Romance as Performance: The Case of The Magic Flute.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
Works matching DE "OPERA criticism"
Results: 10
1
2
Immigration and the Great Migration: Porgy and Bess in the Harlem Renaissance.
- Published in:
- American Music Review, 2015, v. 45, n. 1, p. 18
- By:
- Publication type:
- Article
3
Le Théâtre du poète. Correspondances dramatiques et dossier de réception.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
4
An Incomplete Life: Lulu and the Performance of Unfinishedness.
- Published in:
- Opera Quarterly, 2019, v. 35, n. 1/2, p. 20, doi. 10.1093/oq/kbz009
- By:
- Publication type:
- Article
5
Singer-Machines: Describing Italian Singers, 1800-1850.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 3/4, p. 230, doi. 10.1093/oq/kbt006
- By:
- Publication type:
- Article
6
(De)Translating Mozart: The Magic Flute in 1909 Paris.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 37, doi. 10.1093/oq/kbs045
- By:
- Publication type:
- Article
7
Should Manrico Escape? Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV.
- Published in:
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 187, doi. 10.1017/S0954586716000227
- By:
- Publication type:
- Article
8
The Progress of an Aria Bellini, ‘Ah! non pensar che pieno’, Beatrice di Tenda, Act I.
- Published in:
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 155, doi. 10.1017/S095458671600015X
- By:
- Publication type:
- Article
9
Faust, Nested Reception and La Castafiore.
- Published in:
- Cambridge Opera Journal, 2013, v. 25, n. 2, p. 165, doi. 10.1017/S0954586713000050
- By:
- Publication type:
- Article
10
Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism.
- Published in:
- Cambridge Opera Journal, 2013, v. 25, n. 1, p. 37, doi. 10.1017/S0954586712000341
- By:
- Publication type:
- Article