Found: 9
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Bordering on Names: Strategies of Mapping in the Prose of Terézia Mora and Peter Handke.
- Published in:
- Transit, 2011, v. 7, n. 1, p. 1, doi. 10.5070/t771009757
- By:
- Publication type:
- Article
"MIT DER WENDE KAM DER APPETIT": Work, Food, and Gender in Terezia Mora's Der einzige Mann auf dem Kontinent.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
Foreign Language--Foreign Body: The Embodiment of Sprachfremde in Dimitré Dinev's Engelszungen and Terézia Mora's Alle Tage.
- Published in:
- Consciousness, Literature & the Arts (1573-2193), 2016, v. 50, p. 107, doi. 10.1163/9789004334748_009
- By:
- Publication type:
- Article
Erika Hammer: Monströse Ordnungen und die Poetik der Liminalität. Terézia Moras Romantrilogie »Der einzige Mann auf dem Kontinent«, »Das Ungeheuer« und »Auf dem Seil«.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
POST‐1989 GEOGRAPHIES IN TERÉZIA MORA'S DER EINZIGE MANN AUF DEM KONTINENT AND DAS UNGEHEUER.
- Published in:
- German Life & Letters, 2018, v. 71, n. 3, p. 291, doi. 10.1111/glal.12196
- By:
- Publication type:
- Article
'ICH BIN GENAUSO DEUTSCH WIE KAFKA': GERMAN LINGUISTIC IDENTITY IN THE NOVELS OF TERÉZIA MORA.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
B. AS IN BALKAN: TERÉZIA MORA'S POST-YUGOSLAV BERLIN REPUBLIC.
- Published in:
- 2014
- By:
- Publication type:
- Literary Criticism
Identifikation einer Frau - Terézia Moras Ophelia.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
"Habt ihr was für mich?": Critical Collectivity in Terézia Mora's "Selbstbildnis mit Geschirrtuch" (2016).
- Published in:
- German Quarterly, 2021, v. 94, n. 3, p. 350, doi. 10.1111/gequ.12199
- Publication type:
- Article