A national cinema’s transnational aspirations? Considerations on “Bollywood”.
- Published in:
- South Asian Popular Culture, 2017, v. 15, n. 1, p. 1, doi. 10.1080/14746689.2017.1351785
- By:
- Publication type:
- Article
Works matching DE "MOTION pictures %26 transnationalism"
Results: 58
1
2
Evolving Transnational Cinematic Perspectives of Terrorism.
- Published in:
- Perspectives on Terrorism, 2015, v. 9, n. 2, p. 42
- By:
- Publication type:
- Article
3
Genre, Translation, and Transnational Cinema: Kim Jee-woon's The Good, the Bad, the Weird.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
4
Film Theory's Animated Map.
- Published in:
- 2015
- By:
- Publication type:
- Essay
5
At What Cost "Theory"? An Economics and Poetics of Uptake.
- Published in:
- 2015
- By:
- Publication type:
- Essay
6
Introduction: Film Theory in the Age of Neoliberal Globalization.
- Published in:
- 2015
- By:
- Publication type:
- Essay
7
The Trouble with Theater: Cinema and the Geopolitics of Medium Specificity.
- Published in:
- 2015
- By:
- Publication type:
- Essay
8
Women's Film History Project: Issues of Transnationalism.
- Published in:
- Framework: The Journal of Cinema & Media, 2010, v. 51, n. 2, p. 304, doi. 10.1353/frm.2010.a402491
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- Publication type:
- Article
9
On Frieda Klug, Pearl White, and Other Traveling Women Film Pioneers.
- Published in:
- Framework: The Journal of Cinema & Media, 2010, v. 51, n. 2, p. 310, doi. 10.1353/frm.2010.a402492
- By:
- Publication type:
- Article
10
Re-versioning History: National Narratives, Global Television and the Re-versioning of Holocaust/Hitler's Holocaust.
- Published in:
- Image & Narrative, 2017, v. 18, n. 1, p. 80
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- Publication type:
- Article
11
Between Transnationalism and Localization: The Pan-European TV Miniseries 14-Diaries of the Great War.
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- Image & Narrative, 2017, v. 18, n. 1, p. 63
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- Publication type:
- Article
12
Television and the Shaping of Transnational Memories: A Cold War History.
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- Image & Narrative, 2017, v. 18, n. 1, p. 33
- By:
- Publication type:
- Article
13
Yugosphere Insiders or Croatian Outsiders: The Reception of Serbian Films in Croatia since the Breakup of Yugoslavia.
- Published in:
- Image & Narrative, 2017, v. 18, n. 1, p. 45
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- Publication type:
- Article
14
Introduction.
- Published in:
- Image & Narrative, 2017, v. 18, n. 1, p. 1
- By:
- Publication type:
- Article
15
Disrupting Centers of Transcultural Materialities: The Transnationalization of Japan Cool through Philippine Fan Works.
- Published in:
- Mechademia: Second Arc, 2019, v. 12, n. 1, p. N.PAG
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- Publication type:
- Article
16
Competing Narratives: Choosing the Tiger in Ang Lee's Life of Pi.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
17
‘What route are you taking?’ The transnational experience of the Barry McKenzie movies.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2014, v. 28, n. 5, p. 629, doi. 10.1080/10304312.2014.942008
- By:
- Publication type:
- Article
18
Film Adaption and Transnational Cultures of Production: The Case of Guillermo Arriaga.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
19
Latin American Cinemas: Local Views and Transnational Connections.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
20
Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch.
- Published in:
- Gender, Place & Culture: A Journal of Feminist Geography, 2010, v. 17, n. 2, p. 231, doi. 10.1080/09663691003600322
- By:
- Publication type:
- Article
21
Changing accents: Place, voice and Top of the Lake.
- Published in:
- Studies in Australasian Cinema, 2018, v. 12, n. 1, p. 14, doi. 10.1080/17503175.2018.1426403
- By:
- Publication type:
- Article
22
Postcommunist Estonian Cinema as Transnational Cinema.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
23
Multimedia identities: an analysis of How Tasty Was My Little Frenchman.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
24
Transnational Post-Westerns in Irish Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
25
Hollywood in Uganda: local appropriation of trans-national English-language movies.
- Published in:
- Language & Education: An International Journal, 2012, v. 26, n. 4, p. 363, doi. 10.1080/09500782.2012.691517
- By:
- Publication type:
- Article
26
WEDDING THEME IN FILMS FROM TURKISH-GERMAN DIRECTORS LIVING IN GERMANY.
- Published in:
- University Faculty of Communication Journal / Istanbul Üniversitesi Iletisim Fakültesi Hakemli Dergisi, 2013, n. 44, p. 117
- By:
- Publication type:
- Article
27
'Screenwriting: Between artistic freedom and norms', 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8-10 September 2016.
- Published in:
- Journal of Screenwriting, 2017, v. 8, n. 2, p. 197, doi. 10.1386/josc.8.2.197_7
- By:
- Publication type:
- Article
28
Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of The Most Beautiful Country in the World.
