Works matching DE "MUSIC %26 rhetoric"
Results: 35
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2010, v. 3, n. 1, p. 43
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A RUSSIAN RHETORIC OF FORM IN THE MUSIC OF WITOLD LUTOSŁAWSKI.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2010, v. 3, n. 1, p. 205
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Musical Rhetoric in the Oeuvre of Father Amando lvanschiz on the Example of Selected Works.
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- International Review of the Aesthetics & Sociology of Music, 2009, v. 40, n. 1, p. 3
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Prie muzikos retorikos ištakų: keli grigališkosios monodijos pavyzdžiai.
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- Menotyra, 2011, v. 18, n. 3, p. 187
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Lietuviškosios grigalistikos pradžia.
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- Menotyra, 2011, v. 18, n. 3, p. 227
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Musical Rhetoric in Marc-Antoine Charpentier's Alma Redemptoris Mater.
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- Sacred Music, 2008, v. 135, n. 3, p. 27
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RHETORIC VS. MUSICAL FORMS AND ANALYSES.
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- Musicology Papers, 2013, v. 28, n. 2, p. 19
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Ladies Just.
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- Words.Beats.Life: The Global Journal of Hip-Hop Culture, 2010, v. 4, n. 2, p. 58
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Music and Other Sign Systems.
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- Music Theory Online, 2014, v. 20, n. 4, p. 1, doi. 10.30535/mto.20.4.3
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Modal Idioms and Their Rhetorical Associations in Rachmaninoff's Works.
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- Music Theory Online, 2014, v. 20, n. 4, p. 1, doi. 10.30535/mto.20.4.2
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K eeping U p with the W ords: E xpressive P hrase O verlapping in the L ate I talian M adrigal.
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- Music Analysis, 2011, v. 30, n. 2/3, p. 152, doi. 10.1111/j.1468-2249.2011.00303.x
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The Concept of Arwonia as a Key to the Antiphons in Hildegard von Bingen's Symphonia.
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- Medieval Perspectives, 1992, v. 7, p. 154
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Violence as Vocabulary: Rhetorics of Violence and dead prez.
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- 2014
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- Essay
Ut musica rhetorica : de l'association musique-rhétorique dans les textes anciens.
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- Synergies Espagne, 2011, n. 4, p. 17
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»Gewürz, Honig und süßester Zucker für unsere Ohren und Augen«. Rhetorik und Musik im italienischen Musikschrifttum der Frühen Neuzeit.
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- Rhetorik, 2016, v. 35, n. 1, p. 57, doi. 10.1515/rhet.2016.005
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Musik und Rhetorik im frühneuzeitlichen Frankreich - Diskussionsstand und Forschungsperspektiven.
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- Rhetorik, 2016, v. 35, n. 1, p. 73, doi. 10.1515/rhet.2016.006
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Rhetorik und Musik in England (16. bis 18. Jahrhundert).
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- Rhetorik, 2016, v. 35, n. 1, p. 85, doi. 10.1515/rhet.2016.007
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Officia oratoris oder partes orationis? Welches sind die Grundlagen von J. S. Bachs musikalisch-rhetorischem Komponieren für Instrumente?
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- Rhetorik, 2016, v. 35, n. 1, p. 117, doi. 10.1515/rhet.2016.008
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Channeling the spirit(s) of the age: Irony, dialogism, and "genius" in Sgt. Pepper.
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- Quarterly Journal of Speech, 2021, v. 107, n. 1, p. 73, doi. 10.1080/00335630.2020.1863452
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MUSIC AND THE THREE APPEALS OF CLASSICAL RHETORIC.
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- Quarterly Journal of Speech, 1976, v. 62, n. 2, p. 157, doi. 10.1080/00335637609383329
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POPULAR MUSIC AND WORLD WAR II: THE RHETORIC OF CONTINUATION.
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- Quarterly Journal of Speech, 1976, v. 62, n. 2, p. 145, doi. 10.1080/00335637609383328
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THE ROMAN TRIUMPH IN PURCELL'S ODES.
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- Music & Letters, 2002, v. 83, n. 3, p. 371, doi. 10.1093/ml/83.3.371
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Humanism, English music and the rhetoric of criticism.
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- Music & Letters, 1996, v. 77, n. 1, p. 1, doi. 10.1093/ml/77.1.1
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How the Other Half Sounds: An Historical Survey of Musical Rhetoric During the Baroque and After.
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- RSQ: Rhetoric Society Quarterly, 1990, v. 20, n. 3, p. 207, doi. 10.1080/02773949009390884
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The Hook behind the Rapper: The Tension in a Diegetic Rhetoric of Music in The Wire.
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- Young Scholars in Writing, 2012, p. 89
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Music as persuasion: Refuting hegemonic masculinity in `He Thinks He'll Keep Her'.
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- Women's Studies in Communication, 1999, v. 22, n. 1, p. 66, doi. 10.1080/07491409.1999.10162562
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The 'Illusion of Life' Rhetorical Perspective: An Integrated Approach to the Study of Music as Communication.
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- Critical Studies in Media Communication, 2001, v. 18, n. 4, p. 395, doi. 10.1080/07393180128090
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Music, Identity and the Strange Case of Authenticity.
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- Musicology of Lithuania / Lietuvos muzikologija, 2008, n. 9, p. 122
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The Musical Rhetoric of the Baroque on the Example of Johannes Brahms' Psalm XIII Op. 27.
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- Kwartalnik Mlodych Muzykologów UJ, 2018, v. 38, n. 4, p. 41, doi. 10.4467/23537094KMMUJ.18.043.9744
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The Rhetorical Method for the Critical Appraisal of Electroacoustic Structures.
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- Journal of New Music Research, 2007, v. 36, n. 2, p. 115, doi. 10.1080/09298210701755222
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Pet pesama Stefana Malarmea (Five Poems of Stéphane Mallarmé).
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- New Sound: International Magazine for Music, 2006, n. 28, p. 163
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Blurring the Boundaries: Toward a Multivalent Reading of Three First-Movement Sonata Forms in Haydn's Op. 50 String Quartets.
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- Musicological Explorations, 2011, v. 12, p. 5
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Preachers, pronunciatio, and music: Hearing rhetoric in renaissance sacred polyphony.
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- Musical Quarterly, 1998, v. 82, n. 3/4, p. 586, doi. 10.1093/mq/82.3-4.586
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Bach the Rhetorician.
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- American Scholar, 1985, v. 55, n. 1, p. 113
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How music communicates.
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- Semiotica, 1985, v. 53, n. 1-3, p. 131, doi. 10.1515/semi.1985.53.1-3.131
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