"Fernández and Cinematic Propaganda in the U.S. and Mexico".
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "MOTION pictures in propaganda"
Results: 146
1
2
Truth as Ideology in "A Revolução de Maio."
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2009, v. 11, n. 3, p. 1, doi. 10.7771/1481-4374.1488
- By:
- Publication type:
- Article
3
Introduction to "Politics and Identity in Lusophone Literature and Film."
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2009, v. 11, n. 3, p. 1, doi. 10.7771/1481-4374.1486
- By:
- Publication type:
- Article
4
Sneak Peeks at Insurrection: Portrayals of the Irish Republican Army in Film Trailers.
- Published in:
- Atlantic Journal of Communication, 2007, v. 15, n. 3, p. 214, doi. 10.1080/15456870701316236
- By:
- Publication type:
- Article
5
The American Marshall plan film campaign and the Europeans: a captivated audience?
- Published in:
- 2019
- By:
- Publication type:
- Book Review
6
FILM PROPAGANDA AND KULTUR: THE GERMAN DILEMMA, 1914-1917.
- Published in:
- Film & History (03603695), 2015, v. 45, n. 2, p. 4, doi. 10.1353/flm.2015.a604514
- By:
- Publication type:
- Article
7
Documenting Racism in an Agricultural Extension Film.
- Published in:
- 2008
- By:
- Publication type:
- Essay
8
Hearts and Minds and Bodies: Reconsidering the Cinematic Language of The Battle of the Somme.
- Published in:
- 2008
- By:
- Publication type:
- Essay
9
Yugoslav Propaganda Film.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
10
The Revival of Cold War Tensions and Propaganda Filmmaking: Red Dawn and Threads as Films of the 'Second World War'.
- Published in:
- Film Matters, 2017, v. 8, n. 3, p. 11, doi. 10.1386/fm.8.3.11_1
- By:
- Publication type:
- Article
11
Propaganda Cinema and the Mobilization of the British Home Front in World War II: In Which We Serve and Mrs. Miniver.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
12
The Historical Roots of CIA-Hollywood Propaganda.
- Published in:
- American Journal of Economics & Sociology, 2017, v. 76, n. 2, p. 280, doi. 10.1111/ajes.12177
- By:
- Publication type:
- Article
13
Prima facie Deception: The Immediacy of the Face in Two Nazi Propaganda Films.
- Published in:
- Journal of Jewish Identities, 2018, v. 11, n. 2, p. 217, doi. 10.1353/jji.2018.0015
- By:
- Publication type:
- Article
14
Teaching about Propaganda: An Examination of the Historical Roots of Media Literacy.
- Published in:
- Journal of Media Literacy Education, 2014, v. 6, n. 2, p. 56
- By:
- Publication type:
- Article
15
Beyond the Surface of "Atrocity Image": Fabrication and Circulation of the Nazi Film Red Mist (1942–1954).
- Published in:
- Journal of Genocide Research, 2019, v. 21, n. 2, p. 131, doi. 10.1080/14623528.2019.1601386
- By:
- Publication type:
- Article
16
‘Not a colonial war’: Dutch film propaganda in the fight against Indonesia, 1945–49.
- Published in:
- Journal of Genocide Research, 2012, v. 14, n. 3/4, p. 403, doi. 10.1080/14623528.2012.719373
- By:
- Publication type:
- Article
17
La salud de los mexicanos, un tema de película de los años sesenta.
- Published in:
- Memoria y Sociedad, 2010, v. 14, n. 28, p. 125
- By:
- Publication type:
- Article
18
La dimensión política de los primeros documentales del Marqués de Villa-Alcázar.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
19
Lenguaje e identidad colectiva en Buñuel. Propaganda en el filme «España 1936».
- Published in:
- Comunicar, 2010, v. 18, n. 35, p. 69, doi. 10.3916/C35-2010-02-07
- By:
- Publication type:
- Article
20
Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
21
Film and Propaganda: The Lessons of the Nazi Film Industry.
- Published in:
- Reason Papers, 2013, v. 35, n. 1, p. 203
- By:
- Publication type:
- Article
22
The siege syndrome: The Six Day War and Israeli cinema.
- Published in:
- Journal of Israeli History, 2009, v. 28, n. 2, p. 175, doi. 10.1080/13531040903169735
- By:
- Publication type:
- Article
23
Kampfplatz Kino: Filme als Gegenstand politischer Gewalt in der Bundesrepublik.
- Published in:
- Tel Aviver Jahrbuch für Deutsche Geschichte, 2014, v. 42, p. 161
- By:
- Publication type:
- Article
24
TRANSDISCURSIVIDAD FÍLMICA, REVISIONISMO Y LEGITIMACIÓN FRANQUISTA: ¿POR QUÉ MORIR EN MADRID? Y SU SINGULARIDAD HISTÓRICA.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
25
UNA GUERRA FILMADA. EL CINE EN EL PAÍS VASCO DURANTE LA GUERRA CIVIL.
- Published in:
- Historia Contemporanea, 2007, v. 35, n. 2, p. 623
- By:
- Publication type:
- Article
26
Raiding the Archive: Documentary Appropriations of Mexican Revolution Footage.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 4, p. 275, doi. 10.1080/10509200802641192
- By:
- Publication type:
- Article
27
How Lars von Trier Sees the World: Postmodernism and Globalization in The Five Obstructions.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 1, p. 54, doi. 10.1080/10509200802241381
- By:
- Publication type:
- Article
28
Leni Riefenstahl: Art and Politics.
