Found: 8
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Immortality, the Good Life and Romantic Love in Groundhog Day and Only Lovers Left Alive.
- Published in:
- Film-Philosophy, 2022, v. 26, n. 3, p. 411, doi. 10.3366/film.2022.0208
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- Article
Melancholic Modernism in Jim Jarmusch's Only Lovers Left Alive.
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- Polish Journal of Aesthetics, 2022, n. 66, p. 97, doi. 10.19205/66.22.7
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- Article
TILDA SWINTON.
- Published in:
- Diagram, 2018, v. 18, n. 6, p. 1
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- Article
Exhausting horror: twenty-first-century vampires in Jim Jarmusch's Only Lovers Left Alive.
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- Screen, 2018, v. 59, n. 3, p. 333, doi. 10.1093/screen/hjy034
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- Article
Aestheticizing the Downfall of Industrial Capitalism: Jim Jarmusch's Tale of Intellectual Vampires in Zombies' World.
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- CINEJ Cinema Journal, 2017, v. 6, n. 2, p. 32, doi. 10.5195/cinej.2017.163
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- Article
Reconfiguring the Garden of Eden: suspended temporality in Jim Jarmusch's "Only Lovers Left Alive".
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- Journal of Comparative Literature & Aesthetics, 2017, v. 40, n. 2, p. 123
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- Article
FILM IN REVIEW: NEW TRADITIONALISTS.
- Published in:
- Yale Review, 2015, v. 103, n. 1, p. 183, doi. 10.1353/tyr.2015.0073
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- Article
The Aesthetics of Jim Jarmusch.
- Published in:
- 2014
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- Publication type:
- Film Review