Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies.Published in:Exemplaria, 2007, v. 19, n. 2, p. 217, doi. 10.1179/175330707X212840By:Burt, RichardPublication type:Article
Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences.Published in:Exemplaria, 2007, v. 19, n. 2, p. 327, doi. 10.1179/175330707X212895By:Burt, RichardPublication type:Article
Geopolitics, Gender, and Genre: The Work of Pre-Title/Title Sequences in James Bond Films.Published in:2014By:RACIOPPI, LINDA;TREMONTE, COLLEENPublication type:Film/TV Criticism and Review
Film Noir as Point de Capiton: Double Indemnity, Structure and Temporality.Published in:2013By:Tyrer, BenPublication type:Film/TV Criticism and Review