Samuel Beckett: du discours descriptif, fictif et critique sur la peinture à la contiguïté du discursif et du pictural.Published in:Word & Image, 2011, v. 27, n. 2, p. 220, doi. 10.1080/02666286.2010.537518By:Taban, CarlaPublication type:Article
Felix Kelly and Brideshead.Published in:British Art Journal, 2005, v. 6, n. 2, p. 52By:Bassett, DonaldPublication type:Article
BY WAY OF DETOUR: THE EXPERIENCE OF THE INTERVAL IN PETER HANDKE'S SLOW HOMECOMING.Published in:2012By:Cosma, IoanaPublication type:Literary Criticism
Coleridge's 'Well Known Story' of the Painter and the 'Black Spots'.Published in:Notes & Queries, 2020, v. 67, n. 4, p. 529, doi. 10.1093/notesj/gjaa150By:Chandler, DavidPublication type:Article
Artistic Names in Austen's Fiction: Cameo Appearances by Prominent Painters.Published in:2009By:BARCHAS, JANINEPublication type:Literary Criticism
AnArtist of Spain's Generation of '27.Published in:Gay & Lesbian Review Worldwide, 2022, v. 29, n. 2, p. 27By:BORELLI, KENPublication type:Article