Nation in Remarque's All Quiet on the Western Front and Eastwood's Flags of Our Father.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
Works matching DE "NATIONALISM in motion pictures"
Results: 81
1
2
"Fernández and Cinematic Propaganda in the U.S. and Mexico".
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
3
Nationalism, African Cinema, and Frames of Scrutiny.
- Published in:
- 2001
- By:
- Publication type:
- Literary Criticism
4
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
- By:
- Publication type:
- Article
5
Passionately Documenting: Taiwan's Latest Cinematic Revival.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
6
The Miracle Workers: 'German Suffering', Israeli Masculinity, and the Feminised/Queered Nation as Redemptive in Eytan Fox's Walk On Water.
- Published in:
- German Monitor, 2011, v. 73, n. 1, p. 201
- By:
- Publication type:
- Article
7
Gender, Nationalism, and War: Conflict on the Movie Screen.
- Published in:
- Political Psychology, 2014, v. 35, n. 4, p. 593, doi. 10.1111/pops.12096
- By:
- Publication type:
- Article
8
Who Advocates for Egypt? Women Lawyers in Egyptian Film on the Eve of Independence.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
9
Recovering History: Gender, Anti‐colonial Militancy and Indian Popular Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
10
De Gilles Groulx à Jean-Marc Vallée: Transnationalisme, Américanité et Territoire dans le Cinéma Québécois.
- Published in:
- American Review of Canadian Studies, 2019, v. 49, n. 1, p. 70, doi. 10.1080/02722011.2019.1579742
- By:
- Publication type:
- Article
11
Recovering Québec Culture: The Feature Films of Bernard Émond.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
12
Space and Gender in the New Israeli and Palestinian Cinema.
- Published in:
- 2002
- By:
- Publication type:
- Film/TV Criticism and Review
13
UNA GUERRA FILMADA. EL CINE EN EL PAÍS VASCO DURANTE LA GUERRA CIVIL.
- Published in:
- Historia Contemporanea, 2007, v. 35, n. 2, p. 623
- By:
- Publication type:
- Article
14
The South Asian Image.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
15
Doubleness and Idiosyncrasy in Cross-Cultural Analysis.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 173, doi. 10.1080/10509209109361375
- By:
- Publication type:
- Article
16
Making a Nation in Sembene's Ceddo.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 147, doi. 10.1080/10509209109361374
- By:
- Publication type:
- Article
17
MORVERN CALLAR, ART CINEMA AND THE 'MONSTROUS ARCHIVE.'.
- Published in:
- Scottish Studies Review, 2007, v. 8, n. 1, p. 101
- By:
- Publication type:
- Article
18
Policing across borders: Line of Duty and the politics of national identity.
- Published in:
- Journal of Popular Television, 2014, v. 2, n. 2, p. 155, doi. 10.1386/jptv.2.2.155_1
- By:
- Publication type:
- Article
19
Breaking with English: the nation as ethnoscape 1.
- Published in:
- National Identities, 2004, v. 6, n. 1, p. 61, doi. 10.1080/1460894042000201757
- By:
- Publication type:
- Article
20
Digital storytelling as ‘national cinema’?
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 6, p. 706, doi. 10.1080/10304312.2016.1231788
- By:
- Publication type:
- Article
21
New myths of OZ: the Australian beach and the negotiation of national belonging by refugee background youth.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 1, p. 32, doi. 10.1080/10304312.2015.1117572
- By:
- Publication type:
- Article
22
Beautiful Friendship: Masculinity and Nationalism in Casablanca.
- Published in:
- 2014
- By:
- Publication type:
- Essay
23
Szel/Wind: Memory and history.
- Published in:
- Short Film Studies, 2012, v. 2, n. 2, p. 181, doi. 10.1386/sfs.2.2.181_1
- By:
- Publication type:
- Article
24
In the circle of tradition and conservatism: the heroic child in Turkish cinema according to collective values.
- Published in:
- Studies in European Cinema, 2025, v. 22, n. 1, p. 47, doi. 10.1080/17411548.2023.2269658
- By:
- Publication type:
- Article
25
The journey of an identity: disorienting transnational identifications in Souad El Bouhati's Française (2008).
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
26
Introduction: European Cinema and Post-Democracy.
- Published in:
- Studies in European Cinema, 2019, v. 16, n. 3, p. 173, doi. 10.1080/17411548.2019.1644036
- By:
- Publication type:
- Article
27
Engaged observationalism: forming publics in the gallery film.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
28
The Intimate Other: Screening North Korean Defectors in Multicultural South Korea.
