Making More of the Moor: Aaron, Othello, and Renaissance Refashionings of Race.Published in:Shakespeare Quarterly, 1990, v. 41, n. 4, p. 433, doi. 10.2307/2870775By:Bartels, Emily C.Publication type:Article
Othello as "Faire" and Aaron's Child as "base": Analogous Problems in Consulting the "Oxford English Dictionary."Published in:2003By:Fleissner, R. F.Publication type:Essay
Washing the Moor White on the Early Modern English Stage (1550–1666): five undetected cases.Published in:Notes & Queries, 2013, v. 60, n. 4, p. 547, doi. 10.1093/notesj/gjt172By:García-García, LucianoPublication type:Article
From the Periphery to Center Stage: The Effects and Exploitation of the Other in Titus Andronicus and Assassin’s Creed III.Published in:Communication Review, 2014, v. 17, n. 3, p. 245, doi. 10.1080/10714421.2014.930277By:Rodriguez, Marco AntonioPublication type:Article
“The Abencerraje" and “Ozmín and Daraja": Two Sixteenth-Century Novellas from Spain.Published in:2015By:IGLESIAS, YOLANDAPublication type:Book Review
The Moor and the Novel: Narrating Absence in Early Modern Spain.Published in:2016By:Kimmel, SethPublication type:Book Review