Works matching DE "MUSIC in the theater"
1
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 257, doi. 10.1386/smt.5.3.257_1
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2
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 185, doi. 10.1386/smt.4.2.185_1
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5
- Tydskrif vir Letterkunde, 2013, v. 50, n. 2, p. 161, doi. 10.4314/tvl.v50i2.13
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6
- Theatrical Colloquia, 2017, n. 23, p. 21, doi. 10.1515/tco-2017-0002
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7
- Journal of the History of Ideas, 2011, v. 72, n. 1, p. 99, doi. 10.1353/jhi.2011.a413476
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9
- Journal of Adaptation in Film & Performance, 2015, v. 8, n. 3, p. 195, doi. 10.1386/jafp.8.3.195_1
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10
- Mandorla, 2012, n. 15, p. 70
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11
- Mandorla, 2012, n. 15, p. 68
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12
- Mandorla, 2012, n. 15, p. 67
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13
- Mandorla, 2012, n. 15, p. 67
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14
- Philament: an online journal of the arts & culture, 2012, n. 18, p. 32
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15
- Medieval English Theatre, 2013, v. 35, p. 95
- Corrigan, Vincent;
- Hamblin, Vicki
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19
- Acta Orientalia Vilnensia, 2011, v. 12, n. 2, p. 101
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20
- Shakespeare Bulletin, 2009, v. 27, n. 2, p. 223, doi. 10.1353/shb.0.0069
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22
- Word Matters, 2018, v. 68, n. 2, p. 19
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25
- Southern Theatre, 2004, v. 45, n. 3, p. 30
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26
- Early Theatre, 2012, v. 15, n. 2, p. 67, doi. 10.12745/et.15.2.910
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27
- Early Theatre, 2012, v. 15, n. 2, p. 7, doi. 10.12745/et.15.2.903
- OSTOVICH, HELEN;
- GOUGH, MELINDA J.;
- KELLY, ERIN E.
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29
- Studies in Musical Theatre, 2012, v. 6, n. 1, p. 59, doi. 10.1386/smt.6.1.59_1
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30
- Language in India, 2016, v. 16, n. 12, p. 56
- Shukla, Hemant Kumar;
- Purohit, D. R.
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31
- Language in India, 2016, v. 16, n. 12, p. 46
- Shukla, Hemant Kumar;
- Purohit, D. R.
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32
- Studies in Theatre & Performance, 2012, v. 32, n. 1, p. 47, doi. 10.1386/stap.32.1.47_1
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33
- Journal of Singing, 2008, v. 65, n. 2, p. 233
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34
- Journal of Singing, 2008, v. 65, n. 2, p. 219
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35
- Journal of Singing, 2008, v. 65, n. 2, p. 213
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36
- Classical Journal, 2015, v. 111, n. 1, p. 37, doi. 10.5184/classicalj.111.1.0037
- GELLAR-GOAD, T. H. M.;
- MOORE, TIMOTHY J.
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37
- New Sound: International Magazine for Music, 2012, n. 39, p. 5
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38
- New Sound: International Magazine for Music, 2010, n. 36, p. 75
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39
- Fontes Artis Musicae, 2007, v. 54, n. 4, p. 453
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40
- Studia Universitatis Babes-Bolyai, Dramatica, 2014, v. 29, n. 1, p. 289
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41
- Seventeenth Century, 2010, v. 25, n. 1, p. 158, doi. 10.1080/0268117X.2010.10555643
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42
- Plays International & Europe, 2004, v. 20, n. 1/2, p. 13
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43
- Australasian Drama Studies, 2010, n. 56, p. 154
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46
- Contemporary Theatre Review, 2008, v. 18, n. 4, p. 412, doi. 10.1080/10486800802379334
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47
- Contemporary Theatre Review, 2008, v. 18, n. 1, p. 3, doi. 10.1080/10486800701743671
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48
- Contemporary Theatre Review, 2008, v. 18, n. 1, p. 44, doi. 10.1080/10486800701749587
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49
- Canadian Theatre Review, 2002, n. 109, p. 26, doi. 10.3138/ctr.109.007
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