A Culture of Light: Cinema and Technology in 1920s Germany. Frances Guerin.
- Published in:
- 2006
- By:
- Publication type:
- Book Review
Works matching DE "MOTION pictures %26 technology"
Results: 41
1
2
Cinema e história -- as funções do cinema como agente, fonte e representação da história.
- Published in:
- Ler Historia, 2007, n. 52, p. 127, doi. 10.4000/lerhistoria.2547
- By:
- Publication type:
- Article
3
The Eradication of Memory: Film Adaptations and Algorithms of the Digital.
- Published in:
- Cinema Journal, 2015, v. 55, n. 1, p. 74, doi. 10.1353/cj.2015.0058
- By:
- Publication type:
- Article
4
The Spectral Return of Cinema: Globalization and Cinephilia in Contemporary Chinese Film.
- Published in:
- Cinema Journal, 2015, v. 55, n. 1, p. 29, doi. 10.1353/cj.2015.0070
- By:
- Publication type:
- Article
5
Variation within Stability: Digital 3D and Film Style.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
6
Infrastructural Affinity: Film Technology and the Built Environment in New York circa 1900.
- Published in:
- 2016
- By:
- Publication type:
- Essay
7
EDITORIAL.
- Published in:
- Framework: The Journal of Cinema & Media, 2016, v. 57, n. 1, p. 5, doi. 10.13110/framework.57.1.0005
- By:
- Publication type:
- Article
8
Visualizing Trauma in 3D – Ang Lee's Life of Pi.
- Published in:
- Quarterly Review of Film & Video, 2023, v. 40, n. 8, p. 1088, doi. 10.1080/10509208.2022.2077622
- By:
- Publication type:
- Article
9
Causes of the Production Discontinuance of Iranian Films During 1937–1948.
- Published in:
- Quarterly Review of Film & Video, 2020, v. 37, n. 2, p. 167, doi. 10.1080/10509208.2019.1632602
- By:
- Publication type:
- Article
10
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe's Enter the Void".
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
Archives and Their Film Collection in a Digital World; or, What Futures for the Analog Print?
- Published in:
- Moving Image (15323978), 2014, v. 14, n. 2, p. 100, doi. 10.5749/movingimage.14.2.0100
- By:
- Publication type:
- Article
12
Notes from a Cautious Optimist.
- Published in:
- 2012
- By:
- Publication type:
- Opinion
13
Artist as Archivist in the Digital Transition.
- Published in:
- 2012
- By:
- Publication type:
- Opinion
14
Experimental Film on the Digital Doorstep.
- Published in:
- 2012
- By:
- Publication type:
- Opinion
15
"Still Separate … but Equal"?
- Published in:
- 2012
- By:
- Publication type:
- Opinion
16
Cinematic Appeals: The Experience of New Movie Technologies.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
17
Chromatic Cinema.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
'A camera from the time of the British': film technologies and aesthetic exclusion in Pakistani cinema.
- Published in:
- Screen, 2016, v. 57, n. 4, p. 496, doi. 10.1093/screen/hjw051
- By:
- Publication type:
- Article
19
The aesthetic discourse in classical film theory.
- Published in:
- 2014
- By:
- Publication type:
- Essay
20
Book review: Digital visual effects in cinema: The seduction of reality.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
21
Aestheticization of politics and ambivalence of self-sacrifice in Charlie Brooker’s The National Anthem.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
22
ANIMACIJA: TIKROVĖS VAIZDAVIMAS IR DIDAKTIKA.
- Published in:
- Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692), 2013, n. 75, p. 152
- By:
- Publication type:
- Article
23
Extinguishing Spotlights: the Uncertain Future of Cinematic Heritage in London's Leicester Square.
- Published in:
- APUNTES - Journal of Cultural Heritage Studies, 2018, v. 31, n. 1, p. 67, doi. 10.11144/Javeriana.apc31-1.esuf
- By:
- Publication type:
- Article
24
Principles of Functional Classification of Music in Cinema.
- Published in:
- Artistic Culture. Topical Issues, 2020, n. 16, p. 191, doi. 10.31500/1992-5514.16.2020.205257
- By:
- Publication type:
- Article
25
Performing Color: Mechanized Painting, Multimedia Spectacle, and Andy Warhol's Chelsea Girls.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
26
Analysing archives in motion.
- Published in:
- Journal of Scandinavian Cinema, 2010, v. 1, n. 1, p. 79, doi. 10.1386/jsca.1.1.79_1
- Publication type:
- Article
27
Digital Cinematography: Evolution of Craft or Revolution in Production?
- Published in:
- Journal of Film & Video, 2014, v. 66, n. 2, p. 3, doi. 10.5406/jfilmvideo.66.2.0003
- By:
- Publication type:
- Article
28
Beginning, Middle, End of an Era: Has Technology Trumped Aristotle?
- Published in:
- 2013
- By:
- Publication type:
- Essay
29
What Is Cinema in a Digital Age? Divergent Deinitions from a Production Perspective.
- Published in:
- Journal of Film & Video, 2012, v. 64, n. 4, p. 3, doi. 10.5406/jfilmvideo.64.4.0003
- By:
- Publication type:
- Article
30
Innovation and Tensions: Italian Cinema and Media in a Global World, First International Conference, Journal of Italian Cinema and Media Studies.
- Published in:
- Journal of Italian Cinema & Media Studies, 2018, v. 6, n. 1, p. 123, doi. 10.1386/jicms.6.1.123_7
- By:
- Publication type:
- Article
31
The Velvet Light Trap and Technological Change.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2015, n. 76, p. 68, doi. 10.7560/VLT7606
- Publication type:
- Article
32
TECHNOLOGY AND THE TRADE PRESS.
- Published in:
- 2015
- Publication type:
- Essay
33
The development of sound technology in the Soviet film industry during the first Five-Year Plan.
- Published in:
- Studies in Russian & Soviet Cinema, 2013, v. 7, n. 2, p. 189, doi. 10.1386/srsc.7.2.189_1
- By:
- Publication type:
- Article
34
A New/Old Ontology of Film.
- Published in:
- Film-Philosophy, 2013, v. 17, n. 1, p. 265, doi. 10.3366/film.2013.0015
- By:
- Publication type:
- Article
35
Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas.
- Published in:
- Film-Philosophy, 2013, v. 17, n. 1, p. 212, doi. 10.3366/film.2013.0012
- By:
- Publication type:
- Article
36
Impossible family portraits: Users, new media technologies and the writing of amateur media history.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2013, v. 11, n. 2/3, p. 111, doi. 10.1386/ncin.11.2-3.111_1
- By:
- Publication type:
- Article
37
A Society Apart: The Early Years of the Society of Motion Picture Engineers.
- Published in:
- 2016
- Publication type:
- Essay
38
Technological Metafiction.
- Published in:
- Film International (16516826), 2014, v. 12, n. 2, p. 76, doi. 10.1386/fiin.12.2.76_1
- By:
- Publication type:
- Article
39
Cinema of simulation: hyperreal Hollywood in the long 1990s.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
40
Montaje audiovisual. Teoría, técnica y métodos de control.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
41
Ingmar Bergman's Persona as a Modernist Example of Media Determinism.
- Published in:
- Filozofski Vestnik, 2014, v. 35, n. 2, p. 219
- By:
- Publication type:
- Article