- Published in:
- Asian Studies Review, 2025, v. 49, n. 1, p. 99, doi. 10.1080/10357823.2024.2355139
- By:
- Publication type:
- Article
29
Cinematic Echoes of Covenants Past and Present: National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
30
Political and Narrative Ambiguities in La Bataille du Rail.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 142, doi. 10.3167/hrrh2009.350209
- By:
- Publication type:
- Article
31
Narrating the past: Cultural memory and Romanian identity in Aferim!
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 308, doi. 10.1177/0047244118797054
- By:
- Publication type:
- Article
32
Introduction.
- Published in:
- Journal of European Studies, 2010, v. 40, n. 3, p. 203, doi. 10.1177/0047244110371900
- By:
- Publication type:
- Article
33
Heroism, Raison d'état, and National Communism: Red Nationalism in the Cinema of People's Poland.
- Published in:
- Contemporary European History, 2012, v. 21, n. 2, p. 235, doi. 10.1017/S0960777312000136
- By:
- Publication type:
- Article
34
Abstracts: French and German.
- Published in:
- 2012
- Publication type:
- Abstract
35
The long shadow of the New German Cinema: Deutschland 09, Deutschland im Herbst and national film culture.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
36
Hollywood and Europe: Economics, Culture, National Identity 1946-95.
- Published in:
- 2000
- By:
- Publication type:
- Book Review
37
Inangbayan, the mother-nation, in Lino Brocka's Bayan Ko: Kapit Sa Patalim and Orapronobis.
- Published in:
- Screen, 1996, v. 37, n. 4, p. 368, doi. 10.1093/screen/37.4.368
- By:
- Publication type:
- Article
38
FOR A NATIONALIST, REALIST, CRITICAL AND POPULAR CINEMA.
- Published in:
- Screen, 1985, v. 26, n. 3/4, p. 89, doi. 10.1093/screen/26.3-4.89
- By:
- Publication type:
- Article
39
An Eye for an I: Identity and Nation in the Films of John Schlesinger.
- Published in:
- 2016
- By:
- Publication type:
- Essay
40
Stranger than Fiction: Emilio Fernández Mexico.
- Published in:
- Journal of Popular Film & Television, 1982, v. 10, n. 1, p. 27, doi. 10.1080/01956051.1982.10661920
- By:
- Publication type:
- Article
41
Bollywood and neonationalism: The emergence of nativism as the norm in Indian conventional cinema.
- Published in:
- South Asian Popular Culture, 2011, v. 9, n. 3, p. 237, doi. 10.1080/14746689.2011.597953
- By:
- Publication type:
- Article
42
Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
43
Erasmus, Exchange Value and Euronormativity in Cédric Klapisch's L'Auberge espagnole and Les Poupées russes.
- Published in:
- Faux Titre, 2010, v. 359, p. 433
- By:
- Publication type:
- Article
44
Noble Thracian tribesmen and medieval warrior-statesmen: The Romanian cinema of nationalism: historical films as propaganda and spectacle, by Onoriu Colăcel, Jefferson, North Carolina: McFarland & Company, Inc., 2018, 212 pp., $65.00 (paperback), ISBN: 978-1-4766-6819-1
- Published in:
- 2020
- By:
- Publication type:
- Book Review
45
Cinema outside cinema: Czech educational cinema of the 1930s under the control of pedagogues, scientists and humanitarian groups.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 2, p. 175, doi. 10.1386/seec.3.2.175_1
- By:
- Publication type:
- Article
46
Cinematic images of nation-ness: Space, time and gender in Young Eagles (Estonia) and L??pl?sis (Latvia).
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 1, p. 69, doi. 10.1386/seec.3.1.69_1
- By:
- Publication type:
- Article
47
NOT JUST DEATH AND RUINS: THE YOUNG, AND NEW BEGINNINGS IN GERMAN 'RUBBLE FILMS'.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 503, doi. 10.1111/glal.12133
- By:
- Publication type:
- Article
48
EAST OR WEST, RODINA IS BEST: SHAPING A SOCIALIST 'HEIMAT' IN GERMAN AND SOVIET FILM OF THE OCCUPATION PERIOD.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 519, doi. 10.1111/glal.12134
- By:
- Publication type:
- Article
49
Bollywood as National(ist) Cinema: Violence, Patriotism and the National-Popular in Rang De Basanti.
- Published in:
- Third Text, 2009, v. 23, n. 6, p. 703, doi. 10.1080/09528820903371123
- By:
- Publication type:
- Article
50
Misunderstanding the Other: Colonial Fantasies in "Japanese Story."
- Published in:
- Antipodes, 2009, v. 23, n. 2, p. 185
- By:
- Publication type:
- Article