'A VERSIFYING MAID OF HONOUR': ANNE FINCH AND THE LIBRETTO FOR VENUS AND ADONIS.
- Published in:
- 2008
- By:
- Publication type:
- Literary Criticism
Works matching DE "OPERA librettos"
Results: 73
1
2
Translation as de- and reconstructing synsemiotic relationships: Contextual dimensions of opera libretto translation.
- Published in:
- Babel: International Journal of Translation / Revue Internationale de la Traduction / Revista Internacional de Traducción, 2024, v. 70, n. 1-2, p. 17, doi. 10.1075/babel.00371.agn
- By:
- Publication type:
- Article
3
Time management at Turin’s Teatro Regio: Galuppi’s La clemenza di Tito and its alterations, 1759.
- Published in:
- Early Music, 2012, v. 40, n. 2, p. 279, doi. 10.1093/em/cas039
- By:
- Publication type:
- Article
4
Weaving Texts for a Twentieth-Century Ulysses: Dallapiccola's Religious Vision in Ulisse.
- Published in:
- Italian Studies, 2005, v. 60, n. 1, p. 71, doi. 10.1179/its.2005.60.1.71
- By:
- Publication type:
- Article
5
IPHIGÉNIE EN AULIDE (1774/5) BY DU ROULLET AND GLUCK IΝ THE LIGHT OF ITS RELATIONSHIP TO THE PLAYS BY EURIPIDES AND RACINE.
- Published in:
- Logeion: Periodiko gia to Archaio Theatro, 2023, n. 13, p. 212, doi. 10.26225/T58X-3R97
- By:
- Publication type:
- Article
6
A Libretto in Search of Music: The Strain of Collaborative Creation in William Carlos Williams's "The First President."
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
7
A LUDIC OPERA: POST-FICTION BY DAN DEDIU.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2015, v. 60, n. 1, p. 209
- By:
- Publication type:
- Article
8
DER GOLDENE SARG – DIE OPER DES "DEBUSSYS DER THEIßGEGEND" IM SPIEGEL IHRES TONSYSTEMS.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 161
- By:
- Publication type:
- Article
9
"OR CHE I NUMI SON VINTI, A ME LA CETRA, A ME L'ALTAR!" KITHARA CONSTRUCTED FOR THE PREMIERE OF ARRIGO BOITO'S NERONE.
- Published in:
- Music in Art: International Journal for Music Iconography, 2015, v. 40, n. 1/2, p. 267
- By:
- Publication type:
- Article
10
French Opera in Print and on Stage in Antwerp: Three Generations of Antwerp Book Publishers and Their Opera Librettos (1682--1714).
- Published in:
- Journal of Seventeenth-Century Music, 2009, v. 15, n. 1, p. 1
- By:
- Publication type:
- Article
11
Nero in Opera: Librettos as Transformations of Ancient Sources. Transformationen der Antike, Bd. 24.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
12
Enacting the Nation on Stage: Style, Subjects, and Themes in American opera librettos of the 1910s.
- Published in:
- Opera Journal, 2009, v. 42, n. 1/2, p. 3
- By:
- Publication type:
- Article
13
How Moral Is Fidelio? Didacticism in the Finales of Beethoven's Leonore Operas.
- Published in:
- Musical Quarterly, 2012, v. 95, n. 2/3, p. 396, doi. 10.1093/musqtl/gds025
- By:
- Publication type:
- Article
14
THE TRANSNATIONAL DIMENSION OF SHAKESPEARE'S THE MERRY WIVES OF WINDSOR AS ADAPTED INTO OPERA BY RITTER AND DITTERSDORF.
- Published in:
- University of Bucharest Review: Literary & Cultural Studies Series, 2014, v. 4, n. 1, p. 97
- By:
- Publication type:
- Article
15
Musical Chiaroscuro in French Baroque Opera: The Case of Abbé Pellegrin's Tragédies en Musique.
- Published in:
- Journal for Eighteenth-Century Studies, 2014, v. 37, n. 4, p. 443, doi. 10.1111/1754-0208.12199
- By:
- Publication type:
- Article
16
Le Livret d'opéra en France au XVIIIe siècle.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
17
Archives of the Dance (23): John Milton and Ruth Neils Ward Collection at The Harvard Theatre Collection, Harvard University & The Mikhail Larionov Archive at The State Tret'yakov Gallery, Moscow.
- Published in:
- Dance Research, 2010, v. 28, n. 2, p. 218, doi. 10.3366/drs.2010.0105
- By:
- Publication type:
- Article
18
MONIUSZKO'S HALKA AND THE REVIVAL OF THE NOBLE TRADITIONS AT THE TEATR WIELKI.
- Published in:
- Polish Review, 2006, v. 51, n. 3/4, p. 325
- By:
- Publication type:
- Article
19
Dramatic and Musical Intricacies in Wagner's Die Meistersinger.
- Published in:
- Opera Quarterly, 2001, v. 17, n. 2, p. 197, doi. 10.1093/oq/17.2.197
- By:
- Publication type:
- Article
20
Librettos: Autonomous or functional texts?
- Published in:
- Opera Quarterly, 1995, v. 11, n. 2, p. 81, doi. 10.1093/oq/11.2.81
- By:
- Publication type:
- Article
21
TRAVELLING WITH IMOINDA.
- Published in:
- Callaloo, 2015, v. 38, n. 3, p. 570, doi. 10.1353/cal.2015.0100
- By:
- Publication type:
- Article
22
Text Rendering in Eighteenth Century Recitativo Secco.
