Found: 10
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The 'Eastern Western': Cross-Cultural Hybridity and Violent Coexistence.
- Published in:
- Film Matters, 2011, v. 2, n. 4, p. 3, doi. 10.1386/fm.2.4.3_1
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- Publication type:
- Article
Teaching the Meiji Restoration through Fiction and Film.
- Published in:
- Japan Studies Association Journal, 2014, v. 12, p. 44
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- Publication type:
- Article
'I'll give you television, I'll give you eyes of blue, I'll give you a man who wants to rule the world': The commodification of women and the desire for the West in Takashi Miike's Imprint.
- Published in:
- Horror Studies, 2015, v. 6, n. 1, p. 39, doi. 10.1386/host.6.1.39_1
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- Article
Crime and Punishment: Challenging the Cinematic Male Gaze with Takashi Miike's Audition.
- Published in:
- 2015
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- Publication type:
- Film/Television Criticism
The Specter of War in Contemporary Japan: Unclaimed Trauma, Contesting Masculinities, and the Disintegrated (National) Body in Ichi the Killer.
- Published in:
- Film Matters, 2014, v. 5, n. 2, p. 24, doi. 10.1386/fm.5.2.24_1
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- Publication type:
- Article
Gangs, Gore and Love.
- Published in:
- ArtAsiaPacific, 2005, n. 43, p. 24
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- Publication type:
- Article
Purposeful Provocation: AUTEURISM AND ARTISTRY IN TAKASHI MIIKE'S FIRST LOVE.
- Published in:
- 2020
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- Publication type:
- Film Review
CUTTING THROUGH THE CHANBARA FILM: Takashi Miike’s Blade of the Immortal.
- Published in:
- 2018
- By:
- Publication type:
- Film/Television Criticism
Animalistic Depravity: TAKASHI MIIKE’S THE MOLE SONG: UNDERCOVER AGENT REIJI.
- Published in:
- 2015
- By:
- Publication type:
- Film/Television Criticism
The Eye of the (Dragon and) Tiger.
- Published in:
- Metro, 2008, n. 159, p. 66
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- Publication type:
- Article