Found: 14
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Narrative Polyphony in Split-Screen Cinema-Gaspar Noé’s Vortex (2021).
- Published in:
- Ekphrasis (2067-631X), 2024, v. 31, n. 1, p. 57, doi. 10.24193/ekphrasis.31.4
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- Publication type:
- Article
Dementia and Relational Forms in Gaspar Noé's Vortex (2021).
- Published in:
- French Studies, 2023, v. 77, n. 4, p. 614, doi. 10.1093/fs/knad161
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- Publication type:
- Article
Disidencia porno en Love (2015) de Gaspar Noé.
- Published in:
- Moderna Sprak, 2021, v. 115, n. 3, p. 142, doi. 10.58221/mosp.v115i3.6841
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- Article
DUYULAR İLE SİNEMAYI ALGILAMAK: 'ÖLÜM NEDİR?' SORUSUNA CEVAP "ENTER THE VOID".
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- EUL Journal of Social Sciences / LAÜ Sosyal Bilimler Dergisi, 2019, v. 10, n. 2, p. 199
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- Article
Somatic Brutality: Gaspar Noé's Climax.
- Published in:
- Brooklyn Rail, 2019, p. 1
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- Publication type:
- Article
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe's Enter the Void".
- Published in:
- 2017
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- Publication type:
- Film/Television Criticism
Irreversible.
- Published in:
- 2017
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- Publication type:
- Book Review
Phantom-Drug-Death Ride: The Psycho-sensory Dynamic of Immersion in Gaspar Noé's Enter the Void.
- Published in:
- 2015
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- Publication type:
- Essay
Enter the Void.
- Published in:
- 2013
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- Publication type:
- Film Review
Cinematography and Sensorial Assault in Gaspar Noé's Irreversible.
- Published in:
- Cinephile, 2012, v. 8, n. 2, p. 32
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- Publication type:
- Article
To Have Done With the Perspective of the (Biological) Body: Gaspar Noé's Enter the Void, Somatic Film Theory and the Biocinematic Imaginary.
- Published in:
- Somatechnics, 2012, v. 2, n. 2, p. 305, doi. 10.3366/soma.2012.0063
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- Publication type:
- Article
Enter the Void.
- Published in:
- 2011
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- Publication type:
- Film Review
Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
- Published in:
- Film Criticism, 2007, v. 32, n. 1, p. 95
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- Publication type:
- Article
Style and Sensation in the Contemporary French Cinema of the Body.
- Published in:
- Journal of Film & Video, 2006, v. 58, n. 3, p. 22
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- Publication type:
- Article