- Published in:
- Journal of Singing, 2009, v. 65, n. 5, p. 577
- By:
- Publication type:
- Article
23
Ariosto, Opera, and the 17th Century: Evolution in the Poetics of Delight by Edward Milton Anderson (review).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
24
ON ALAMUT, AN OPERA IN THREE ACTS, BY MATJAŽ JARC.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
25
AN ANALYTICAL COMPARISON BETWEEN PUCCINI'S TURANDOT - ACT II AND BUSONI'S TURANDOT - ACT I - SCENE 2.
- Published in:
- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 2, p. 13
- By:
- Publication type:
- Article
26
The film-opera Aida (1953): intermediality and operatics.
- Published in:
- Journal of Adaptation in Film & Performance, 2009, v. 2, n. 1, p. 19, doi. 10.1386/jafp.2.1.19_1
- By:
- Publication type:
- Article
27
Essays: Modernismo Rumbero in Carpentier's and Caturla's Puppet Opera "Manita en el Suelo" (1931-1934).
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
28
Playing Away : the construction and reception of a football opera (interview with the composer Benedict Mason).
- Published in:
- 2014
- By:
- Publication type:
- Interview
29
Challenges and Rewards of Surtitling as an Audiovisual Translation Mode: A Case Study of the Contemporary Opera Have a Good Day!
- Published in:
- Studies about Language / Kalbu Studijos, 2015, n. 26, p. 55, doi. 10.5755/j01.sal.0.26.12422
- By:
- Publication type:
- Article
30
Ceyx and Alcyone: Notes for a 'Pocket Opera' in verse.
- Published in:
- 2013
- By:
- Publication type:
- Essay
31
Counting the Syllables: Paul Muldoon as Librettist.
- Published in:
- 2013
- By:
- Publication type:
- Essay
32
Four Saints in Three Acts.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
33
Québécité: A Libretto in Three Cantos (First Draft).
- Published in:
- Canadian Theatre Review, 2002, n. 112, p. 27, doi. 10.3138/ctr.112.006
- By:
- Publication type:
- Article
34
REMARKS ON PUCCINI'S MELODIC STYLE: LA BOHÈME, TOSCA, AND MADAMA BUTTERFLY.
- Published in:
- Studi Musicali, 2008, v. 37, n. 2, p. 529
- By:
- Publication type:
- Article
35
L'ADATTAMENTO DEI LIBRETTI ITALIANI ALLE OPERE SPAGNOLE DELLA PRIMA METÀ DELL'OTTOCENTO: DUE DRAMMATURGIE SOPRA UN SOLO ARGOMENTO.
- Published in:
- Rivista Italiana di Musicologia, 2008, v. 43, n. 1, p. 247
- By:
- Publication type:
- Article
36
IL 'PIRRO E DEMETRIO' DI ALESSANDRO SCARLATTI: FONTI SCONOSCIUTE E NOVITÀ DOCUMENTARIE FRA NAPOLI E L'EUROPA.
- Published in:
- Rivista Italiana di Musicologia, 2008, v. 43, n. 1, p. 3
- By:
- Publication type:
- Article
37
The Willow Song in Verdi's Adaptation of Othello by William Shakespeare - an Interdisciplinary Approach.
- Published in:
- Philologica Jassyensia, 2014, v. 10, p. 491
- By:
- Publication type:
- Article
38
Chinese Chuanqi Opera in English: Directing The West Wing with Modern Music.
- Published in:
- Asian Theatre Journal, 2012, v. 29, n. 1, p. 183, doi. 10.1353/atj.2012.0016
- By:
- Publication type:
- Article
39
Printed Interventions in Eighteenth-Century Librettos for the Performance of Italian Opera in London: The Roles of Commas, Inserts, and Pasteovers.
- Published in:
- Script & Print, 2013, v. 37, n. 3, p. 133
- By:
- Publication type:
- Article
40
Le livret d'opéra en France au XVIII<sup>e</sup> siècle.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
41
Luigi Illica e il libretto dell' "Andrea Chénier".
- Published in:
- Studi Francesi, 2013, n. 170, p. 382, doi. 10.4000/studifrancesi.2960
- By:
- Publication type:
- Article
42
Opera Addict: The Rake's Progress and W.H. Auden's Operatic Theory.
- Published in:
- 2016
- By:
- Publication type:
- Essay
43
Reading at the Opera.
- Published in:
- 2010
- By:
- Publication type:
- Essay
44
'A local habitation and a name': Britten Adapts Shakespeare.
- Published in:
- 2010
- By:
- Publication type:
- Essay
45
In Opera, the Close-up Is the Aria.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 109, doi. 10.1093/oq/kbae009
- By:
- Publication type:
- Article
46
Performance.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
47
Creating the Inner Life of a Character: Donizetti's Maria Stuarda.
- Published in:
- 2012
- By:
- Publication type:
- Essay
48
(De)Translating Mozart: The Magic Flute in 1909 Paris.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1/2, p. 37, doi. 10.1093/oq/kbs045
- By:
- Publication type:
- Article
49
(De)Translating Mozart: The Magic Flute in 1909 Paris.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 37, doi. 10.1093/oq/kbs045
- By:
- Publication type:
- Article
50
"The Monstrous Rights of the Present": Goethe and the Humanity of Die Zauberflöte.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 5, doi. 10.1093/oq/kbs037
- By:
- Publication type:
- Article