- Published in:
- Quarterly Review of Film & Video, 2006, v. 23, n. 3, p. 185, doi. 10.1080/105092090503169
- By:
- Publication type:
- Article
29
Complexities and Contradictions of Political Filmmaking in the South, . . . and of Writing on the Subject in the North.
- Published in:
- 1991
- By:
- Publication type:
- Book Review
30
Ruling the Colonies with sound: Documentary, technology and noise in Cronache dell'Impero.
- Published in:
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 111, doi. 10.1386/jicms.4.1.111_1
- By:
- Publication type:
- Article
31
APPLE PIE PROPAGANDA? THE SMITH-MUNDT ACT BEFORE AND AFTER THE REPEAL OF THE DOMESTIC DISSEMINATION BAN.
- Published in:
- Northwestern University Law Review, 2015, v. 109, n. 2, p. 511
- By:
- Publication type:
- Article
32
The invisible war on nature: the Abyssinian war (1935–1936) in newsreels and documentaries in Fascist Italy.
- Published in:
- Modern Italy, 2014, v. 19, n. 3, p. 305, doi. 10.1080/13532944.2014.925433
- By:
- Publication type:
- Article
33
Films.
- Published in:
- Public Opinion Quarterly, 1941, v. 5, n. 1, p. 127, doi. 10.1086/265475
- By:
- Publication type:
- Article
34
Fragments in the Archive: The Khmer Rouge Years.
- Published in:
- Plaridel, 2018, v. 15, n. 1, p. 1, doi. 10.52518/2018.15.1-01hmlton
- By:
- Publication type:
- Article
35
If you love these films.
- Published in:
- Bulletin of the Atomic Scientists, 1983, v. 39, n. 6, p. 39, doi. 10.1080/00963402.1983.11459009
- By:
- Publication type:
- Article
36
Shooting in Occupied Space: Frank Hurley in the Middle East, 1940–46.
- Published in:
- History of Photography, 2014, v. 38, n. 1, p. 40, doi. 10.1080/03087298.2013.825411
- By:
- Publication type:
- Article
37
THE CURIOUS CASE OF THE FILMS DIVISION: Some Annotations on the Beginnings of Indian Documentary Cinema in Postindependence India, 1940s-1960s.
- Published in:
- 2013
- By:
- Publication type:
- Essay
38
Perversion for Profit: Citizens for Decent Literature and the Arousal of an Antiporn Public in the 1960s.
- Published in:
- Journal of the History of Sexuality, 2006, v. 15, n. 2, p. 258
- By:
- Publication type:
- Article
39
Y CASTILLA SE HIZO ESPAÑA . . . NACIONALIZACIÓN Y REPRESENTACIÓN CINEMATOGRÁFICA DE CASTILLA EN EL NO-DO, 1943-1956.
- Published in:
- Studia Historica. Historia Contemporánea, 2015, v. 33, p. 253
- By:
- Publication type:
- Article
40
La producción cinematográfica en Andalucía durante la Guerra Civil.
- Published in:
- Historia y Comunicación Social, 2017, v. 22, n. 1, p. 89, doi. 10.5209/HICS.55901
- By:
- Publication type:
- Article
41
El icono cinematográfico del Estado Novo Salazarista: A Revolução de Maio (1937).
- Published in:
- Historia y Comunicación Social, 2009, v. 14, p. 295
- By:
- Publication type:
- Article
42
La razón frente a la imposición en las estrategias didáctico-propagandísticas del ejército estadounidense durante la Segunda Guerra Mundial: "Why We Fight" de Frank Capra como ejemplo.
- Published in:
- Historia y Comunicación Social, 2009, v. 14, p. 271
- By:
- Publication type:
- Article
43
La incorporación del cine documental al proyecto de NO-DO.
- Published in:
- Historia y Comunicación Social, 2008, v. 13, p. 105
- By:
- Publication type:
- Article
44
The Animated Documentary as Narrative on Traumas.
- Published in:
- Close Up, 2020, v. 4, n. 2, p. 21
- By:
- Publication type:
- Article
45
‘Send us more arms!’ Bringing British women into war production through films in World War Two.
- Published in:
- Labor History, 2018, v. 59, n. 2, p. 121, doi. 10.1080/0023656X.2018.1385883
- By:
- Publication type:
- Article
46
The Decroly School in documentaries (1930s-1950s): contextualising propaganda from within.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
47
Revisiting a Stalinist Puzzle: Mission to Moscow.
- Published in:
- American Communist History, 2013, v. 12, n. 2, p. 117, doi. 10.1080/14743892.2013.823302
- By:
- Publication type:
- Article
48
'Huns' and Other 'Barbarians': A Movie Ban and the Dilemmas of 1920s German Propaganda against French Colonial Troops.
- Published in:
- Historical Reflections / Réflexions Historiques, 2014, v. 40, n. 1, p. 67, doi. 10.3167/hrrh.2014.400105
- By:
- Publication type:
- Article
49
Political and Narrative Ambiguities in La Bataille du Rail.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 142, doi. 10.3167/hrrh2009.350209
- By:
- Publication type:
- Article
50
Kolberg: Goebbels' Wunderwaffe as Counterfactual History.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 125, doi. 10.3167/hrrh2009.350208
- By:
- Publication type:
- Article