Hollywood movies in East Asia: examining cultural discount and performance predictability at the box office.
- Published in:
- Asian Journal of Communication, 2008, v. 18, n. 2, p. 117, doi. 10.1080/01292980802021855
- By:
- Publication type:
- Article
Works matching DE "MOTION pictures %26 globalization"
Results: 63
1
2
El cine bajo la presión del mercado libre. Las estrategias del autor en el filme de largo metraje polaco después del año 1989.
- Published in:
- Comunicación y Sociedad, 2004, v. 17, n. 1, p. 145
- By:
- Publication type:
- Article
3
A GLOBAL CINEMATIC ZONE OF ANIMAL AND TECHNOLOGY.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2013, v. 18, n. 1, p. 139, doi. 10.1080/0969725X.2013.783435
- By:
- Publication type:
- Article
4
The Spectral Return of Cinema: Globalization and Cinephilia in Contemporary Chinese Film.
- Published in:
- Cinema Journal, 2015, v. 55, n. 1, p. 29, doi. 10.1353/cj.2015.0070
- By:
- Publication type:
- Article
5
Sony and Local-Language Productions: Conglomerate Hollywood's Strategy of Flexible Localization for the Global Film Market.
- Published in:
- 2014
- By:
- Publication type:
- Case Study
6
Teaching Institutional Analysis to Fourth-Year Cinema and Media Studies Majors.
- Published in:
- Cinema Journal, 2011, v. 50, n. 3, p. 89, doi. 10.1353/cj.2011.0043
- By:
- Publication type:
- Article
7
Localized Globalization and a Monster National: The Host and the South Korean Film Industry.
- Published in:
- Cinema Journal, 2011, v. 50, n. 3, p. 45, doi. 10.1353/cj.2011.0031
- By:
- Publication type:
- Article
8
Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization.
- Published in:
- Cinema Journal, 2003, v. 43, n. 1, p. 25, doi. 10.1353/cj.2003.0027
- By:
- Publication type:
- Article
9
How Lars von Trier Sees the World: Postmodernism and Globalization in The Five Obstructions.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 1, p. 54, doi. 10.1080/10509200802241381
- By:
- Publication type:
- Article
10
Far Away, So Close? Nation, Global Chinese Cinema and the Question of Identity.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 4, p. 306, doi. 10.1080/10509200601105258
- By:
- Publication type:
- Article
11
Nollywood in Cameroon: Transnationalisation and Reception of a Dynamic Cinematic Culture.
- Published in:
- CINEJ Cinema Journal, 2017, v. 6, n. 2, p. 129, doi. 10.5195/cinej.2017.175
- By:
- Publication type:
- Article
12
Competing Narratives: Choosing the Tiger in Ang Lee's Life of Pi.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
13
The Cinema of Small Nations.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
14
The Cinema of Globalization: A Guide to Films About the New Economic Order.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
15
An Exploratory Study of Movie-Induced Tourism: A Case of the Movie The Sound of Music and Its Locations in Salzburg, Austria.
- Published in:
- Journal of Travel & Tourism Marketing, 2008, v. 24, n. 2/3, p. 229, doi. 10.1080/10548400802092866
- By:
- Publication type:
- Article
16
Sino-Korean screen connections: towards a history in fragments.
- Published in:
- 2016
- By:
- Publication type:
- Essay
17
Pursuing soft power through cinema: censorship and double standards in mainland China.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 3, p. 239, doi. 10.1080/17508061.2015.1049878
- By:
- Publication type:
- Article
18
Exhibiting Chinese cinemas, reconstructing reception.
- Published in:
- Journal of Chinese Cinemas, 2009, v. 3, n. 2, p. 99, doi. 10.1386/jcc.3.2.99_7
- By:
- Publication type:
- Article
19
Australian International Pictures.
- Published in:
- Studies in Australasian Cinema, 2010, v. 4, n. 3, p. 195, doi. 10.1386/sac.4.3.195_2
- By:
- Publication type:
- Article
20
Database economy and transnational cinema.
- Published in:
- Studies in Australasian Cinema, 2009, v. 3, n. 2, p. 155, doi. 10.1386/sac.3.2.155/1
- By:
- Publication type:
- Article
21
Strategies for a ‘Transnational’/French Popular Cinema.
- Published in:
- Modern & Contemporary France, 2007, v. 15, n. 1, p. 37, doi. 10.1080/09639480601115276
- By:
- Publication type:
- Article
22
From L'Âge d'or to El día de la Bestia : Between the Ideal and the Unspeakable.
- Published in:
- Journal of Iberian & Latin American Studies, 2005, v. 11, n. 1, p. 25, doi. 10.1080/14701840500127420
- By:
- Publication type:
- Article
23
Globalisation Of Popular Culture: From Hollywood To Bollywood.
- Published in:
- South Asia Research, 2012, v. 32, n. 2, p. 123, doi. 10.1177/0262728012453977
- By:
- Publication type:
- Article
24
The Cinema of Things: Globalization and the Posthuman Object by Elizabeth Ezra (review).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
25
Global Trauma and the Cinematic Network Society.
