Quiet Voices: The Significance of Subdued Dialogue and Voice-Over in the Films of Aleksandr Sokurov.Published in:Scando-Slavica, 2010, v. 56, n. 1, p. 99, doi. 10.1080/00806765.2010.483779By:Björling, FionaPublication type:Article
THE MELODRAMATIC MODE AND THE COMMERCIAL HINDI CINEMA: NOTES ON FILM HISTORY, NARRATIVE AND PERFORMANCE IN THE 1950s.Published in:Screen, 1989, v. 30, n. 3, p. 29, doi. 10.1093/screen/30.3.29By:Vasudevan, RaviPublication type:Article
The alluring voice/the allure of film (theaters): the formation of the voice in the Japanese cinema of the prewar period.Published in:Japan Forum, 2018, v. 30, n. 3, p. 352, doi. 10.1080/09555803.2018.1427779By:Akihiro, Kitada;Thomas, StefaniePublication type:Article
Storytelling in the New Hollywood: Understanding Classical Narrative Technique. (Book).Published in:2003By:Sickels, RobertPublication type:Book Review
Narration early in the transition to classical filmmaking: Three Vitagraph shorts.Published in:1997By:Thompson, KristinPublication type:Essay