Australian Films.
- Published in:
- Social Alternatives, 1978, v. 1, n. 3, p. 9
- Publication type:
- Article
Works matching DE "NATIONAL character in motion pictures"
Results: 56
1
2
Melancholic Nostalgia, Collective Memories, and the Cinematic Representations of Nationalistic Identities in Indochine.
- Published in:
- Communication Quarterly, 2001, v. 49, n. 4, p. 329, doi. 10.1080/01463370109385634
- By:
- Publication type:
- Article
3
DREAM FACTORIES OF A FORMER COLONY: AMERICAN FANTASIES, PHILIPPINE CINEMA.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
4
Three versions of Komatsu Saykō's Nihon chinbotsu [Japan Sinks).
- Published in:
- Science Fiction Film & Television, 2009, v. 2, n. 1, p. 45, doi. 10.3828/sfftv.2.1.3
- By:
- Publication type:
- Article
5
Appendix.
- Published in:
- Critical Studies in Television, 2011, v. 6, n. 2, p. 154, doi. 10.7227/CST.6.2.15
- Publication type:
- Article
6
El arte de "instruir deleitando". Discursos positivistas y nacionalistas en el cine argentino del primer Centenario.
- Published in:
- IBEROAMERICANA. América Latina - España - Portugal, 2010, n. 39, p. 197
- By:
- Publication type:
- Article
7
Decompressing Modernity: South Korean Time Travel Narratives and the IMF Crisis.
- Published in:
- Cinema Journal, 2007, v. 46, n. 4, p. 45, doi. 10.1353/cj.2007.0044
- By:
- Publication type:
- Article
8
Making a Nation in Sembene's Ceddo.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 147, doi. 10.1080/10509209109361374
- By:
- Publication type:
- Article
9
MORVERN CALLAR, ART CINEMA AND THE 'MONSTROUS ARCHIVE.'.
- Published in:
- Scottish Studies Review, 2007, v. 8, n. 1, p. 101
- By:
- Publication type:
- Article
10
Miracle baby: a reparative reading of mixed race identity and nation in Peaches.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
Entre el Cha Cha Chá y el Estado: El cine nacional mexicano y sus arquetipos.
- Published in:
- Contracorriente: Una Revista de Estudios Latinoamericanos, 2011, v. 8, n. 3, p. 163
- By:
- Publication type:
- Article
12
Pelle and Pippi at Home and Abroad.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
13
Bolívar I am: Telenovela, Performance, and Colombian National Identity.
- Published in:
- Studies in Latin American Popular Culture, 2008, v. 27, p. 45
- By:
- Publication type:
- Article
14
Re-making History and Cultural Identity: From The Return of Martin Guerre to Sommersby.
- Published in:
- Film Criticism, 2001, v. 26, n. 1, p. 2
- By:
- Publication type:
- Article
15
'Who are the Britons?' Questions of Ethnic and National Identity in Arthurian Films.
- Published in:
- Arthuriana, 2019, v. 29, n. 2, p. 6, doi. 10.1353/art.2019.0017
- By:
- Publication type:
- Article
16
The Celtic blue note: jazz in Neil Jordan's 'Night in Tunisia', Angel and The Miracle.
- Published in:
- Screen, 1998, v. 39, n. 3, p. 272, doi. 10.1093/screen/39.3.272
- By:
- Publication type:
- Article
17
Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975.
- Published in:
- Screen, 1998, v. 39, n. 3, p. 259, doi. 10.1093/screen/39.3.259
- By:
- Publication type:
- Article
18
EXPEDITION.
- Published in:
- 1985
- Publication type:
- Excerpt
19
MARGINAL CINEMAS AND MAINSTREAM CRITICAL THEORY.
- Published in:
- Screen, 1985, v. 26, n. 3/4, p. 2, doi. 10.1093/screen/26.3-4.2
- By:
- Publication type:
- Article
20
From Superwoman to Fake Blonde : the representation of blondness on the Brazilian big screen.
- Published in:
- Celebrity Studies, 2016, v. 7, n. 1, p. 21, doi. 10.1080/19392397.2016.1104889
- By:
- Publication type:
- Article
21
Looking at Muslims: the visibility of Islam in contemporary French cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
22
Domesticating Modernity: Kinimatograikós Astír, the Work of the Imagination, and the Emergence of a National Cinema Culture, 1924-1927.
- Published in:
- Journal of Modern Greek Studies, 2011, v. 29, n. 1, p. 51, doi. 10.1353/mgs.2011.0015
- By:
- Publication type:
- Article
23
Formas de la extensión, estados del relato, en la ficción argentina contemporánea (a propósito de Rafael Spregelburd y Mariano Llinás).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
24
Frank Capra and Leni Riefenstahl: Politics, Propaganda and the Personal.
- Published in:
- Comparative American Studies, 2009, v. 7, n. 4, p. 285, doi. 10.1179/147757009X12571600892054
- By:
- Publication type:
- Article
25
"THE EYES ARE ALIVE!": Envisioning History in Ernst Lubitsch's The Eyes of the Mummy (1918).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
26
GOOD GERMANS, HUMANE AUTOMOBILES: REDEEMING TECHNOLOGICAL MODERNITY--IN THOSE DAYS.
