Experimentación en el mockumentary como reflexión en la imagen contemporánea.
- Published in:
- Actas de Diseño, 2024, v. 19, n. 45, p. 114
- By:
- Publication type:
- Article
Works matching DE "MOCKUMENTARY films"
Results: 90
1
2
Borat, Sacha Baron Cohen, and the seriousness of (mock) documentary.
- Published in:
- Comedy Studies, 2015, v. 6, n. 1, p. 4, doi. 10.1080/2040610X.2015.1026073
- By:
- Publication type:
- Article
3
RASQUACHE AESTHETICS IN ALEX RIVERA'S "WHY CYBRACEROS?".
- Published in:
- Nordlit, 2014, v. 31, p. 7, doi. 10.7557/13.3053
- By:
- Publication type:
- Article
4
"Eat it alive and swallow it whole!": Resavoring Cannibal Holocaust as a Mockumentary.
- Published in:
- Invisible Culture, 2004, n. 7, p. 1
- By:
- Publication type:
- Article
5
UN JUEGO FÍLMICO: DES-MONTANDO UNA IMAGEN DEL CORTOMETRAJE AGARRANDO PUEBLO -1978- A PARTIR DEL DOCUMENTAL CHIRCALES -1971.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
6
Youth Media: Building Solidarity.
- Published in:
- NACLA Report on the Americas, 2007, v. 40, n. 2, p. 52
- By:
- Publication type:
- Article
7
Mockumentary between Factual and Poetic Truth: The Case of Tehran Has No More Pomegranates.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
8
Documentary Style as Post-Truth Monstrosity in the Mockumentary Horror Film.
- Published in:
- Quarterly Review of Film & Video, 2021, v. 38, n. 6, p. 519, doi. 10.1080/10509208.2020.1780107
- By:
- Publication type:
- Article
9
Critiquing On-Screen Stereotypes of Dancers: Baryshnikov (1974) and Sonovovitch (1975).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
10
Film Space-Invisible Sculpture: Jane and Louise Wilson's Haptic Visuality.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 2, p. 155, doi. 10.1080/10509200802530213
- By:
- Publication type:
- Article
11
The Way We Live Now: Carlos Saura's Deprisa, deprisa and the Documentary Mode.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 2, p. 117, doi. 10.1080/10509200500486163
- By:
- Publication type:
- Article
12
Transtextualidad y metaficción en el falso documental: el discurso autorreferencial en The Unmaking of.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
13
Television Mockumentary: Reflexivity, Satire and a Call to Play.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
14
Policing through parody with Wellington Paranormal.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2020, v. 34, n. 1, p. 88, doi. 10.1080/10304312.2019.1699025
- By:
- Publication type:
- Article
15
Playing the television field: Kath and Kim and the changing face of TV comedy.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2008, v. 22, n. 3, p. 353, doi. 10.1080/10304310802001763
- By:
- Publication type:
- Article
16
Postcolonial affirmations: The return of the Dusky Maiden in Sima Urale's Velvet Dreams.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2008, v. 22, n. 1, p. 79, doi. 10.1080/10304310701713559
- By:
- Publication type:
- Article
17
Postclassical Nonfiction: Narration in the Contemporary Documentary.
- Published in:
- Cinema Journal, 2012, v. 52, n. 1, p. 45, doi. 10.1353/cj.2012.0115
- By:
- Publication type:
- Article
18
The Big Lift (1950): Image and Identity in Blockaded Berlin.
- Published in:
- Cinema Journal, 2007, v. 46, n. 2, p. 66, doi. 10.1353/cj.2007.0019
- By:
- Publication type:
- Article
19
Bakhtin and Borat: the Rogue, the Clown, and the Fool in Carnival Film.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
20
Pseudo-communication and the return of the sophist: Thank you for smoking, at first sight.
- Published in:
- Communicatio: South African Journal for Communication Theory & Research, 2007, v. 33, n. 2, p. 45, doi. 10.1080/02500160701685409
- By:
- Publication type:
- Article
21
Docu‐fictions of War: US Interventionism in Film and Literature.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
22
Too Bold for the Box Office: The Mockumentary from Big Screen to Small.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
23
Clash in Paradise: A Fantasy Theme Analysis of A Day Without a Mexican.
- Published in:
- Journal of American Culture, 2006, v. 29, n. 4, p. 475, doi. 10.1111/j.1542-734X.2006.00459.x
- By:
- Publication type:
- Article
24
Queer art of parallaxed document: the visual discourse of docudrag in Kutluğ Ataman's Never My Soul!
- Published in:
- 2011
- By:
- Publication type:
- Essay
25
Editorial.
- Published in:
- 1977
- Publication type:
- Editorial
26
Fictions of Power: “My Movie is Not a Movie”.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2010, v. 43, n. 2, p. 271, doi. 10.1111/j.1540-5931.2010.00741.x
- By:
- Publication type:
- Article
27
MOCK-DOCUMENTARY: DEFINING THE GENRE WITH THE ANALYSIS OF DEATH OF A PRESIDENT (2006).
