Imaging Silence - Representing Women: Moufida Tlatli's Silences of the Palace and North African Feminist Cinema.Published in:Quarterly Review of Film & Video, 2007, v. 24, n. 4, p. 353, doi. 10.1080/10509200500526802By:Salhi, KamalPublication type:Article
Memory as allegory: the spectre of incest and the (re)naming of the father in Moufida Tlatli's The Silences of the Palace (1994).Published in:Critical Arts: A South-North Journal of Cultural & Media Studies, 2007, v. 21, n. 1, p. 47, doi. 10.1080/02560040701398772By:Zayzafoon, Lamia Ben YoussefPublication type:Article
Issues of Problematic Identity in The Terror (1963) and The Haunted Palace (1963).Published in:2008By:AULD, FRANCESPublication type:Film/TV Criticism and Review
Chants et vies de femmes dans Les Silences du palais de Moufida Tlatli.Published in:International Journal of Francophone Studies, 2006, v. 9, n. 2, p. 223, doi. 10.1386/ijfs.9.2.223_1By:Peysson-Zeiss, AgnèsPublication type:Article