Sonic hyperrealism: illusions of a non-existent aural reality.
- Published in:
- New Soundtrack, 2014, v. 4, n. 2, p. 181, doi. 10.3366/sound.2014.0062
- By:
- Publication type:
- Article
Works matching DE "PAINTING from photographs"
Results: 18
1
2
EL SUPLICIO: ¿UNA ESCENIFICACIÓN NECESARIA EN NUESTROS DÍAS POSMODERNOS?
- Published in:
- Eidos, 2007, n. 6, p. 62
- By:
- Publication type:
- Article
3
NOTES AND QUERIES.
- Published in:
- Journal of Education, 1899, v. 50, n. 12, p. 210
- By:
- Publication type:
- Article
4
Idiom Post-medium: Richter Painting Photography.
- Published in:
- Oxford Art Journal, 2009, v. 32, n. 2, p. 263, doi. 10.1093/oxartj/kcp020
- By:
- Publication type:
- Article
5
WHY AN ARTIST IS AN ARTIST.
- Published in:
- 1922
- Publication type:
- Editorial
6
'Il Profilo Delle Nuvole': Luigi Ghirri's Photography and the 'New' Italian Landscape.
- Published in:
- Italian Studies, 2006, v. 61, n. 1, p. 114, doi. 10.1179/007516306X96719
- By:
- Publication type:
- Article
7
Readers' Queries.
- Published in:
- 2005
- By:
- Publication type:
- Question & Answer
8
The Success of a Photographer: Culture, Commerce, and Ideology in the Work of E. O. Hoppé.
- Published in:
- Oxford Art Journal, 2003, v. 26, n. 2, p. 23, doi. 10.1093/oxartj/26.2.23
- By:
- Publication type:
- Article
9
Edward Steichen's Self-portraits.
- Published in:
- History of Photography, 1998, v. 22, n. 1, p. 65, doi. 10.1080/03087298.1998.10443919
- By:
- Publication type:
- Article
10
Steichen and the Photography-as-Art Debate Silencing the Cuckoo's Call.
- Published in:
- History of Photography, 1993, v. 17, n. 4, p. 343, doi. 10.1080/03087298.1993.10442316
- By:
- Publication type:
- Article
11
David Octavius Hill and the Use of Photography as an Aid to Painting.
- Published in:
- History of Photography, 1991, v. 15, n. 1, p. 47, doi. 10.1080/03087298.1991.10443131
- By:
- Publication type:
- Article
12
"The painting is better.".
- Published in:
- C Magazine, 2013, n. 118, p. 15
- By:
- Publication type:
- Article
13
Electrophotographic Prints: Fabrication, Handling and Care.
- Published in:
- Image, 1980, v. 23, n. 2, p. 28
- By:
- Publication type:
- Article
14
Vedute Delia Camera: Nineteenth Century Views of Italy.
- Published in:
- Image, 1979, v. 22, n. 1, p. 1
- By:
- Publication type:
- Article
15
The Discursivity of Print: Damien Hirst's Series The Last Supper (1999).
- Published in:
- Visual Culture in Britain, 2008, v. 9, n. 1, p. 81
- By:
- Publication type:
- Article
16
Barrenness and Abjection? : The Iconography of the Wasteland in the Photographs and Collages of Julian Trevelyan, 1937-1938.
- Published in:
- Visual Resources: An International Journal of Documentation, 2009, v. 25, n. 3, p. 169, doi. 10.1080/01973760903122349
- By:
- Publication type:
- Article
17
"The film inscribes itself inside your body".
- Published in:
- 2014
- By:
- Publication type:
- Interview
18
SPIRITUAL CAPITAL AND THE COPY: PAINTING, PHOTOGRAPHY, AND THE PRODUCTION OF THE IMAGE IN EARLY TWENTIETH-CENTURY PALESTINE.
- Published in:
- Arab Studies Journal, 2017, v. 25, n. 2, p. 60
- By:
- Publication type:
- Article