Law at the Movies: Turning Legal Doctrine into Art.
- Published in:
- 2025
- By:
- Publication type:
- Book Review
Works matching DE "MOTION picture plots %26 themes"
Results: 816
1
2
Social Work in the Movies: Another Look.
- Published in:
- Social Work, 2006, v. 51, n. 3, p. 269, doi. 10.1093/sw/51.3.269
- By:
- Publication type:
- Article
3
RETURN OF THE JEDI: The Rewards of Myth.
- Published in:
- Society, 1984, v. 21, n. 4, p. 71, doi. 10.1007/BF02695105
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- Publication type:
- Article
4
Mechanical bodies, ever more heavenly.
- Published in:
- October, 1998, n. 83, p. 19
- By:
- Publication type:
- Article
5
Movie as Metaphor.
- Published in:
- 2007
- By:
- Publication type:
- Editorial
6
VERSIONS (CON-, IN-, AND PER-) IN MANUEL PUIG'S AND HECTOR BABENCO'S KISS OF THE SPIDER WOMAN, NOVEL AND FILM.
- Published in:
- Modern Fiction Studies, 1986, v. 32, n. 3, p. 417, doi. 10.1353/mfs.0.0040
- By:
- Publication type:
- Article
7
Does Movie Viewing Cultivate Young People's Unrealistic Expectations About Love and Marriage?
- Published in:
- Marriage & Family Review, 2015, v. 51, n. 8, p. 687, doi. 10.1080/01494929.2015.1061629
- By:
- Publication type:
- Article
8
A TAXONOMY OF AMERICAN CRIME FILM THEMES.
- Published in:
- Journal of Social Psychology, 1955, v. 42, n. 1, p. 129, doi. 10.1080/00224545.1955.9919190
- By:
- Publication type:
- Article
9
SEX AND VIOLENCE IN SLASHER FILMS: RE-EXAMINING THE ASSUMPTIONS.
- Published in:
- Journalism & Mass Communication Quarterly, 2003, v. 80, n. 1, p. 28, doi. 10.1177/107769900308000103
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- Publication type:
- Article
10
Setting up a psychoanalytic film discussion club in Leeds.
- Published in:
- Psychodynamic Practice, 2017, v. 23, n. 2, p. 190, doi. 10.1080/14753634.2017.1327012
- By:
- Publication type:
- Article
11
Not First, but Fourth.
- Published in:
- 2012
- By:
- Publication type:
- Letter
12
Multiple personality and the discourse of the multiple in Hollywood cinema.
- Published in:
- European Journal of American Culture, 2010, v. 29, n. 2, p. 145, doi. 10.1386/ejac.29.2.145_1
- By:
- Publication type:
- Article
13
Recasting the heroic resistance ideal: Robert Bresson’s Un condamné à mort s’est échappé.
- Published in:
- French Cultural Studies, 2013, v. 24, n. 4, p. 376, doi. 10.1177/0957155813500911
- By:
- Publication type:
- Article
14
Explorando el tema. La noción poética de “sentido” al servicio de la escritura de guion.
- Published in:
- Revista de Comunicación, 2016, v. 15, p. 166
- By:
- Publication type:
- Article
15
The Symbolism in The Piano.
- Published in:
- Theory & Practice in Language Studies (TPLS), 2012, v. 2, n. 9, p. 1849, doi. 10.4304/tpls.2.9.1849-1853
- By:
- Publication type:
- Article
16
The Creative Voice: Free Indirect Speech in the Cinema of Rohmer and Bresson.
- Published in:
- New Soundtrack, 2012, v. 2, n. 1, p. 39, doi. 10.3366/sound.2012.0024
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- Publication type:
- Article
17
SEX TOOLS: NEW QUEER NARRATIVES AS COMMUNITY ACTION CINEMA.
- Published in:
- Afterimage, 2013, v. 40, n. 5, p. 11, doi. 10.1525/aft.2013.40.5.11
- By:
- Publication type:
- Article
18
On Pasolini's Edipo Re: an overview with a focus on two neglected details. Unconscious, will, chance and destiny.
- Published in:
- Acta Scientiarum: Language & Culture, 2011, v. 33, n. 1, p. 39, doi. 10.4025/actascilangcult.v33i1.8281
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- Publication type:
- Article
19
The social in scene in significant materiality.
- Published in:
- Acta Scientiarum: Language & Culture, 2010, v. 32, n. 2, p. 153, doi. 10.4025/actascilangcult.v32i2.11759
- By:
- Publication type:
- Article
20
DOCUMENTING VIOLATIONS: RHETORICAL WITNESSING AND THE SPECTACLE OF DISTANT SUFFERING[1].
- Published in:
- Biography: An Interdisciplinary Quarterly, 2004, v. 27, n. 1, p. 104, doi. 10.1353/bio.2004.0034
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- Publication type:
- Article
21
CINE Y REVOLUCIÓN EN LOS AÑOS SESENTA LATINOAMERICANOS. LA VIOLENCIA COMO TEMA EN EL CINE DE INTERVENCIÓN POLÍTICA (URUGUAY, BRASIL Y ARGENTINA).
- Published in:
- Historia y Espacio, 2016, n. 46, p. 1
- By:
- Publication type:
- Article
22
The Girl and Her Trust: film into fiction.
- Published in:
- Film History, 2008, v. 20, n. 2, p. 198, doi. 10.2979/FIL.2008.20.2.198
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- Publication type:
- Article
23
Letters to the Editor.
