Opera Addict: The Rake's Progress and W.H. Auden's Operatic Theory.
- Published in:
- 2016
- By:
- Publication type:
- Essay
Works matching DE "OPERA librettos"
Results: 73
1
2
Reading at the Opera.
- Published in:
- 2010
- By:
- Publication type:
- Essay
3
'A local habitation and a name': Britten Adapts Shakespeare.
- Published in:
- 2010
- By:
- Publication type:
- Essay
4
Notes for Notes.
- Published in:
- Notes, 2018, v. 75, n. 2, p. 269, doi. 10.1353/not.2018.0098
- Publication type:
- Article
5
Wagner's Visions: Poetry, Politics, and the Psyche in the Operas through Die Walküre.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
6
Auden and Britten's "Paul Bunyan" and the Frontiers of Opera.
- Published in:
- Modern Drama, 2011, v. 54, n. 4, p. 409, doi. 10.3138/md.54.4.409
- By:
- Publication type:
- Article
7
TRAVELLING WITH IMOINDA.
- Published in:
- Callaloo, 2015, v. 38, n. 3, p. 570, doi. 10.1353/cal.2015.0100
- By:
- Publication type:
- Article
8
Multivariate modeling of the collaboration between Luigi Illica and Giuseppe Giacosa for the librettos of three operas by Giacomo Puccini.
- Published in:
- Digital Scholarship in the Humanities, 2015, v. 30, n. 3, p. 405, doi. 10.1093/llc/fqu006
- By:
- Publication type:
- Article
9
THE TRANSNATIONAL DIMENSION OF SHAKESPEARE'S THE MERRY WIVES OF WINDSOR AS ADAPTED INTO OPERA BY RITTER AND DITTERSDORF.
- Published in:
- University of Bucharest Review: Literary & Cultural Studies Series, 2014, v. 4, n. 1, p. 97
- By:
- Publication type:
- Article
10
Ceyx and Alcyone: Notes for a 'Pocket Opera' in verse.
- Published in:
- 2013
- By:
- Publication type:
- Essay
11
Counting the Syllables: Paul Muldoon as Librettist.
- Published in:
- 2013
- By:
- Publication type:
- Essay
12
A LUDIC OPERA: POST-FICTION BY DAN DEDIU.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2015, v. 60, n. 1, p. 209
- By:
- Publication type:
- Article
13
DER GOLDENE SARG – DIE OPER DES "DEBUSSYS DER THEIßGEGEND" IM SPIEGEL IHRES TONSYSTEMS.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 161
- By:
- Publication type:
- Article
14
Essays: Modernismo Rumbero in Carpentier's and Caturla's Puppet Opera "Manita en el Suelo" (1931-1934).
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
15
'Wort oder Ton'? Reading the Libretto in Contemporary Opera.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 187, doi. 10.1080/07494467.2010.534929
- By:
- Publication type:
- Article
16
Fairy-tale Opera and the Crossed Desires of Words and Music.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 171, doi. 10.1080/07494467.2010.534925
- By:
- Publication type:
- Article
17
Outstaring the Sun: Contemporary Opera and the Literary Librettist.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 121, doi. 10.1080/07494467.2010.534917
- By:
- Publication type:
- Article
18
"What a wonderful piece of work is a woman!": Orlando and The Enigma of the Sexes.
- Published in:
- Via Panorâmica: A Journal of Anglo-American Studies / Revista de Estudos Anglo-Americanos, 2014, n. 3, p. 21
- By:
- Publication type:
- Article
19
The film-opera Aida (1953): intermediality and operatics.
- Published in:
- Journal of Adaptation in Film & Performance, 2009, v. 2, n. 1, p. 19, doi. 10.1386/jafp.2.1.19_1
- By:
- Publication type:
- Article
20
Playing Away : the construction and reception of a football opera (interview with the composer Benedict Mason).
- Published in:
- 2014
- By:
- Publication type:
- Interview
21
Enacting the Nation on Stage: Style, Subjects, and Themes in American opera librettos of the 1910s.
- Published in:
- Opera Journal, 2009, v. 42, n. 1/2, p. 3
- By:
- Publication type:
- Article
22
MONIUSZKO'S HALKA AND THE REVIVAL OF THE NOBLE TRADITIONS AT THE TEATR WIELKI.
- Published in:
- Polish Review, 2006, v. 51, n. 3/4, p. 325
- By:
- Publication type:
- Article
23
How Moral Is Fidelio? Didacticism in the Finales of Beethoven's Leonore Operas.
- Published in:
- Musical Quarterly, 2012, v. 95, n. 2/3, p. 396, doi. 10.1093/musqtl/gds025
- By:
- Publication type:
- Article
24
Taking liberties with English libretti.
- Published in:
- Essays in Criticism, 1994, v. 44, n. 2, p. 81, doi. 10.1093/eic/XLIV.2.81
- By:
- Publication type:
- Article
25
Four Saints in Three Acts.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
26
L'ADATTAMENTO DEI LIBRETTI ITALIANI ALLE OPERE SPAGNOLE DELLA PRIMA METÀ DELL'OTTOCENTO: DUE DRAMMATURGIE SOPRA UN SOLO ARGOMENTO.
- Published in:
- Rivista Italiana di Musicologia, 2008, v. 43, n. 1, p. 247
- By:
- Publication type:
- Article
27
IL 'PIRRO E DEMETRIO' DI ALESSANDRO SCARLATTI: FONTI SCONOSCIUTE E NOVITÀ DOCUMENTARIE FRA NAPOLI E L'EUROPA.
