The Brazilian sertão as post-national landscape in the work of Marcelo Gomes.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "NATIONALISM %26 motion pictures"
Results: 44
1
2
Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
3
Are We There Yet?: Studies of National Cinema in Ukraine.
- Published in:
- Canadian Slavonic Papers, 2011, v. 53, n. 2-4, p. 475, doi. 10.1080/00085006.2011.11092685
- By:
- Publication type:
- Article
4
Brothers and others: brotherhood, the Caucasus, and national identity in post-Soviet film.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
5
'Official Nationality' and the dissidence of memory in Belarus: a comparative analysis of two films.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
6
Film Studies' Other Times and Spaces.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xix, doi. 10.1111/j.1756-1183.2012.00133.x
- By:
- Publication type:
- Article
7
Film as Medium and the German Aesthetic Tradition.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xvi, doi. 10.1111/j.1756-1183.2012.00132.x
- By:
- Publication type:
- Article
8
The State, Citizens and Control: Film and African Audiences in South Africa, 1910–1948.
- Published in:
- Journal of Southern African Studies, 2014, v. 40, n. 2, p. 309, doi. 10.1080/03057070.2014.901640
- By:
- Publication type:
- Article
9
The Basque Nation On-Screen. Cinema, Nationalism, and Political Violence.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
10
El laberíntico caso del Fauno. A propósito de la identidad nacional de las películas.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
11
Recepción fílmica y la formación de identidades sociales vinculadas a la categoría nación.
- Published in:
- Psicología (02549247), 2015, v. 33, n. 2, p. 278
- By:
- Publication type:
- Article
12
Visual Reconfigurations of Casablanca in Nour-Eddine Lakhmari's Casanegra.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
“100% Pure New Zealand:” the Tourist Gaze in Niki Caro's Memory and Desire.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
14
Conflicting Visions: Estonia and Estonians as Presented in the Cinema of the 1990s and 2000s.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
15
"Ese pequeño arte que tanto amamos": Remediating Cinema in El Universal Ilustrado.
- Published in:
- Revista de Estudios Hispánicos, 2016, v. 50, n. 2, p. 293, doi. 10.1353/rvs.2016.0043
- By:
- Publication type:
- Article
16
Love Is a Man's Thing: Hollywood and the Spanish “Homme-com”.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
17
Transnational Adoption in Korean Cinema: Partial Citizens and Nationalism on Screen.
- Published in:
- Third Text, 2013, v. 27, n. 5, p. 659, doi. 10.1080/09528822.2013.834579
- By:
- Publication type:
- Article
18
Pedagogía, subalternidad y fatum en Los Olvidados (1950) de Luis Buñuel: ambivalencias entre la diáspora republicana en México y la ‘Época de Oro' como cine nacional.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
19
Nationalist African Cinema: Legacy and Transformations.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
20
The Tango on Broadway: Carlos Gardel's International Stardom and the Transition to Sound in Argentina.
- Published in:
- Cinema Journal, 2011, v. 51, n. 1, p. 26, doi. 10.1353/cj.2011.0075
- By:
- Publication type:
- Article
21
Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
22
Books Received.
- Published in:
- 2017
- Publication type:
- Bibliography
23
Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
24
Caribbean Transnational Films and National Culture, or How Puerto Rican or Dominican Can You Be in "Nueba Yol"?
- Published in:
- Centro Journal, 2016, v. 28, n. 1, p. 146
- By:
- Publication type:
- Article
25
Movie matchmakers: the intermediaries between Hollywood and China in the early twentieth century.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 1, p. 8, doi. 10.1080/17508061.2014.952147
- By:
- Publication type:
- Article
26
Memories of the future: Remaking Taiwanese-ness in Cape No. 7.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
27
Transnational spectres and regional spectators: Flexible citizenship in new Chinese horror cinema.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
28
EDITORIAL.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 1, p. 3, doi. 10.1386/jcc.6.1.3_2
- By:
- Publication type:
- Article
29
Notes on four major paradigms in Chinese-language film studies.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 1, p. 15, doi. 10.1386/jcc.6.1.15_1
- By:
- Publication type:
- Article
30
Māori identity by way of New Zealand film or why 'I don't have to be a particular skin colour to feel beige'.
- Published in:
- Studies in Australasian Cinema, 2012, v. 6, n. 2, p. 203, doi. 10.1386/sac.6.2.203_1
- By:
- Publication type:
- Article
31
Shooting cinematic outlaws: Ned Kelly and Jesse James as viewed through film.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
32
Homo Hibernicus: Myth, ethnography and nationalism in Robert Flaherty's Man of Aran.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
33
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
34
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933.
- Published in:
- Historical Journal of Film, Radio & Television, 2017, v. 37, n. 2, p. 174, doi. 10.1080/01439685.2016.1157289
- By:
- Publication type:
- Article
35
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 125, doi. 10.1080/01439685.2014.903038
- By:
- Publication type:
- Article
36
Filmed News and Nationalism in Belgium: Flemish Events At the Crossroads of Politics, Culture and Commerce (1929–1942).
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 3, p. 379, doi. 10.1080/01439685.2012.699646
- By:
- Publication type:
- Article
37
Nationalism and the cinema in France, political mythologies and film events, 1945–1995.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
38
Mimic Realities: The Construction of Popular Identity in Contemporary Lithuanian Film.
- Published in:
- Lituanus, 2013, v. 59, n. 1, p. 5
- By:
- Publication type:
- Article
39
The Question of National Cinema in Iranian Independent Cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
40
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
41
'DE LEEUW VAN VLAANDEREN WIL IK ZO GAUW MOGELIJK VERGETEN" Over de productie en receptie van de film en televisieserie De Leeuw van Viaanderen (1984).
- Published in:
- Journal of Belgian History / Revue Belge d'Histoire Contemporaine, 2013, v. 43, n. 2/3, p. 178
- By:
- Publication type:
- Article
42
Allegory and Ambiguity in the Films of Majid Majidi: A Theodicy of Meaning.
- Published in:
- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.03
- By:
- Publication type:
- Article
43
Entrepreneurs and the State in the Italian Film Industry, 1919--1935.
- Published in:
- Business History Review, 2011, v. 85, n. 4, p. 775, doi. 10.1017/S000768051100119X
- By:
- Publication type:
- Article
44
What Makes a Film Greek: Inward Investment, Outward Aspirations, and the Case of Jules Dassin's Pote tin Kyriaki(Never on Sunday, 1960).
- Published in:
- Film History, 2017, v. 29, n. 2, p. 1, doi. 10.2979/filmhistory.29.2.01
- Publication type:
- Article