Found: 8
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Gallop to Freedom: On the Importance of the Classical Sources for Gérôme’s Circus Maximus.
- Published in:
- Arion, 2023, v. 30, n. 3, p. 55, doi. 10.1353/arn.2023.0000
- By:
- Publication type:
- Article
Japonisme and the Birth of Cinema.
- Published in:
- 2022
- By:
- Publication type:
- Film/Television Criticism
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames.
- Published in:
- 2022
- By:
- Publication type:
- Film/Television Criticism
James Tweedie, Moving Pictures, Still Lives: Film, New Media and the Late Twentieth Century.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
Wölfflin and Film Style: Some Thoughts on a Poetics of Pictures.
- Published in:
- Journal of Aesthetics & Art Criticism, 2015, v. 73, n. 2, p. 178, doi. 10.1111/jaac.12165
- By:
- Publication type:
- Article
Robert Bresson's Modernist Canvas: The Gesture toward Painting in Au hasard Balthazar.
- Published in:
- Cinema Journal, 2012, v. 51, n. 2, p. 1, doi. 10.1353/cj.2012.0002
- By:
- Publication type:
- Article
Cuadros en movimiento: la pintura en el cine. Relaciones intermediales en La hora de los valientes (Mercero 1998) y Te doy mis ojos (Bollaín 2003).
- Published in:
- Olivar, 2011, v. 12, n. 16, p. 215
- By:
- Publication type:
- Article
LOW-LIFE CARAVAGGIO.
- Published in:
- History Today, 1986, v. 36, n. 5, p. 3
- Publication type:
- Article