Mary Villeponteaux, The Queen's Mercy. Gender and Judgment in Representations of Elizabeth I. (Queenship and Power.) Basingstoke, Palgrave Macmillan 2014.Published in:2016By:Speck, Lisa-MariaPublication type:Book Review
Piedad, Rigor, and Kabbalah in Calderón's La vida es sueño and Los cabellos de Absalón.Published in:Bulletin of the Comediantes, 2016, v. 68, n. 1, p. 131, doi. 10.1353/boc.2016.0012By:Foss, EmilyPublication type:Article
Opportunistic Portia as Fortuna in Shakespeare's Merchant of Venice.Published in:2014By:CALDWELL, ELLEN M.Publication type:Literary Criticism
Pity Silenced: Economies of Mercy in The Merchant of Venice.Published in:Critical Survey, 2018, v. 30, n. 3, p. 20, doi. 10.3167/cs.2018.300303By:Marzola, AlessandraPublication type:Article
CANVASSED, OR TOSSED IN A BLANKET: TRACING A MOTIF FROM THE SECOND SHEPHERDS' PLAY THROUGH THE SEVENTEENTH CENTURY.Published in:2007By:Deskis, Susan E.Publication type:Literary Criticism
'Here may we se a merveyl one': Miracles and the Psalter in the N-Town 'Marriage of Mary and Joseph'.Published in:Early Theatre, 2015, v. 18, n. 2, p. 37, doi. 10.12745/et.18.2.1072By:NAPOLITANO, FRANK M.Publication type:Article
CONSIDERACIÓN DE LA MISERICORDIA EN SHAKESPEARE.Published in:Humanitas (07172168), 2016, v. 21, n. 83, p. 568Publication type:Article