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AN ANALYSIS OF THE ESSENCE OF CHINESE OPERA AND VOCAL MUSIC FROM THE PERSPECTIVE OF HERMENEUTICS AND RECEPTION AESTHETICS.
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- Trans/Form/Ação, 2024, v. 47, n. 3, p. 1, doi. 10.1590/0101-3173.2024.v47.n3.e0240029
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- Article
Casting Light and Shadow.
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- Wagner Journal, 2024, v. 18, n. 2, p. 3
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- Article
Die Frau ohne Schatten: A Wagnerian Succession Story.
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- Wagner Journal, 2024, v. 18, n. 2, p. 4
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- Article
A Director Prepares: A Roundtable in the Rehearsal Room.
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- Wagner Journal, 2024, v. 18, n. 2, p. 33
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- Article
Palme d'Or.
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- Wagner Journal, 2024, v. 18, n. 2, p. 80
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An Affair to Forget.
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- Wagner Journal, 2024, v. 18, n. 2, p. 85
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Under the Sign of Tonality.
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- Wagner Journal, 2024, v. 18, n. 2, p. 91
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- Article
Tchaikovsky, Onegin, and the Art of Characterization.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 82, doi. 10.3390/arts13030082
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- Article
Progressive Rock from the Union of Soviet Composers.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 83, doi. 10.3390/arts13030083
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- Article
The Opera that Never was: Dylan Thomas and Igor Stravinsky’s Projected Collaboration.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 89, doi. 10.28914/Atlantis-2024-46.1.06
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Partenope by the Bay: Handel in San Francisco.
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- CounterPunch, 2024, p. 1
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- Article
Cultural Identity and the Revival of Buyi Opera at the Local, Regional, and National Levels: A Case Study of Traditional Chinese Culture.
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- International Journal of Critical Cultural Studies, 2024, v. 22, n. 1, p. 105, doi. 10.18848/2327-0055/CGP/v22i01/105-122
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- Article
Semiotic Perspectives on the Ring's Motivic Idiom and the Bases of Wagnerian Verfremdung.
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- International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 1, p. 3, doi. 10.21857/ydkx2cvl69
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- Article
Constructing Spaces of Knowledge in Türkiye: An Analysis of the Republican Period.
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- Journal of Gazi Academic View, 2024, v. 17, n. 34, p. 107, doi. 10.19060/gav.1498805
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- Article
Opera at the Movies: Operatic Mediation in the Twenty-First Century.
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- Music & the Moving Image, 2024, v. 17, n. 2, p. 18, doi. 10.5406/19407610.17.2.02
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- Article
Stories and Lessons from the World's Leading Opera, Orchestra Librarians, and Music Archivists.
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- Notes, 2024, v. 80, n. 4, p. 643, doi. 10.1353/not.2024.a928770
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- Article
The Musical Language of Italian Opera, 1813-1859.
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- Notes, 2024, v. 80, n. 4, p. 687, doi. 10.1353/not.2024.a928782
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- Article
Hamlet, Volume 1. Shakespeare: The Critical Tradition. Arden Shakespeare. Edited by Hardin AasandHamlet: The State of Play. Edited by Sonia Massai and Lucy Munro.
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- Shakespeare Quarterly, 2024, v. 75, n. 2, p. 158, doi. 10.1093/sq/quae018
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- Article
Chinese Cultural and Opera Stage Architectural Design for Urbanization Henan, China.
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- South Asian Journal of Social Sciences & Humanities, 2024, v. 5, n. 3, p. 114, doi. 10.48165/sajssh.2024.5307
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- Article
THE EPILOGUE OF THE MEFISTOFELE OPERA BY ARRIGO BOITO - SACRED CONNOTATIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 149, doi. 10.24193/subbmusica.2024.1.11
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THE USE OF THE HARMONIUM IN OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 181, doi. 10.24193/subbmusica.2024.1.13
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- Article
THE INNOVATIVE ELEMENT IN THE GENRE OF OPERA OR THE MODERNITY OF ARTISTIC EXPRESSION IN THE CONTEMPORARY LYRIC THEATER.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 211, doi. 10.24193/subbmusica.2024.1.15
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New Orleans and the Creation of Transatlantic Opera, 1819–1859.
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- 2024
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- Book Review
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School.