- Published in:
- Rivista Italiana di Musicologia, 2008, v. 43, n. 1, p. 3
- By:
- Publication type:
- Article
28
'A VERSIFYING MAID OF HONOUR': ANNE FINCH AND THE LIBRETTO FOR VENUS AND ADONIS.
- Published in:
- 2008
- By:
- Publication type:
- Literary Criticism
29
Translation as de- and reconstructing synsemiotic relationships: Contextual dimensions of opera libretto translation.
- Published in:
- Babel: International Journal of Translation / Revue Internationale de la Traduction / Revista Internacional de Traducción, 2024, v. 70, n. 1-2, p. 17, doi. 10.1075/babel.00371.agn
- By:
- Publication type:
- Article
30
The Baroque Libretto: Italian Operas and Oratorios in the Thomas Fisher Library at the University of Toronto. By Domenico Pietropaolo and Mary Ann Parker.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
31
Dvořák, his Librettists, and the Working Libretto for ‘Armida’.
- Published in:
- Music & Letters, 2010, v. 91, n. 4, p. 555, doi. 10.1093/ml/gcq101
- By:
- Publication type:
- Article
32
VICENZO BELLINI'S OPERA CREATION, A MEANS OF CULTURAL COMMUNICATION.
- Published in:
- International Journal of Communication Research, 2016, v. 6, n. 1, p. 84
- By:
- Publication type:
- Article
33
THE ITALIAN OPERA CREATION IN THE 19TH CENTURY, MEANS OF CULTURAL EDUCATION AND COMMUNICATION.
- Published in:
- International Journal of Communication Research, 2016, v. 6, n. 1, p. 37
- By:
- Publication type:
- Article
34
Weaving Texts for a Twentieth-Century Ulysses: Dallapiccola's Religious Vision in Ulisse.
- Published in:
- Italian Studies, 2005, v. 60, n. 1, p. 71, doi. 10.1179/its.2005.60.1.71
- By:
- Publication type:
- Article
35
Musical Chiaroscuro in French Baroque Opera: The Case of Abbé Pellegrin's Tragédies en Musique.
- Published in:
- Journal for Eighteenth-Century Studies, 2014, v. 37, n. 4, p. 443, doi. 10.1111/1754-0208.12199
- By:
- Publication type:
- Article
36
Le Livret d'opéra en France au XVIIIe siècle.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
37
"OR CHE I NUMI SON VINTI, A ME LA CETRA, A ME L'ALTAR!" KITHARA CONSTRUCTED FOR THE PREMIERE OF ARRIGO BOITO'S NERONE.
- Published in:
- Music in Art: International Journal for Music Iconography, 2015, v. 40, n. 1/2, p. 267
- By:
- Publication type:
- Article
38
A Libretto in Search of Music: The Strain of Collaborative Creation in William Carlos Williams's "The First President."
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
39
Dauberval's Le Siège de Cythère, 1791: A Commentary and Translation.
- Published in:
- Dance Chronicle, 1991, v. 14, n. 2/3, p. 175, doi. 10.1080/01472529108569066
- By:
- Publication type:
- Article
40
Le livret d'opéra en France au XVIII<sup>e</sup> siècle.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
41
Luigi Illica e il libretto dell' "Andrea Chénier".
- Published in:
- Studi Francesi, 2013, n. 170, p. 382, doi. 10.4000/studifrancesi.2960
- By:
- Publication type:
- Article
42
Challenges and Rewards of Surtitling as an Audiovisual Translation Mode: A Case Study of the Contemporary Opera Have a Good Day!
- Published in:
- Studies about Language / Kalbu Studijos, 2015, n. 26, p. 55, doi. 10.5755/j01.sal.0.26.12422
- By:
- Publication type:
- Article
43
The Willow Song in Verdi's Adaptation of Othello by William Shakespeare - an Interdisciplinary Approach.
- Published in:
- Philologica Jassyensia, 2014, v. 10, p. 491
- By:
- Publication type:
- Article
44
Chinese Chuanqi Opera in English: Directing The West Wing with Modern Music.
- Published in:
- Asian Theatre Journal, 2012, v. 29, n. 1, p. 183, doi. 10.1353/atj.2012.0016
- By:
- Publication type:
- Article
45
Verso "Bohème". Gli abbozzi del libretto negli archivi di Giuseppe Giacosa e Luigi Illica.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
46
Printed Interventions in Eighteenth-Century Librettos for the Performance of Italian Opera in London: The Roles of Commas, Inserts, and Pasteovers.
- Published in:
- Script & Print, 2013, v. 37, n. 3, p. 133
- By:
- Publication type:
- Article
47
French Opera in Print and on Stage in Antwerp: Three Generations of Antwerp Book Publishers and Their Opera Librettos (1682--1714).
- Published in:
- Journal of Seventeenth-Century Music, 2009, v. 15, n. 1, p. 1
- By:
- Publication type:
- Article
48
Nero in Opera: Librettos as Transformations of Ancient Sources. Transformationen der Antike, Bd. 24.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
49
Archives of the Dance (23): John Milton and Ruth Neils Ward Collection at The Harvard Theatre Collection, Harvard University & The Mikhail Larionov Archive at The State Tret'yakov Gallery, Moscow.
- Published in:
- Dance Research, 2010, v. 28, n. 2, p. 218, doi. 10.3366/drs.2010.0105
- By:
- Publication type:
- Article
50
'BEHOLD! THE LONG-AWAITED NEW HUNGARIAN OPERA HAS BEEN BORN!': DISCOURSES OF DENIAL AND PETROVICS'S C'EST LA GUERRE.
- Published in:
- Central Europe, 2003, v. 1, n. 2, p. 133, doi. 10.1179/ceu.2003.1.2.133
- By:
- Publication type:
- Article