THE CURSE OF THE HEDGEHOG. AN ANTHROPOLOGICAL FILM BY DUMITRU BUDRALĂ.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2009, v. 54, n. 2, p. 79
- By:
- Publication type:
- Article
Works matching DE "MOTION picture art direction"
Results: 29
1
2
Design for Life: Unfolding Florence.
- Published in:
- Metro, 2006, n. 150, p. 68
- By:
- Publication type:
- Article
3
Creating Space: Production Designer Assheton Gorton.
- Published in:
- 2007
- By:
- Publication type:
- Interview
4
Interview with John Box.
- Published in:
- 2005
- By:
- Publication type:
- Interview
5
Conversations with Edward Carrick.
- Published in:
- 2005
- By:
- Publication type:
- Interview
6
Between Realism and Visual Concept: the Role of the Production Designer in Contemporary British Cinema.
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 117, doi. 10.3366/jbctv.2005.2.1.117
- By:
- Publication type:
- Article
7
Sets of the Imagination: Lazare Meerson, Set Design and Performance in Knight Without Armour (1937).
- Published in:
- Journal of British Cinema & Television, 2005, v. 2, n. 1, p. 18, doi. 10.3366/jbctv.2005.2.1.18
- By:
- Publication type:
- Article
8
The evolution of pace in popular movies.
- Published in:
- Cognitive Research: Principles & Implications, 2016, v. 1, n. 1, p. 1, doi. 10.1186/s41235-016-0029-0
- By:
- Publication type:
- Article
9
Modernism as Enemy.
- Published in:
- Architectural Design, 2000, v. 70, n. 1, p. 20
- By:
- Publication type:
- Article
10
Porter, or Ambivalence.
- Published in:
- Screen, 1978, v. 19, n. 4, p. 91, doi. 10.1093/screen/19.4.91
- By:
- Publication type:
- Article
11
The deep focus question: Some comments on Patrick Ogle's article.
- Published in:
- Screen, 1972, v. 13, n. 1, p. 73, doi. 10.1093/screen/13.1.73
- By:
- Publication type:
- Article
12
Colour Magic at Pinewood: Hein Heckroth, The Archers and Avant-Garde Production Design in The Red Shoes (1948).
- Published in:
- 2015
- By:
- Publication type:
- Essay
13
A little fiction: person, time and dimension in Raúl Ruiz's figural cinema.
- Published in:
- Critical Arts: A South-North Journal of Cultural & Media Studies, 2015, v. 29, n. 5, p. 689, doi. 10.1080/02560046.2015.1125098
- By:
- Publication type:
- Article
14
Reading across cultures towards a comparative documentary film studies: Eduardo Coutinho's documentary Jogo de Cena (2007).
- Published in:
- Critical Arts: A South-North Journal of Cultural & Media Studies, 2015, v. 29, n. 5, p. 676, doi. 10.1080/02560046.2015.1125097
- By:
- Publication type:
- Article
15
Animating by numbers: work?ow issues in Shane Acker's 9.
- Published in:
- Animation Practice, Process & Production, 2011, v. 1, n. 1, p. 83, doi. 10.1386/ap3.1.1.83_1
- By:
- Publication type:
- Article
16
Kluge's Auswege.
- Published in:
- Germanic Review, 2010, v. 85, n. 4, p. 294, doi. 10.1080/00168890.2010.513670
- By:
- Publication type:
- Article
17
A German 'Heimat' further east and in the Baltic region? Contemporary German film as a provocation.
- Published in:
- Journal of European Studies, 2006, v. 36, n. 2, p. 157, doi. 10.1177/0047244106064909
- By:
- Publication type:
- Article
18
Ferdinando Scarfiotti 1941-1994: Excursions into style.
- Published in:
- 1996
- By:
- Publication type:
- Essay
19
Security systems of point-of-sales devices.
- Published in:
- International Journal of Advanced Manufacturing Technology, 2007, v. 34, n. 7/8, p. 799, doi. 10.1007/s00170-006-0638-8
- By:
- Publication type:
- Article
20
A NOTE ON 'HOLLYWOOD CAMERA MOVEMENTS AND THE FILMS OF HOWARD HAWKS: A FUNCTIONAL SEMIOTIC APPROACH' BY BRIAN O'LEARY.
- Published in:
- New Review of Film & Television Studies, 2005, v. 3, n. 1, p. 101, doi. 10.1080/17400300500037605
- By:
- Publication type:
- Article
21
A Film Editor's Visual Intentions and Use of Perceptual Phenomena in Designing Film Edits: An Observational Study.
- Published in:
- International Journal of Visual Design, 2017, v. 11, n. 3, p. 1, doi. 10.18848/2325-1581/CGP/v11i03/1-17
- By:
- Publication type:
- Article
22
Introduction.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. vii, doi. 10.2979/filmhistory.25.1-2.vii
- By:
- Publication type:
- Article
23
Invisible by Design: Reclaiming Art Nouveau for the Cinema.
- Published in:
- Film History, 2013, v. 25, n. 1/2, p. 55, doi. 10.2979/filmhistory.25.1-2.55
- By:
- Publication type:
- Article
24
Demonstrating three-colour Technicolor: Early three-colour aesthetics and design.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 358, doi. 10.2979/FIL.2000.12.3.358
- By:
- Publication type:
- Article
25
C'era una volta la storia: credit sequences and storytelling, Leone-style.
- Published in:
- Film International (16516826), 2007, v. 5, n. 1, p. 7, doi. 10.1386/fiin.5.1.7
- By:
- Publication type:
- Article
26
"Our day will come": Histoire de Marie et Julien in the light of Les filles du feu.
- Published in:
- Australian Journal of French Studies (Australian Journal of French Studies), 2010, v. 47, n. 2, p. 171, doi. 10.3828/AJFS.47.2.171
- By:
- Publication type:
- Article
27
Mythic space and monument valley: Another look at John Ford's Stagecoach.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 174
- By:
- Publication type:
- Article
28
British Film Design-a history.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
29
'Celluloid Dreams'
- Published in:
- 2000
- By:
- Publication type:
- Interview