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- Journal of the Society for American Music, 2024, v. 18, n. 2, p. 128, doi. 10.1017/S1752196324000075
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FELIX BERNER DAS BÖSE WEIB (A ROSSZ FELESÉG, 1768) CÍMÛ OPERA BUFFÁJÁRÓL.
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- Korunk, 2024, n. 5, p. 3
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- Article
Gender, Writing, Spectatorships: Evenings at the Theatre, Opera, and Silent Screen in Late Nineteenth-Century Italy and Beyond.
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- 2024
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- Book Review
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution. David Charlton.
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- Music & Letters, 2024, v. 105, n. 2, p. 251, doi. 10.1093/ml/gcae011
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Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol.
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- Music & Letters, 2024, v. 105, n. 2, p. 254, doi. 10.1093/ml/gcae025
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Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination. Mark Everist.
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- Music & Letters, 2024, v. 105, n. 2, p. 255, doi. 10.1093/ml/gcae014
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- Article
Madama Butterfly/Madamu Batafurai: Transpositions of a 'Japanese Tragedy'. Arthur Groos.
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- Music & Letters, 2024, v. 105, n. 2, p. 265, doi. 10.1093/ml/gcae017
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- Article
Music in Twentieth-Century Oxford: New Directions. Robin Darwall-Smith and Susan Wollenberg.
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- Music & Letters, 2024, v. 105, n. 2, p. 267, doi. 10.1093/ml/gcae019
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- Article
The Stage Works of Philip Glass. Robert F. Waters.
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- Music & Letters, 2024, v. 105, n. 2, p. 277, doi. 10.1093/ml/gcae021
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Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives. Mark Delaere.
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- Music & Letters, 2024, v. 105, n. 2, p. 279, doi. 10.1093/ml/gcae022
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Opera Archeology, Opera Apocalypse.
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- 2024
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- Performance Review
Beginning a Career in New York in the Late 1960s.
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- VOICEPrints, 2024, v. 21, n. 5, p. 107
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Opera Theatres of War: La Forza del Destino at the Met.
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- CounterPunch, 2024, p. 1
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- Article
Research on character tone trend clustering of Kunqu Opera based on quantum adaptive genetic algorithm.
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- Digital Scholarship in the Humanities, 2024, v. 39, n. 1, p. 393, doi. 10.1093/llc/fqad074
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- Article
Politics and the Arts in Lisbon and Rome: The Roman Dream of John V of Portugal ed. by Pilar Diez del Corral Corredoira (review).
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- Eighteenth-Century Studies, 2024, v. 57, n. 3, p. 392, doi. 10.1353/ecs.2024.a923789
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Sydney Opera House Glass Walls: 50 Years On.
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- Glass Technology: European Journal of Glass Science & Technology Part A, 2024, v. 65, n. 2, p. 43
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Farewell to Congtai: The Writing of Wuhan and Han Opera Culture.
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- 2024
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- Literary Criticism
Epic, Intertexuality and Novelty - The Writing of Han Opera in Wei Min's Farewell to Congtai.
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- 2024
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- Literary Criticism
The performing arts combined: the triad of music, dance, and narrative.
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- Frontiers in Psychology, 2024, p. 1, doi. 10.3389/fpsyg.2024.1344354
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Unpinning Madama Butterfly.
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- American Quarterly, 2024, v. 76, n. 1, p. 141, doi. 10.1353/aq.2024.a921584
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- Article
Orfeo’s Last Act: A Novel in Two Parts.
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- 2024
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- Book Review
Theatre as Memory Site: Cultural Activities, Imaginaries, and Theatrical Things of a Regional Xiqu Theatre in Contemporary China.
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- Asian Theatre Journal, 2024, v. 41, n. 1, p. 50, doi. 10.1353/atj.2024.a927713
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- Article
Baby Bach Will be Heard.
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- CounterPunch, 2024, p. 1
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Oscar and Caesar, Horner and Handel.
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- CounterPunch, 2024, p. 1
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- Article
Community opera: A short introduction and a case study in Italy.
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- International Journal of Community Music, 2024, v. 17, n. 1, p. 19, doi. 10.1386/ijcm_00095_1
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Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera. By Melina Esse.
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- Notes, 2024, v. 80, n. 3, p. 528, doi. 10.1353/not.2024.a919050
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Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet.
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- Notes, 2024, v. 80, n. 3, p. 558, doi. 10.1353/not.2024.a919061
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- Article