Too Bold for the Box Office: The Mockumentary from Big Screen to Small.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
Works matching DE "MOCKUMENTARY films"
Results: 89
1
2
Cultural Learnings of Borat for Make Benefit Glorious Study of Documentary.
- Published in:
- 2008
- By:
- Publication type:
- Essay
3
On Why We Fight: History, Documentation, and the Newsreel (1946).
- Published in:
- Film & History (03603695), 2001, v. 31, n. 1, p. 60, doi. 10.1353/flm.2001.a400679
- By:
- Publication type:
- Article
4
The Jagged Grain of Living History: An Interview with Kevin Willmott.
- Published in:
- 2012
- By:
- Publication type:
- Interview
5
Nietzsche in The Office: the aesthetic justification of capitalist realism.
- Published in:
- Journal of Aesthetics & Art Criticism, 2024, v. 82, n. 3, p. 290, doi. 10.1093/jaac/kpae036
- By:
- Publication type:
- Article
6
SIN NOMBRE.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
7
Cibertíteres: Discurso marxista e a colisão entre o público e privado no cinema de Alex rivera.
- Published in:
- Ciberlegenda, 2012, v. 1, n. 26, p. 191, doi. 10.22409/c-legenda.v0i26.26259
- By:
- Publication type:
- Article
8
Thrilling News: Factors Generating Suspense During News Exposure.
- Published in:
- Media Psychology, 2007, v. 9, n. 1, p. 193, doi. 10.1080/15213260709336809
- By:
- Publication type:
- Article
9
World Leaders As Movie Characters? Perceptions of George W. Bush, Tony Blair, Osama bin Laden, and Saddam Hussein.
- Published in:
- Media Psychology, 2007, v. 9, n. 1, p. 157, doi. 10.1080/15213260709336807
- By:
- Publication type:
- Article
10
RASQUACHE AESTHETICS IN ALEX RIVERA'S "WHY CYBRACEROS?".
- Published in:
- Nordlit, 2014, v. 31, p. 7, doi. 10.7557/13.3053
- By:
- Publication type:
- Article
11
Learning to Live with Ghosts in the Aftermath of War: On documentary strategies in Rabih Mroué’s How Nancy Wished That Everything Was an April Fool's Joke.
- Published in:
- Journal of War & Culture Studies, 2015, v. 8, n. 4, p. 328, doi. 10.1080/17526272.2015.1108581
- By:
- Publication type:
- Article
12
Kenny: the evolution of the battler figure in Howard's Australia.
- Published in:
- Journal of Australian Studies, 2009, v. 33, n. 2, p. 153, doi. 10.1080/14443050902883371
- By:
- Publication type:
- Article
13
Pseudo-communication and the return of the sophist: Thank you for smoking, at first sight.
- Published in:
- Communicatio: South African Journal for Communication Theory & Research, 2007, v. 33, n. 2, p. 45, doi. 10.1080/02500160701685409
- By:
- Publication type:
- Article
14
Mockumentary between Factual and Poetic Truth: The Case of Tehran Has No More Pomegranates.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
15
Documentary Style as Post-Truth Monstrosity in the Mockumentary Horror Film.
- Published in:
- Quarterly Review of Film & Video, 2021, v. 38, n. 6, p. 519, doi. 10.1080/10509208.2020.1780107
- By:
- Publication type:
- Article
16
Critiquing On-Screen Stereotypes of Dancers: Baryshnikov (1974) and Sonovovitch (1975).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
17
Film Space-Invisible Sculpture: Jane and Louise Wilson's Haptic Visuality.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 2, p. 155, doi. 10.1080/10509200802530213
- By:
- Publication type:
- Article
18
The Way We Live Now: Carlos Saura's Deprisa, deprisa and the Documentary Mode.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 2, p. 117, doi. 10.1080/10509200500486163
- By:
- Publication type:
- Article
19
Music and migration: Transgenerational crossovers in La vera leggenda di Tony Vilar and Di madre in figlia.
- Published in:
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 83, doi. 10.1386/jicms.4.1.83_1
- By:
- Publication type:
- Article
20
The Performative Nature of Filmed Reproductions of Live Performance.
- Published in:
- Theatre Symposium, 2011, v. 19, p. 81, doi. 10.1353/tsy.2011.0009
- By:
- Publication type:
- Article
21
Policing through parody with Wellington Paranormal.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2020, v. 34, n. 1, p. 88, doi. 10.1080/10304312.2019.1699025
- By:
- Publication type:
- Article
22
Playing the television field: Kath and Kim and the changing face of TV comedy.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2008, v. 22, n. 3, p. 353, doi. 10.1080/10304310802001763
- By:
- Publication type:
- Article
23
Postcolonial affirmations: The return of the Dusky Maiden in Sima Urale's Velvet Dreams.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2008, v. 22, n. 1, p. 79, doi. 10.1080/10304310701713559
- By:
- Publication type:
- Article
24
Protean Texts: The Changing Materiality of Books in Antiquity and Today.
