Interview with Manu Anand, Director of Photography of Fan.
- Published in:
- 2017
- By:
- Publication type:
- Interview
Works matching DE "MOTION picture art directors"
Results: 33
1
2
ARQUITECTURA DEL ESPACIO FÍLMICO: CONSTRUIR PARA LA CÁMARA.
- Published in:
- Arquitexto, 2019, v. 33, n. 104, p. 50
- By:
- Publication type:
- Article
3
THE BEGINNING BEFORE THE BEGINNING...
- Published in:
- Metro, 2005, n. 142, p. 108
- By:
- Publication type:
- Article
4
DIRTY DEEDS.
- Published in:
- 2002
- By:
- Publication type:
- Interview
5
Creating Space: Production Designer Assheton Gorton.
- Published in:
- 2007
- By:
- Publication type:
- Interview
6
Interview with John Box.
- Published in:
- 2005
- By:
- Publication type:
- Interview
7
Conversations with Edward Carrick.
- Published in:
- 2005
- By:
- Publication type:
- Interview
8
Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema.
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 117, doi. 10.3366/jbctv.2005.2.1.117
- By:
- Publication type:
- Article
9
Consumerism, the Swinging Sixties and Assheton Gorton.
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 100, doi. 10.3366/jbctv.2005.2.1.100
- By:
- Publication type:
- Article
10
Hein Heckroth at The Archers: Art, Commerce, Sickliness.
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 67, doi. 10.3366/jbctv.2005.2.1.67
- By:
- Publication type:
- Article
11
The Common Touch: Art Direction at British National in the 1940s.
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 36, doi. 10.3366/jbctv.2005.2.1.36
- By:
- Publication type:
- Article
12
Sets of the Imagination: Lazare Meerson, Set Design and Performance in Knight Without Armour (1937).
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 18, doi. 10.3366/jbctv.2005.2.1.18
- By:
- Publication type:
- Article
13
Setting variables: Axes of time, space and meaning in production design for the screen.
- Published in:
- Scene (2044-3714), 2016, v. 4, n. 2, p. 117, doi. 10.1386/scene.4.2.117_1
- By:
- Publication type:
- Article
14
Queer.
- Published in:
- Bioscope: South Asian Screen Studies, 2021, v. 12, n. 1-2, p. 154, doi. 10.1177/09749276211028975
- By:
- Publication type:
- Article
15
Design.
- Published in:
- Bioscope: South Asian Screen Studies, 2021, v. 12, n. 1-2, p. 57, doi. 10.1177/09749276211028971
- By:
- Publication type:
- Article
16
Architecture of Dreams: Production Design Materials at the Academy's Margaret Herrick Library.
- Published in:
- Performing Arts Resources, 2012, v. 29, p. 55
- By:
- Publication type:
- Article
17
The Art of Film: John Box and Production Design.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
18
Capital and creativity: some notes on the British film art director of the 1940s.
- Published in:
- Screen, 2004, v. 45, n. 4, p. 367, doi. 10.1093/screen/45.4.367
- By:
- Publication type:
- Article
19
Colour Magic at Pinewood: Hein Heckroth, The Archers and Avant-Garde Production Design in The Red Shoes (1948).
- Published in:
- 2015
- By:
- Publication type:
- Essay
20
INTERVIEW: STUART CRAIG.
- Published in:
- 2010
- By:
- Publication type:
- Interview
21
Cherkessk - Moscow - Hollywood - and Moscow Again....
- Published in:
- 2022
- By:
- Publication type:
- Interview
22
"Designing Hollywood".
- Published in:
- Image, 1979, v. 22, n. 2, p. 31
- Publication type:
- Article
23
Security systems of point-of-sales devices.
- Published in:
- International Journal of Advanced Manufacturing Technology, 2007, v. 34, n. 7/8, p. 799, doi. 10.1007/s00170-006-0638-8
- By:
- Publication type:
- Article
24
Surface Contact: Film Design as an Exchange of Meaning.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 2, p. 203, doi. 10.3366/film.2018.0073
- By:
- Publication type:
- Article
25
Introduction.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. vii, doi. 10.2979/filmhistory.25.1-2.vii
- By:
- Publication type:
- Article
26
Invisible by Design: Reclaiming Art Nouveau for the Cinema.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 55, doi. 10.2979/filmhistory.25.1-2.55
- By:
- Publication type:
- Article
27
Demonstrating three-colour Technicolor: Early three-colour aesthetics and design.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 358, doi. 10.2979/FIL.2000.12.3.358
- By:
- Publication type:
- Article
28
Film Happenings.
- Published in:
- Film International (16516826), 2010, v. 8, n. 6, p. 98, doi. 10.1386/fiin.8.6.98
- By:
- Publication type:
- Article
29
DEAN TAVOULARIS.
- Published in:
- 2010
- By:
- Publication type:
- Interview
30
OSCAR'S CLOSE-UP: PRODUCING THE LIVE TELEVISION BROADCAST OF THE 25TH ACADEMY AWARDS.
- Published in:
- Historical Journal of Film, Radio & Television, 2018, v. 38, n. 2, p. 378, doi. 10.1080/01439685.2017.1324079
- By:
- Publication type:
- Article
31
British Film Design-a history.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
32
Don't Worry, We are all Racists!
- Published in:
- Third Text, 2007, v. 21, n. 6, p. 745, doi. 10.1080/09528820701761103
- By:
- Publication type:
- Article
33
'Celluloid Dreams'
- Published in:
- 2000
- By:
- Publication type:
- Interview