Subversion through historical association: Canova's Madame Mère and the politics of Napoleonic portraiture.Published in:Word & Image, 1997, v. 13, n. 1, p. 43, doi. 10.1080/02666286.1997.10434266By:Johns, Christopher M.S.Publication type:Article
The Ideological Contribution of Spanish Theatre during the Golden Age Period.Published in:Anuario Calderoniano, 2013, v. 6, p. 319By:STROSETZKI, CHRISTOPHPublication type:Article
The Sun-King as a Dramatic and Scenic Element of Court Theatre by the Time of Felipe IV, Exemplified by the Loa Preceding Fieras afemina Amor.Published in:Anuario Calderoniano, 2013, v. 1, p. 326By:VÉLEZ SAINZ, JULIOPublication type:Article
Reflections of Power: Eco y Narciso by Calderón meets Las meninas by Velazquez.Published in:Anuario Calderoniano, 2013, v. 1, p. 323By:GREER, MARGARETPublication type:Article
THE ELUSIVE KING IN SEARCH OF THE PORTRAITS OF MITHRIDATES VI EUPATOR.Published in:Classica Cracoviensia, 2012, v. 15, p. 59, doi. 10.12797/CC.15.2012.15.02By:FULIŃSKA, AGNIESZKAPublication type:Article
Stephanie E. Koscak. Monarchy, Print Culture, and Reverence in Early Modern England: Picturing Royal Subjects.Published in:2024By:Walsham, AlexandraPublication type:Book Review