"What Does Art Have to Do with a Guy Eating a Live Octopus?": The Transpacific Reception of Oldboy as an Art/Non‐Art Film.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
Works about PAK, Ch'an-uk, 1963-
Results: 32
1
2
The Profanation of the Priest: Park Chan-wook's Thirst.
- Published in:
- 2014
- By:
- Publication type:
- Essay
3
The Handmaiden.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
4
Love Your Enemies: Revenge and Forgiveness in Films by Park Chan-wook.
- Published in:
- Korean Studies, 2009, v. 33, p. 29, doi. 10.1353/ks.0.0026
- By:
- Publication type:
- Article
5
SOMEWHERE BETWEEN ANTI-HEROISM AND PANTOMIME: SONG KANG-HO AND THE UNCANNY FACE OF THE KOREAN CINEMA.
- Published in:
- Acta Koreana, 2011, v. 14, n. 1, p. 33, doi. 10.18399/acta.2011.14.1.003
- By:
- Publication type:
- Article
6
Hallyu and Film Adaptation: Maids of Decolonization in Park Chan-wook's The Handmaiden.
- Published in:
- Korea Journal, 2020, v. 60, n. 1, p. 128, doi. 10.25024/kj.2020.60.1.128
- By:
- Publication type:
- Article
7
From "Vengeance" to "Forgiveness": The Spectatorial Ek-stasis and Hitchcockian Cinematic Language in Park Chan-wook's Oldboy.
- Published in:
- Korea Journal, 2018, v. 58, n. 4, p. 60, doi. 10.25024/kj.2018.58.4.60
- By:
- Publication type:
- Article
8
The Acoustic Mirror and Subversive Visual Strategies in Park Chan Wook's The Handmaiden.
- Published in:
- CINEJ Cinema Journal, 2023, v. 11, n. 1, p. 170, doi. 10.5195/cinej.2023.446
- By:
- Publication type:
- Article
9
Lady Vengeance.
- Published in:
- 2006
- By:
- Publication type:
- Film/TV Criticism and Review
10
Unethical Adaptation: Indigenization and Sex in Chan-wook Park's The Handmaiden (2016).
- Published in:
- Adaptation, 2020, v. 13, n. 1, p. 1, doi. 10.1093/adaptation/apz009
- By:
- Publication type:
- Article
11
The Handmaiden.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
12
Mito y violencia en Oldboy.
- Published in:
- Arte y Políticas de Identidad, 2023, v. 28, p. 156, doi. 10.6018/reapi.537951
- By:
- Publication type:
- Article
13
Translating code-switching in the colonial context: Park Chan-wook's The Handmaiden.
- Published in:
- Translation & Interpreting Studies: The Journal of the American Translation & Interpreting Studies Association, 2022, v. 17, n. 2, p. 243, doi. 10.1075/tis.19075.cho
- By:
- Publication type:
- Article
14
From Old Boys to Quiet Dreams: Mapping Korean Art Cinema Today.
- Published in:
- Film Criticism, 2018, v. 42, n. 1, p. 14, doi. 10.3998/fc.13761232.0042.104
- By:
- Publication type:
- Article
15
DVD Reviews.
- Published in:
- Film International (16516826), 2008, v. 6, n. 6, p. 80, doi. 10.1386/fiin.6.6.80
- By:
- Publication type:
- Article
16
TRAUMA, EXCESS, AND THE AESTHETICS OF AFFECT: THE EXTREME CINEMAS OF CHAN-WOOK PARK.
- Published in:
- Post Script, 2014, v. 34, n. 1, p. 33
- By:
- Publication type:
- Article
17
THE POLITICAL UNCONSCIOUS OF PARK CHAN-WOOK: THE LOGIC OF REVENGE AND THE STRUCTURES OF GLOBAL CAPITALISM.
- Published in:
- 2008
- By:
- Publication type:
- Essay
18
Park Chan-wook's Critique of Moral Judgment: The Handmaiden (2016).
- Published in:
- Studies in the Humanities, 2017, v. 44/45, n. 1/2, p. 20
- By:
- Publication type:
- Article
19
The Pleasure of Mourning: Korean War Blockbusters in Post–Cold War South Korea, 1998–2008.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
20
A Cruel Beauty.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
21
Park Chan-wook's Decision to Leave.
- Published in:
- Brooklyn Rail, 2022, p. N.PAG
- By:
- Publication type:
- Article
22
In another time and place: The Handmaiden as an adaptation.
- Published in:
- Journal of Japanese & Korean Cinema, 2019, v. 11, n. 1, p. 1, doi. 10.1080/17564905.2018.1520781
- By:
- Publication type:
- Article
23
‘My name is Oh Dae-su’: a mirrored image of Oedipus in Park Chan-wook's Oldboy.
- Published in:
- Journal of Japanese & Korean Cinema, 2016, v. 8, n. 2, p. 127, doi. 10.1080/17564905.2016.1143307
- By:
- Publication type:
- Article
24
'You Can't Help But Feel Uncomfortable, Even Though You're Smiling': An interview with Park Chan-wook.
- Published in:
- Journal of Japanese & Korean Cinema, 2012, v. 4, n. 2, p. 185, doi. 10.1386/jjkc.4.2.185_7
- By:
- Publication type:
- Article
25
Towards humanity and redemption: The world of Park Chan-wook's revenge film trilogy.
- Published in:
- Journal of Japanese & Korean Cinema, 2012, v. 4, n. 2, p. 169, doi. 10.1386/jjkc.4.2.169_1
- By:
- Publication type:
- Article
26
Grand Guignol and littérature putride in contemporary Korean horror cinema: Park Chan-wook's cinematic translation of Zola's Thérèse Raquin.
- Published in:
- Journal of Japanese & Korean Cinema, 2012, v. 3, n. 2, p. 139, doi. 10.1386/jjkc.3.2.139_1
- By:
- Publication type:
- Article
27
UNBECOMING HUMAN.
- Published in:
- 2015
- By:
- Publication type:
- Essay
28
Oldboy and Korean film noir.
- Published in:
- Asian Cinema, 2012, v. 23, n. 2, p. 167, doi. 10.1386/ac.23.2.167_1
- By:
- Publication type:
- Article
29
Undoing Male Fantasies and Narrative Reliability in Park Chan-wook's The Handmaiden.
- Published in:
- Screen Bodies, 2018, v. 3, n. 2, p. 61, doi. 10.3167/screen.2018.030205
- By:
- Publication type:
- Article
30
THE EROTIC-GROTESQUE VERSUS FEMALE AGENCY IN COLONIAL KOREA IN PARK CHAN-WOOK'S THE HANDMAIDEN.
- Published in:
- Canadian Journal of Film Studies, 2020, v. 29, n. 2, p. 115, doi. 10.3138/cjfs-2019-0023
- By:
- Publication type:
- Article
31
Open Investigations.
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
32
VISIONARY VIOLENCE.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review