- Published in:
- Critical Studies in Media Communication, 2010, v. 27, n. 3, p. 209, doi. 10.1080/15295030903583556
- By:
- Publication type:
- Article
26
Introduction.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2011, v. 47, n. 4, p. 395, doi. 10.3138/seminar.47.4.395
- By:
- Publication type:
- Article
27
Globalizing Discourses: Literature and Film in the Age of Google.
- Published in:
- Globalizations, 2015, v. 12, n. 2, p. 229, doi. 10.1080/14747731.2014.953825
- By:
- Publication type:
- Article
28
Taking Cover From Progress.
- Published in:
- Journal of Communication Inquiry, 2007, v. 31, n. 1, p. 62, doi. 10.1177/0196859906294721
- By:
- Publication type:
- Article
29
A critical analysis of the Nollywood film Osuofia in London.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
30
SELECTING MOTION PICTURES FOR THE FOREIGN MARKET.
- Published in:
- Journal of Marketing, 1952, v. 17, n. 2, p. 162, doi. 10.2307/1248042
- By:
- Publication type:
- Article
31
A "New" Environment for the Horror Film: The Cave as Negation of Postmodernity and Globalization.
- Published in:
- Journal of Film & Video, 2013, v. 65, n. 4, p. 17, doi. 10.5406/jfilmvideo.65.4.0017
- By:
- Publication type:
- Article
32
Hollywood Border Cinema: Westerns with a Vengeance.
- Published in:
- Journal of Popular Film & Television, 2011, v. 39, n. 2, p. 93, doi. 10.1080/01956051.2010.484037
- By:
- Publication type:
- Article
33
Globalization of Bollywood: Gain of Markets or Loss of Audiences?
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 52, doi. 10.1177/0976091120130105
- By:
- Publication type:
- Article
34
Editorial.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 2, doi. 10.1177/0976091120130101
- By:
- Publication type:
- Article
35
SCENES FROM A STREET: VISUAL IMPACT OF GLOBALIZATION ON CONSUMPTIONSCAPES.
- Published in:
- 2007
- By:
- Publication type:
- Proceeding
36
Nostalgia, Identity and Tourism: Bollywood in the Indian Diaspora.
- Published in:
- Journal of Tourism & Cultural Change, 2008, v. 6, n. 2, p. 79, doi. 10.1080/14766820802140463
- By:
- Publication type:
- Article
37
Narration in World cinema: Mapping the flows of formal exchange in the era of globalisation.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 1, p. 5, doi. 10.1386/ncin.6.1.5_1
- By:
- Publication type:
- Article
38
Bollywood tracks towards and through the city: structural patterns of Hindi film culture in Antwerp (Belgium).
- Published in:
- Contemporary South Asia, 2013, v. 21, n. 2, p. 102, doi. 10.1080/09584935.2013.773289
- By:
- Publication type:
- Article
39
Hollywood domination of the Chinese kung fu market.
- Published in:
- Inter-Asia Cultural Studies, 2007, v. 8, n. 3, p. 414, doi. 10.1080/14649370701393782
- By:
- Publication type:
- Article
40
Narrative non-fictions in contemporary Italian cinema: Roberto Munzi's Saimir (2002), Giorgio Diritti's Il vento fa il suo giro (2005) and Pietro Marcello's La bocca del lupo (2009).
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
41
Marco teórico para el análisis de una política pública cinematográfica en los nuevos espacios del siglo XXI.
- Published in:
- Chasqui (13901079), 2011, n. 113, p. 16
- By:
- Publication type:
- Article
42
The World without Future: Stage as Entrapment in Jia Zhangke's Film.
- Published in:
- China Review: An Interdisciplinary Journal on Greater China, 2010, v. 10, n. 2, p. 155
- By:
- Publication type:
- Article
43
Bollywood's soft power: Branding the nation, sustaining a meta-hegemony.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2016, v. 14, n. 1, p. 51, doi. 10.1386/ncin.14.1.51_1
- By:
- Publication type:
- Article
44
Contextualizing Chinese lesbian cinema: Global queerness and independent films.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
45
Hollywood, the Internet and the World: A Geography of Disruptive Innovation.
- Published in:
- Industry & Innovation, 2007, v. 14, n. 4, p. 359, doi. 10.1080/13662710701523983
- By:
- Publication type:
- Article
46
Media Heterotopias: Digital Effects and Material Labor in Global Film Production.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
47
Book Review.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
48
The Question of National Cinema in Iranian Independent Cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
49
Introduction: Contemporary Independent Iranian Cinema.
- Published in:
- Film International (16516826), 2014, v. 12, n. 3, p. 6, doi. 10.1386/fiin.12.3.6_1
- By:
- Publication type:
- Article
50
Born American? Renny Harlin and Global Hollywood.
- Published in:
- Film International (16516826), 2011, v. 9, n. 2, p. 55, doi. 10.1386/fiin.9.2.55
- By:
- Publication type:
- Article