A Foray into Fauré.
- Published in:
- CAML Review, 2016, v. 44, n. 1, p. 17, doi. 10.25071/1708-6701.40249
- By:
- Publication type:
- Article
Works matching DE "MUSICAL settings"
Results: 21
1
2
Shakespeare, Music and Performance.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
3
Music in Shakespeare: A Dictionary.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
4
Oh, How Joyfully.
- Published in:
- Choral Journal, 2023, v. 64, n. 4, p. 74
- By:
- Publication type:
- Article
5
From the: Executive Director.
- Published in:
- Choral Journal, 2022, p. 2
- By:
- Publication type:
- Article
6
Metapoesis in Trecento Song: 'Divisio' at the Intersection of Love, Poetic Form, and Music.
- Published in:
- Music & Letters, 2018, v. 99, n. 4, p. 511, doi. 10.1093/ml/gcy071
- By:
- Publication type:
- Article
7
Shakespeare and the American Musical.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
8
ADDENDA/CORRIGENDA.
- Published in:
- 2016
- Publication type:
- Correction Notice
9
In Gamelan You Have to Become One "Feeling": Sensory Embodiment and Transfer of Musical Knowledge.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
10
Choral Connections: Unison for Choir.
- Published in:
- Kodály Envoy, 2023, v. 49, n. 4, p. 9
- By:
- Publication type:
- Article
11
American Musical Settings of “In Flanders Fields” and the Great War.
- Published in:
- Journal of Musicological Research, 2014, v. 33, n. 1-3, p. 96, doi. 10.1080/01411896.2014.878566
- By:
- Publication type:
- Article
12
POÉSIE ET MUSIQUE: L'HORIZON CHIMÉRIQUE, DE JEAN DE LA VILLE DE MIRMONT À GABRIEL FAURÉ.
- Published in:
- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 100, doi. 10.7202/1009288ar
- By:
- Publication type:
- Article
13
"Ȝet þer is a streinant witȝ two longe tailes": English Musical Terminology in the "Chorister's Lament".
- Published in:
- 2016
- By:
- Publication type:
- Poetry Review
14
The "diaphanous veil" of Edward Lear's Tennyson Songs.
- Published in:
- Victorian Poetry, 2022, v. 60, n. 2, p. 1, doi. 10.1353/vp.2022.0012
- By:
- Publication type:
- Article
15
Composer Alison Bauld and the Dramatic Element in her Settings of Shakespeare for Voice.
- Published in:
- Journal of Singing, 2003, v. 60, n. 1, p. 39
- By:
- Publication type:
- Article
16
Abate Wood in Rome: the ingegnosissimo mattematico who made the first pianoforte 'that was brought to England'.
- Published in:
- Early Music, 2018, v. 46, n. 3, p. 501, doi. 10.1093/em/cay046
- By:
- Publication type:
- Article
17
WATTS FOR SINGING: METRICAL POETRY IN AMERICAN SACRED TUNEBOOKS, 1761-1785.
- Published in:
- 1976
- By:
- Publication type:
- Poetry Review
18
Antonio Salieri's De profundis: Rediscovering a Gem: Psalm 129 in Tonus peregrinus with an ostinato setting.
- Published in:
- Sacred Music, 2016, v. 143, n. 4, p. 39
- By:
- Publication type:
- Article
19
Reclaiming the Bhajan.
- Published in:
- Creative Spirit: A Journal of the Arts & Faith, 2004, v. 4, n. 1, p. 20
- Publication type:
- Article
20
Other voices: The sweet, dangerous air(s) of Shakespeare's Tempest.
- Published in:
- 1996
- By:
- Publication type:
- Literary Criticism
21
The Macbeth Music.
- Published in:
- 1983
- By:
- Publication type:
- Literary Criticism