- Published in:
- Studies in Eastern European Cinema, 2023, v. 14, n. 2, p. 121, doi. 10.1080/2040350X.2021.2014091
- By:
- Publication type:
- Article
29
German Visual Culture: From National to European Style.
- Published in:
- 2016
- By:
- Publication type:
- Essay
30
Indian media and its transformed public.
- Published in:
- Contributions to Indian Sociology, 2010, v. 44, n. 1/2, p. 57, doi. 10.1177/006996671004400204
- By:
- Publication type:
- Article
31
The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritti and Alfonso Citarón.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
32
Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
33
'You Won't Believe Her Eyes': Gender politics, cultural reiteration and the cinematic other in the transnational remake from Gin gwai (The Eye) (2002) to The Eye (2008).
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 181, doi. 10.1386/ac.28.2.181_1
- By:
- Publication type:
- Article
34
Cosmopolitics in Border Film: Amores Perros (2000) and Sleep Dealer (2008).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
35
A transnational history of Finnish cinema - rethinking the study of a small nation cinema.
- Published in:
- Journal of Scandinavian Cinema, 2013, v. 3, n. 1, p. 7, doi. 10.1386/jsca.3.1.7_1
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- Publication type:
- Article
36
EDITORIAL.
- Published in:
- Journal of Scandinavian Cinema, 2013, v. 3, n. 1, p. 3, doi. 10.1386/jsca.3.1.3_2
- By:
- Publication type:
- Article
37
Adaptation as Reception: How a Transnational Analysis of Hollywood Films Can Renew the Literature-to-Film Debates.
- Published in:
- Amerikastudien, 2009, v. 54, n. 4, p. 657
- By:
- Publication type:
- Article
38
Foundational Myths and National Identity in European Transnational Post-Westerns.
- Published in:
- Western American Literature, 2019, v. 54, n. 3, p. 257, doi. 10.1353/wal.2019.0048
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- Publication type:
- Article
39
Crossing borders virtual and real: a transnational Internet-based community of Spaghetti Western fans finally meet each other face to face on the wild plains of Almeria, Spain.
- Published in:
- Language & Intercultural Communication, 2011, v. 11, n. 4, p. 304, doi. 10.1080/14708477.2011.613475
- By:
- Publication type:
- Article
40
From My Fancy High Heels to Useless clothing: 'Interconnectedness' and eco-critical issues in transnational documentaries.
- Published in:
- Interactions: Studies in Communication & Culture, 2011, v. 2, n. 2, p. 127, doi. 10.1386/iscc.2.2.127_1
- By:
- Publication type:
- Article
41
How can we talk about 'transnational' when we talk about Japanese cinema?
- Published in:
- Journal of Japanese & Korean Cinema, 2019, v. 11, n. 2, p. 109, doi. 10.1080/17564905.2019.1661955
- By:
- Publication type:
- Article
42
Rogue diva flows: Aoi Sola's reception in the Chinese media and mobile celebrity.
- Published in:
- Journal of Japanese & Korean Cinema, 2014, v. 6, n. 1, p. 89, doi. 10.1080/17564905.2014.929412
- By:
- Publication type:
- Article
43
Ambivalent transnationality: Luso-African co-productions after independence (1988-2010).
- Published in:
- Journal of African Cinemas, 2011, v. 3, n. 2, p. 221, doi. 10.1386/jac.3.2.221_1
- By:
- Publication type:
- Article
44
Transnational Book Markets and Literary Reception in the Americas.
- Published in:
- 2008
- By:
- Publication type:
- Literary Criticism
45
On the streets and on the road: identity in transit in Turkish–German travelogues on screen.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2009, v. 7, n. 1, p. 11, doi. 10.1386/ncin.7.1.11_1
- By:
- Publication type:
- Article
46
“Turkish Rambo” Going Transnational: The Polarized Reception of Mainstream Political Cinema among the Turkish Diaspora in Belgium.
- Published in:
- Turkish Studies, 2014, v. 15, n. 1, p. 12, doi. 10.1080/14683849.2014.897409
- By:
- Publication type:
- Article
47
Sandhya Suri's I for India: Documenting Transnational Subjectivity.
- Published in:
- IAFOR Journal of Media, Communication & Film, 2014, v. 1, n. 2, p. 61
- By:
- Publication type:
- Article
48
The "Transnational Turn". New Urban Identities and the Transformation of the Romanian Contemporary Cinema.
- Published in:
- Ekphrasis (2067-631X), 2014, v. 11, n. 1, p. 9
- By:
- Publication type:
- Article
49
Caribbean Transnational Films and National Culture, or How Puerto Rican or Dominican Can You Be in "Nueba Yol"?
- Published in:
- Centro Journal, 2016, v. 28, n. 1, p. 146
- By:
- Publication type:
- Article
50
The possibility of Chineseness: Negotiating Chinese identity in Shun Li and the Poet and The Arrival of Wang.
- Published in:
- Journal of Italian Cinema & Media Studies, 2014, v. 2, n. 1, p. 59, doi. 10.1386/jicms.2.1.59_1
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- Publication type:
- Article