- Published in:
- Material Culture, 2016, v. 48, n. 1, p. 44
- By:
- Publication type:
- Article
25
Trolls, Monster Masts, and National Neurosis: André Øvrelid's The Troll Hunter.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
26
Experimentación en el mockumentary como reflexión en la imagen contemporánea.
- Published in:
- Actas de Diseño, 2024, v. 19, n. 45, p. 114
- By:
- Publication type:
- Article
27
BELGESEL FİLMİN TASARIM BOYUTU VE TÜRK BELGESEL SİNEMASINDAN ÖRNEK UYGULAMALAR.
- Published in:
- Zonguldak Karaelmas University Journal of Social Sciences, 2010, v. 6, n. 11, p. 241
- By:
- Publication type:
- Article
28
Masculinity, Visibility, and the Vampire Literary Tradition in What We Do in the Shadows.
- Published in:
- Journal of the Fantastic in the Arts, 2018, v. 29, n. 2, p. 266
- By:
- Publication type:
- Article
29
Television Mockumentary: Reflexivity, Satire and a Call to Play.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
30
El espejo suspicaz: realidad y representación en La seducción del caos.
- Published in:
- Historia y Comunicación Social, 2009, v. 14, p. 337
- By:
- Publication type:
- Article
31
MOCK-DOCUMENTARY: DEFINING THE GENRE WITH THE ANALYSIS OF DEATH OF A PRESIDENT (2006).
- Published in:
- International Journal of Arts & Sciences, 2015, v. 8, n. 8, p. 311
- By:
- Publication type:
- Article
32
Consuming Cubanas: ¿Quién diablos es Juliette?
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
33
Bakhtin and Borat: the Rogue, the Clown, and the Fool in Carnival Film.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
34
Docu‐fictions of War: US Interventionism in Film and Literature.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
35
Too Bold for the Box Office: The Mockumentary from Big Screen to Small.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
36
Clash in Paradise: A Fantasy Theme Analysis of A Day Without a Mexican.
- Published in:
- Journal of American Culture, 2006, v. 29, n. 4, p. 475, doi. 10.1111/j.1542-734X.2006.00459.x
- By:
- Publication type:
- Article
37
Queer art of parallaxed document: the visual discourse of docudrag in Kutluğ Ataman's Never My Soul!
- Published in:
- 2011
- By:
- Publication type:
- Essay
38
Editorial.
- Published in:
- 1977
- Publication type:
- Editorial
39
CYNICS ENCOURAGED TO APPLY: THE OFFICE AS REALITY VIEWER TRAINING.
- Published in:
- Journal of Popular Film & Television, 2009, v. 37, n. 4, p. 161, doi. 10.1080/01956050903227886
- By:
- Publication type:
- Article
40
"A Documentary-Style Film": Borat and the Fiction/Nonfiction Question.
- Published in:
- Narrative, 2011, v. 19, n. 1, p. 111, doi. 10.1353/nar.2011.0001
- By:
- Publication type:
- Article
41
Borat, Sacha Baron Cohen, and the seriousness of (mock) documentary.
- Published in:
- Comedy Studies, 2015, v. 6, n. 1, p. 4, doi. 10.1080/2040610X.2015.1026073
- By:
- Publication type:
- Article
42
Cinema in the 'local perfect position': children and education in the documentary work of Xhanfise Keko.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
43
Reel Evil: A Critical Reassessment of Found Footage Horror.
- Published in:
- Gothic Studies, 2015, v. 17, n. 2, p. 122, doi. 10.7227/GS.17.2.8
- By:
- Publication type:
- Article
44
Postclassical Nonfiction: Narration in the Contemporary Documentary.
- Published in:
- Cinema Journal, 2012, v. 52, n. 1, p. 45, doi. 10.1353/cj.2012.0115
- By:
- Publication type:
- Article
45
The Big Lift (1950): Image and Identity in Blockaded Berlin.
- Published in:
- Cinema Journal, 2007, v. 46, n. 2, p. 66, doi. 10.1353/cj.2007.0019
- By:
- Publication type:
- Article
46
Espectadores de Falsos Documentales. Los falsos documentales en la Sociedad de la Información.
- Published in:
- Athenea Digital (Revista de Pensamiento e Investigación Social), 2012, v. 12, n. 3, p. 153
- By:
- Publication type:
- Article
47
Transtextualidad y metaficción en el falso documental: el discurso autorreferencial en The Unmaking of.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
48
El secreto está en el relato: fortalezas y retos del docudrama en la era posmoderna.
- Published in:
- Comunicación y Sociedad, 2001, v. 14, n. 2, p. 37
- Publication type:
- Article
49
Examining Suspension of Disbelief, Perceived Realism, and Involvement in the Enjoyment of Documentary-Style Fictional Films.
- Published in:
- Projections: The Journal for Movies & Mind, 2016, v. 10, n. 2, p. 125, doi. 10.3167/proj.2016.100207
- By:
- Publication type:
- Article
50
Guinea-Bissau's Transition to Independence Portrayed.
- Published in:
- 1990
- By:
- Publication type:
- Film/TV Criticism and Review