The Harpsichord for Organists: Exploring the harpsichord can refresh an organist's musicianship, offering new insights, repertoire, and the joy of ensemble playing.
- Published in:
- Organists' Review, 2025, p. 84
- By:
- Publication type:
- Article
Works matching DE "OPERA National de Paris"
Results: 34
1
2
Rethinking the Travesty Dancer: Questions of Reading and Representation in the Paris Opera.
- Published in:
- Dance Chronicle, 2017, v. 40, n. 2, p. 192, doi. 10.1080/01472526.2017.1321374
- By:
- Publication type:
- Article
3
Théophile Gautier's Ballet d'Action : Rewriting Dance History through Criticism.
- Published in:
- 2016
- By:
- Publication type:
- Essay
4
The Beginnings of the Paris Opéra, 1669-1715.
- Published in:
- 1994
- By:
- Publication type:
- Book Review
5
The Paris Opera in 1750-1751. An Attempt at an Annual Report.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2018, v. 49, n. 2, p. 191
- By:
- Publication type:
- Article
6
« LE PIRE N'EST PAS TOUJOURS SÛR ».
- Published in:
- Bulletin de la Société Paul Claudel, 2021, v. 3, n. 235, p. 13
- By:
- Publication type:
- Article
7
Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940-1949).
- Published in:
- Dance Research, 2017, v. 35, n. 2, p. 218, doi. 10.3366/drs.2017.0203
- By:
- Publication type:
- Article
8
Archives of the Dance (3) the Library and the Archives of the Paris Opera: The Opera Preserved.
- Published in:
- Dance Research, 1984, v. 2, n. 2, p. 68, doi. 10.2307/1290636
- By:
- Publication type:
- Article
9
Staging the French Revolution: Cultural Politics and the Paris Opera, 1789–1794.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
10
Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789-1794.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
11
Front of House in the Forefront: Consider the possibilities when the lobby becomes a 'third place,' where enriching things happen at any time.
- Published in:
- Theatre Design & Technology (TD&T), 2017, v. 53, n. 2, p. 26
- By:
- Publication type:
- Article
12
CONSCRIPTION IN THE ORCHESTRA: Militarization and Masculinity at the Paris Opéra, 1789–1814.
- Published in:
- European Drama & Performance Studies, 2018, n. 10, p. 67
- By:
- Publication type:
- Article
13
LES SOURCES SUR LES BALLETS SUÉDOIS CONSERVÉES À LA BIBLIOTHÈQUE-MUSÉE DE L'OPÉRA.
- Published in:
- Fontes Artis Musicae, 2007, v. 54, n. 4, p. 541
- By:
- Publication type:
- Article
14
«Le plus grand théâtre de la République, la première réputation dans l’Europe». Ignazio Degotti (1758-1824) behind the stage of the Paris Opéra.
- Published in:
- Studi Francesi, 2023, n. 201, p. 513, doi. 10.4000/studifrancesi.54822
- By:
- Publication type:
- Article
15
Hearing Pygmalion's Kiss: A Scientific Object at the Paris Opéra.
- Published in:
- Physics in Perspective, 2014, v. 16, n. 4, p. 417, doi. 10.1007/s00016-014-0148-2
- By:
- Publication type:
- Article
16
Debunking Myth: Behind the Scenes at the Paris Opéra.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
17
JEANNE TIPHAINE: Career and Discography.
- Published in:
- 2018
- By:
- Publication type:
- Biography
18
Introducing... Ophelia Amar.
- Published in:
- Organists' Review, 2025, p. 45
- Publication type:
- Article
19
Can my pedal piano be restored?
- Published in:
- Organists' Review, 2020, v. 107, n. 2, p. 91
- By:
- Publication type:
- Article
20
Education.
- Published in:
- Organists' Review, 2018, v. 105, n. 3, p. 6
- Publication type:
- Article
21
Rameau's 'theatre of enchantments' on DVD.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
22
Wolfgang Amadeus Mozart: La clemenza di Tito.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
23
Repertory Reforms at the Paris Opéra on the Eve of the Revolution.
- Published in:
- Journal for Eighteenth-Century Studies, 2009, v. 32, n. 4, p. 563, doi. 10.1111/j.1754-0208.2009.00227.x
- By:
- Publication type:
- Article
24
Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
25
'Master of the Orchester with a Sallary': Handel at the Bank of England.
- Published in:
- Music & Letters, 2020, v. 101, n. 1, p. 1, doi. 10.1093/ml/gcz112
- By:
- Publication type:
- Article
26
FRANCIS POULENC'S 'DIALOGUES DES CARMÉLITES': FAITH, IDEOLOGY, LOVE.
- Published in:
- Music & Letters, 2016, v. 97, n. 2, p. 277, doi. 10.1093/ml/gcw047
- By:
- Publication type:
- Article
27
OLIVIER HALANZIER AND THE OPERATIC MUSEUM IN LATE NINETEENTH-CENTURY FRANCE.
- Published in:
- Music & Letters, 2015, v. 96, n. 3, p. 390, doi. 10.1093/ml/gcv043
- By:
- Publication type:
- Article
28
L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique: Approches comparées (1669–2010). Ed. by Sabine Chaouche, Denis Herlin, and Solveig Serre.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
29
Le Répertoire de l’Opéra de Paris (1671–2009): Analyse et interprétation. Selected and ed. by Michel Noiray and Solveig Serre.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
30
‘Dans le palais du son, on fait de la farine’: Performing at the Opéra during the 1870 Siege of Paris.
- Published in:
- Music & Letters, 2012, v. 93, n. 1, p. 1, doi. 10.1093/ml/gcs006
- By:
- Publication type:
- Article
31
'Quels charmans concerts': four divertissements for Venus in three tragédies en musique of the 1690s.
- Published in:
- Early Music, 2017, v. 45, n. 1, p. 117, doi. 10.1093/em/cax009
- By:
- Publication type:
- Article
32
Postlude.
- Published in:
- Cambridge Opera Journal, 2017, v. 29, n. 1, p. 113, doi. 10.1017/S0954586717000076
- By:
- Publication type:
- Article
33
Illuminating Gustavus the Third and the Art of Spectacle in 1830s London.
- Published in:
- Cambridge Opera Journal, 2017, v. 29, n. 1, p. 33, doi. 10.1017/S0954586717000039
- By:
- Publication type:
- Article
34
How to Make Wagner Normal: Lohengrin's ‘tour de France’ of 1891–92.
- Published in:
- Cambridge Opera Journal, 2013, v. 25, n. 2, p. 121, doi. 10.1017/S0954586713000037
- By:
- Publication type:
- Article