- Published in:
- Film & History (03603695), 2010, v. 40, n. 1, p. 7, doi. 10.1353/flm.0.0137
- By:
- Publication type:
- Article
27
Cinema brasileiro: um diálogo entre exibição e práticas de consumo de filmes.
- Published in:
- Sessões do Imaginário, 2012, v. 17, n. 28, p. 101
- By:
- Publication type:
- Article
28
THE REBRANDING OF FRANCOISM'S ORIGINARY VIOLENCE IN JOSÉ ANTONIO NIEVES CONDE'S BALARRASA.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
29
El Fantasma and Tin Tan: Genre Hybridity and Musical Nostalgia in Fernando Cortés's El Fantasma de la opereta (1959).
- Published in:
- Opera Quarterly, 2018, v. 34, n. 2/3, p. 187, doi. 10.1093/oq/kby001
- By:
- Publication type:
- Article
30
Bollywood Goes to the Stadium: Gender, National Identity, and Sport Film in Hindi.
- Published in:
- Journal of Film & Video, 2014, v. 66, n. 4, p. 34, doi. 10.5406/jfilmvideo.66.4.0034
- By:
- Publication type:
- Article
31
Ex(or)cising the Spirit of Japan: Ringu, The Ring , and the Persistence of Japan.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
32
The search for a 'new cinema' in post-colonial Malaysia: the films of U-Wei bin HajiSaari as counter-narrations of national identity.
- Published in:
- Inter-Asia Cultural Studies, 2003, v. 4, n. 1, p. 145, doi. 10.1080/1464937032000060285
- By:
- Publication type:
- Article
33
National Identity in Australian Cinema: A Symposium.
- Published in:
- Australian Screen Education, 2001, n. 25, p. 54
- By:
- Publication type:
- Article
34
Dark Forces.
- Published in:
- Metro, 2009, n. 162, p. 98
- By:
- Publication type:
- Article
35
The comedian comedies: George Wallace's 1930s comedies, Australian cinema and Hollywood.
- Published in:
- Metro, 2008, n. 158, p. 76
- By:
- Publication type:
- Article
36
All roads lead to Piazza Vittorio: Transnational spaces in Agostino Ferrente's documusical.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
37
The Cinema of Mika Kaurismäki.
- Published in:
- 2012
- Publication type:
- Book Review
38
History, memory, water: the reclamation of Georgian identity in Irakli Kvirikadze's The Swimmer.
- Published in:
- Studies in Russian & Soviet Cinema, 2007, v. 1, n. 3, p. 299, doi. 10.1386/srsc.1.3.299/1
- By:
- Publication type:
- Article
39
Against realism: on a 'certain tendency' in Italian film criticism.
- Published in:
- Journal of Modern Italian Studies, 2011, v. 16, n. 1, p. 107, doi. 10.1080/1354571X.2011.530767
- By:
- Publication type:
- Article
40
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
- By:
- Publication type:
- Article
41
Superman Goes to War: Teaching Japanese American Exile and Incarceration with Film.
- Published in:
- Journal of American Ethnic History, 2011, v. 30, n. 4, p. 51, doi. 10.5406/jamerethnhist.30.4.0051
- By:
- Publication type:
- Article
42
Sport, Film, and Australian Cultural Identity: Reading Hero to a Nation.
- Published in:
- Sport History Review, 2010, v. 41, n. 1, p. 1, doi. 10.1123/shr.41.1.1
- By:
- Publication type:
- Article
43
'Grappling with the present by writing about the past'.
- Published in:
- Ostrava Journal of English Philology, 2013, v. 5, n. 1, p. 107
- By:
- Publication type:
- Article
44
Entertaining Auteurism: Popular Filmmakers Think About Germany.
- Published in:
- German Politics & Society, 2007, v. 25, n. 4, p. 43, doi. 10.3167/gps.2007.250404
- By:
- Publication type:
- Article
45
The Denk ich an Deutschland Films of the Two Andreases from the East: Kleinert's Bewildering Berlin and Dresen's Stagnating Uckermark.
- Published in:
- German Politics & Society, 2007, v. 25, n. 4, p. 66, doi. 10.3167/gps.2007.250405
- By:
- Publication type:
- Article
46
Where Is National Cinema Today (and Do We Still Need It)?
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 19, doi. 10.2979/filmhistory.25.1-2.19
- By:
- Publication type:
- Article
47
Adaptation and Authorial Celebrity: Robyn Davidson and the Context of John Curran's Tracks (2013).
- Published in:
- Adaptation, 2016, v. 9, n. 1, p. 12, doi. 10.1093/adaptation/apu047
- By:
- Publication type:
- Article
48
Keeping It Reel.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
49
'He said we can choose our lives': freedom, intimacy, and identity in Blue is the Warmest Colour (2013).
- Published in:
- Studies in European Cinema, 2018, v. 15, n. 2/3, p. 146, doi. 10.1080/17411548.2018.1432121
- By:
- Publication type:
- Article
50
Liminal soundscapes in Powell & Pressburger's wartime films.
- Published in:
- Studies in European Cinema, 2017, v. 14, n. 1, p. 22, doi. 10.1080/17411548.2016.1248531
- By:
- Publication type:
- Article