophanes in Greek shadow theatre: codification and adaptation of Peace and Frogs performed by Evgenios Spatharis.Published in:Byzantine & Modern Greek Studies, 2018, v. 42, n. 1, p. 151, doi. 10.1017/byz.2017.20By:Kanellakis, DimitriosPublication type:Article
Aristophanes: Lysistrata, The Women's Festival and Frogs/Aristophanes: Acharnians, Knights, and Peace.Published in:2012By:Bondari, KatrinaPublication type:Book Review
The Rejected Eagle in Aristophanes' Peace.Published in:2017By:Mann, KristinPublication type:Literary Criticism