Works matching DE "MOTION picture music -- History %26 criticism"
Results: 25
American Valkyries: Richard Wagner, D. W. Griffith, and the Birth of Classical Cinema.
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- Modernism/Modernity, 2008, v. 15, n. 2, p. 221, doi. 10.1353/mod.2008.0040
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- Publication type:
- Article
The Music of James Bond.
- Published in:
- 2016
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- Publication type:
- Book Review
A History of Film Music.
- Published in:
- 2009
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- Publication type:
- Book Review
''To Sustain Illusion is All That is Necessary'': The Authenticity of Song Performance in Early American Sound Cinema.
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- Film History, 2011, v. 23, n. 3, p. 285, doi. 10.2979/filmhistory.23.3.285
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- Article
The Non-diegetic Fallacy: Film, Music, and Narrative Space.
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- Music & Letters, 2010, v. 91, n. 2, p. 224, doi. 10.1093/ml/gcq019
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- Article
HOW THE WEST WAS SUNG: Music in the Westerns of John Ford.
- Published in:
- 2008
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- Publication type:
- Book Review
Death and the maiden: Does semiotics justify murder?
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- Critical Quarterly, 1993, v. 35, n. 2, p. 38, doi. 10.1111/j.1467-8705.1993.tb00465.x
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- Article
Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores.
- Published in:
- 2012
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- Publication type:
- Book Review
A Review of “Film Music: A History”.
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- 2012
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- Publication type:
- Book Review
Performances in Early Hollywood Sound Films: Source Music, Background Music, and the Integrated Sound Track.
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- Contemporary Music Review, 2000, v. 19, n. 1, p. 37, doi. 10.1080/07494460000640131
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- Article
Hymns for the Fallen: Combat Movie Music and Sound After Vietnam.
- Published in:
- 2017
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- Publication type:
- Book Review
Throwing the Voice, Catching the Body: Opera and ventriloquism in Philip Glass/ Jean Cocteau's 'La Belle et la Bête'.
- Published in:
- 2011
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- Film/TV Criticism and Review
Unconscious anchors: Bernard Herrmann's music for Marnie.
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- Popular Music History, 2010, v. 5, n. 1, p. 55
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- Article
The deleted music and scenes from Journey to the Center of the Earth.
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- Popular Music History, 2010, v. 5, n. 1, p. 35
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- Article
Lessons from Ives: Elements of Charles Ives's musical language in the film scores and symphonic works of Bernard Herrmann.
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- Popular Music History, 2010, v. 5, n. 1, p. 21
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- Article
After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934.
- Published in:
- 2015
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- Publication type:
- Book Review
Scoring Transcendence: Contemporary Film Music as Religious Experience.
- Published in:
- 2017
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- Publication type:
- Book Review
The Oxford Handbook of Film Music Studies.
- Published in:
- 2016
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- Publication type:
- Book Review
Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong, 1927-1933.
- Published in:
- 2013
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- Publication type:
- Film/TV Criticism and Review
CELLULOID SYMPHONIES: TEXTS AND CONTEXTS IN FILM MUSIC HISTORY.
- Published in:
- 2012
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- Publication type:
- Book Review
Performing 'Soviet' film classics: Tajik Jimmy and the aural remnants of Indian cinema.
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- Studies in Russian & Soviet Cinema, 2013, v. 7, n. 2, p. 227, doi. 10.1386/srsc.7.2.227_1
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- Article
COMPOSING FOR THE SCREEN IN GERMANY AND THE USSR: CULTURAL POLITICS AND PROPAGANDA.
- Published in:
- 2010
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- Publication type:
- Book Review
For the Record: Confessions of a Vinyl Soundtrack Junkie.
- Published in:
- 2017
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- Publication type:
- Book Review
Theories of the soundtrack: Buhler, J. (2018). Oxford, UK: Oxford University Press. 314 pages.
- Published in:
- 2019
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- Publication type:
- Book Review
Listening to the French New Wave. The Film Music and Composers of Postwar French Art Cinema.
- Published in:
- 2016
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- Publication type:
- Book Review