REVERBERATION AS MIMETIC REPLICATION: URBAN SPACE, METRO BUSKERS AND ACOUSTIC EXPERIENCE.Published in:Ethnologia Polona, 2018, v. 39, p. 31, doi. 10.23858/EthP39.2018.003By:WEES, NICKPublication type:Article
Georg Lukács' Contribution to the Theory of Musical Mimesis.Published in:International Review of the Aesthetics & Sociology of Music, 2024, v. 55, n. 1, p. 69, doi. 10.21857/yrvgqt38z9By:Ntouvos, PanosPublication type:Article
Haydn and Mimesis.Published in:Journal of the Haydn Society, 2018, v. 37, p. 16By:Devereux, StephenPublication type:Article
UNSTABLE PITCH IN THE RAINFOREST AND THE MIMESIS OF MUSIC: The articulation of audio technology and musical techniques in the bamboo panpipes of 'Are'are, Solomon Islands.Published in:Shima, 2017, v. 11, n. 2, p. 151, doi. 10.21463/shima.11.2.11By:Hidenori SamotoPublication type:Article
Setting a Poem: The Composer's Choice For or Against Interpretation [1988].Published in:Word & Music Studies, 2015, v. 14, p. 53Publication type:Article