- Published in:
- International Journal of Arts & Sciences, 2015, v. 8, n. 8, p. 311
- By:
- Publication type:
- Article
28
Music and migration: Transgenerational crossovers in La vera leggenda di Tony Vilar and Di madre in figlia.
- Published in:
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 83, doi. 10.1386/jicms.4.1.83_1
- By:
- Publication type:
- Article
29
Guinea-Bissau's Transition to Independence Portrayed.
- Published in:
- 1990
- By:
- Publication type:
- Film/TV Criticism and Review
30
FILM REVIEW.
- Published in:
- 2000
- By:
- Publication type:
- Film/TV Criticism and Review
31
The sliding of the signified: multimodal sign operations in a youth-created experimental digital video.
- Published in:
- Visual Communication, 2018, v. 17, n. 3, p. 337, doi. 10.1177/1470357218763333
- By:
- Publication type:
- Article
32
Nietzsche in The Office: the aesthetic justification of capitalist realism.
- Published in:
- Journal of Aesthetics & Art Criticism, 2024, v. 82, n. 3, p. 290, doi. 10.1093/jaac/kpae036
- By:
- Publication type:
- Article
33
Examining Suspension of Disbelief, Perceived Realism, and Involvement in the Enjoyment of Documentary-Style Fictional Films.
- Published in:
- Projections: The Journal for Movies & Mind, 2016, v. 10, n. 2, p. 125, doi. 10.3167/proj.2016.100207
- By:
- Publication type:
- Article
34
Death delusion.
- Published in:
- New Humanist, 2008, v. 123, n. 2, p. 6
- Publication type:
- Article
35
To See or Not to See: A Wittgensteinian Look at Abbas Kiarostami's Close-up.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 1, p. 21, doi. 10.3366/film.2018.0060
- By:
- Publication type:
- Article
36
Les femmes SDF: Agency and Verisimilitude in Contemporary French Film.
- Published in:
- Contemporary French & Francophone Studies, 2023, v. 27, n. 3, p. 347, doi. 10.1080/17409292.2023.2225361
- By:
- Publication type:
- Article
37
Too Bold for the Box Office: The Mockumentary from Big Screen to Small.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
38
Cultural Learnings of Borat for Make Benefit Glorious Study of Documentary.
- Published in:
- 2008
- By:
- Publication type:
- Essay
39
On Why We Fight: History, Documentation, and the Newsreel (1946).
- Published in:
- Film & History (03603695), 2001, v. 31, n. 1, p. 60, doi. 10.1353/flm.2001.a400679
- By:
- Publication type:
- Article
40
The Past is Myself: Peter Watkins' Edvard Munch (1973).
- Published in:
- Critical Studies in Television, 2007, v. 2, n. 1, p. 2, doi. 10.7227/CST.2.1.3
- By:
- Publication type:
- Article
41
Protean Texts: The Changing Materiality of Books in Antiquity and Today.
- Published in:
- Material Culture, 2016, v. 48, n. 1, p. 44
- By:
- Publication type:
- Article
42
Days of Future Past: Documenting the Future.
- Published in:
- Journal of British Cinema & Television, 2011, v. 8, n. 1, p. 81, doi. 10.3366/jbctv.2011.0007
- By:
- Publication type:
- Article
43
Trolls, Monster Masts, and National Neurosis: André Øvrelid's The Troll Hunter.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
44
The Jagged Grain of Living History: An Interview with Kevin Willmott.
- Published in:
- 2012
- By:
- Publication type:
- Interview
45
CYNICS ENCOURAGED TO APPLY: THE OFFICE AS REALITY VIEWER TRAINING.
- Published in:
- Journal of Popular Film & Television, 2009, v. 37, n. 4, p. 161, doi. 10.1080/01956050903227886
- By:
- Publication type:
- Article
46
"There is no logic in this": Orson Welles's Transgressive Challenge to Cold War Paranoia in Mr. Arkadln (1955).
- Published in:
- Interdisciplinary Humanities, 2009, v. 26, n. 1, p. 6
- By:
- Publication type:
- Article
47
Cinema in the 'local perfect position': children and education in the documentary work of Xhanfise Keko.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
48
Thrilling News: Factors Generating Suspense During News Exposure.
- Published in:
- Media Psychology, 2007, v. 9, n. 1, p. 193, doi. 10.1080/15213260709336809
- By:
- Publication type:
- Article
49
World Leaders As Movie Characters? Perceptions of George W. Bush, Tony Blair, Osama bin Laden, and Saddam Hussein.
- Published in:
- Media Psychology, 2007, v. 9, n. 1, p. 157, doi. 10.1080/15213260709336807
- By:
- Publication type:
- Article
50
"The Great Ecstasy of the Woodsculptor Steiner": Herzog and the "Stylized" Documentary.
- Published in:
- Film Criticism, 1980, v. 5, n. 1, p. 26
- By:
- Publication type:
- Article