- Published in:
- Film History, 2003, v. 15, n. 1, p. 110
- By:
- Publication type:
- Article
24
Commercial Propaganda in the Silent Film: A Case Study of "A MORMON MAID" (1917).
- Published in:
- Film History, 1987, v. 1, n. 2, p. 149
- By:
- Publication type:
- Article
25
French and British Influences in Porter's AMERICAN FIREMAN.
- Published in:
- Film History, 1987, v. 1, n. 2, p. 137
- By:
- Publication type:
- Article
26
The Western 1909--14: A Cast of Villains.
- Published in:
- Film History, 1987, v. 1, n. 2, p. 97
- By:
- Publication type:
- Article
27
STRIKE ME LUCKY, SILLY ASS: ETHNICITY AND CLASS DIFFERENCE.
- Published in:
- Moving Image, 2015, n. 13, p. 50
- Publication type:
- Article
28
ALTERNATIVE SPACES, ALTERNATIVE VOICES: THE ART OF LAILA PAKALNIŅA.
- Published in:
- Acta Academiae Artium Vilnensis, 2010, n. 56, p. 33
- By:
- Publication type:
- Article
29
THE QUEST FOR LOST MEMORIES, HIDDEN FEELINGS AND DESIRES: THE DOCU-INQUIRIES OF AUDRIUS STONYS.
- Published in:
- Acta Academiae Artium Vilnensis, 2010, n. 56, p. 19
- By:
- Publication type:
- Article
30
SPACES OF INTERTEXTUALITY AND AESTHETIC OF SLOW IN THE FILMS BY ŠARŪNAS BARTAS THREE DAYS, CORRIDOR.
- Published in:
- Acta Academiae Artium Vilnensis, 2010, n. 56, p. 11
- By:
- Publication type:
- Article
31
“WE WILL DIE AND WILL BE FREE”.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2014, v. 19, n. 4, p. 127, doi. 10.1080/0969725X.2014.984448
- By:
- Publication type:
- Article
32
“WHEN I SWALLOW HIS HEART AND LUNGS, JESUS IS PLEASED”.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2014, v. 19, n. 4, p. 95, doi. 10.1080/0969725X.2014.984445
- By:
- Publication type:
- Article
33
A SACRIFICIAL ECONOMY OF THE IMAGE.
- Published in:
- 2014
- By:
- Publication type:
- Essay
34
BODIES OF ESTRANGEMENT.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2014, v. 19, n. 4, p. 65, doi. 10.1080/0969725X.2014.984441
- By:
- Publication type:
- Article
35
Entre el Cha Cha Chá y el Estado: El cine nacional mexicano y sus arquetipos.
- Published in:
- Contracorriente: Una Revista de Estudios Latinoamericanos, 2011, v. 8, n. 3, p. 163
- By:
- Publication type:
- Article
36
Nuevos realizadores de cortometrajes en Colombia: Narrativas y discursos.
- Published in:
- Palabra Clave, 2013, v. 16, n. 2, p. 559
- By:
- Publication type:
- Article
37
Argumentos, personajes y escenarios para la reelaboración de la imagen de Andalucía en el cine (1975-2006).
- Published in:
- Palabra Clave, 2008, v. 11, n. 1, p. 123
- By:
- Publication type:
- Article
38
Between El Dorado and Armageddon: Utopia and Apocalypse in the Films of the Encounter.
- Published in:
- Delaware Review of Latin American Studies, 2006, v. 6, n. 2, p. 1
- By:
- Publication type:
- Article
39
Como ver y comentar una película.
- Published in:
- Xipe Totek, 2009, v. 18, n. 2, p. 131
- By:
- Publication type:
- Article
40
Bollywood Law: Commercial Hindi Films with Legal Themes.
- Published in:
- Law Library Journal, 2006, v. 98, n. 1, p. 61
- By:
- Publication type:
- Article
41
Contemporary Irish Film: From the National to the Transnational.
- Published in:
- Eire-Ireland, 2017, v. 52, n. 1/2, p. 169, doi. 10.1353/eir.2017.0008
- By:
- Publication type:
- Article
42
Visualizing Connecticut's Past: The Art of Historical Documentary Filmmaking.
- Published in:
- Connecticut History, 2005, v. 44, n. 2, p. 262, doi. 10.2307/44369693
- By:
- Publication type:
- Article
43
Narrative Voice and Moral Reflection in Almodóvar's La Mala Educación.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
44
Futureless Invention: Hollis Frampton's Infinite–Finite Film.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
45
The De-Severance of Pleasant Distance.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
46
The Education of Frances Marion and Irving Thalberg: Censorship, Development, and Distribution at MGM, 1927–1930.
- Published in:
- Quarterly Review of Film & Video, 2014, v. 31, n. 2, p. 123, doi. 10.1080/10509208.2011.606411
- By:
- Publication type:
- Article
47
Sam Mendes’ Revolutionary Road and the Talent to Bemuse.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
48
Becoming Father: The Politics of Succession in Satyajit Ray's Pratidwandi (The Adversary).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
49
Misdirection in Fits and Starts: Alfred Hitchcock's Popular Reputation and the Reception of His Films.
- Published in:
- Quarterly Review of Film & Video, 2012, v. 29, n. 1, p. 76, doi. 10.1080/10509200902932012
- By:
- Publication type:
- Article
50
Brothers, Sisters, and Chainsaws: The Slasher Film as Locus for Sibling Rivalry.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 2, p. 135, doi. 10.1080/10509200802530155
- By:
- Publication type:
- Article