"Disarmed": Disability, Trauma, and Emasculation in Contemporary Japanese Cinema.
- Published in:
- Arts (2076-0752), 2018, v. 7, n. 1, p. 10, doi. 10.3390/arts7010010
- By:
- Publication type:
- Article
Works matching DE "MEMORY in motion pictures"
Results: 67
1
2
Flashback and Eyewitness.
- Published in:
- Parallax, 2008, v. 14, n. 4, p. 90, doi. 10.1080/13534640802416934
- By:
- Publication type:
- Article
3
Trauma, memory and information in American sf film and television, 1980-2010.
- Published in:
- Science Fiction Film & Television, 2013, v. 6, n. 3, p. 327, doi. 10.3828/sfftv.2013.23
- By:
- Publication type:
- Article
4
Introduction.
- Published in:
- Science Fiction Film & Television, 2013, v. 6, n. 3, p. 319, doi. 10.3828/sfftv.2013.22
- By:
- Publication type:
- Article
5
Love, longing and danger.
- Published in:
- Science Fiction Film & Television, 2013, v. 6, n. 3, p. 349, doi. 10.3828/sfftv.2013.24
- By:
- Publication type:
- Article
6
‘Journeys of Desexilio : the bridge between the past and the present’.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
7
Absence as Presence, Presence as Parapraxis: On Some Problems of Representing "Jews" in the New German Cinema.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 106, doi. 10.1353/frm.0.0001
- By:
- Publication type:
- Article
8
Phantasmatic Losses: National Traumas, Masculinity, and Primal Scenes in Israeli Cinema- Walk on Water.
- Published in:
- Framework: The Journal of Cinema & Media, 2008, v. 49, n. 1, p. 93, doi. 10.1353/frm.0.0016
- By:
- Publication type:
- Article
9
Film, Music, Memory: edited by Berthold Hoeckner, Chicago, University of Chicago Press, 2019, 320 p, 48 color plates, $40, ISBN 978-0-226-64975-7.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
10
One Big Gray Area: The Paradox of Traumatic Memory in Black Rain (1989).
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
11
The Play's the Thing: The Legend of Lovers in Alain Resnais's Vous n'avez encore rien vu.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
12
Traces and Trajectories in Claire Denis’ Beau travail (1999) and Antony Gormley's Inside Australia (2003): A Matter of Space and Memory.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
13
The United States of Amnesia: US foreign policy and the recurrence of innocence.
- Published in:
- Cambridge Review of International Affairs, 2009, v. 22, n. 2, p. 301, doi. 10.1080/09557570902882109
- By:
- Publication type:
- Article
14
ESTRATEGIAS FICCIONALES EN EL DOCUMENTAL CONTEMPORÁNEO EN PRIMERA PERSONA.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
15
Remembering the body: Deleuze's recollection-image, and the spectacle of physical memory in Yip Man/Ip Man (2008).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
16
‘Will Movies Make Me Forget What I Saw?’ ( Youcef , Mohamed Chouikh, 1993).
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
17
The Watch and the Sparkler: Time and Movement in Long Day's Journey into Night (2018).
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
18
Gegennarrative. Ein Versuch über Andrzej Munks Die Passagierin (Pasażerka).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
19
Peter Forgács at the National Gallery of Art, Washington D.C.
- Published in:
- Moving Image (15323978), 2009, v. 9, n. 2, p. 191
- By:
- Publication type:
- Article
20
Indexicality and inter/textuality: 24 City's aesthetics and the politics of memory.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
21
24 City: introduction.
- Published in:
- Screen, 2014, v. 55, n. 2, p. 254, doi. 10.1093/screen/hju017
- By:
- Publication type:
- Article
22
Freud as media theorist: mystic writing-pads and the matter of memory.
- Published in:
- Screen, 2009, v. 50, n. 1, p. 100, doi. 10.1093/screen/hjn078
- By:
- Publication type:
- Article
23
Childhood, class and memory in the Seven Up films.
- Published in:
- 2002
- By:
- Publication type:
- Essay
24
Paratextual Encounters of Four Kinds: Blade Runner and Cinematic Memory.
- Published in:
- JCMS: Journal of Cinema & Media Studies, 2021, v. 60, n. 2, p. 129, doi. 10.1353/cj.2021.0006
- By:
- Publication type:
- Article
25
La representación fílmica de la memoria personal: las películas de memoria.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2017, v. 22, n. 42, p. 175, doi. 10.1387/zer.17842
- By:
- Publication type:
- Article
26
Mother of pearl, song and potatoes: Cultivating resilience in Claudia Llosa's La teta asustada/Milk of Sorrow (2009).
- Published in:
- Studies in Spanish & Latin American Cinemas, 2017, v. 14, n. 3, p. 297, doi. 10.1386/slac.14.3.297_1
- By:
- Publication type:
- Article
27
Book Review: Isabelle McNeill: Memory and the Moving Image: French Film in the Digital Era.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
28
When a kiss is still a kiss: Memories of the mind and body in ancient India and Hollywood.
- Published in:
- 1997
- By:
- Publication type:
- Literary Criticism
29
Memories on screen: Tracing the traumas of war in post-Yugoslav films.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
30
Female Counter-Memories of Nazi Germany: The Child as a Lieu de Mémoire in Marianne Rosenbaum's Film Peppermint Frieden.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2004, v. 40, n. 1, p. 19, doi. 10.3138/sem.v40.1.19
- By:
- Publication type:
- Article
31
LA TETA ASUSTADA (PERÚ, 2009) DE CLAUDIA LLOSA: ¿MEMORIA U OLVIDO?
- Published in:
- Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 421
- By:
- Publication type:
- Article
32
MEMORIA E IMPUNIDAD A TRAVÉS DEL IMAGINARIO CINEMATOGRÁFICO: LA MUJER SIN CABEZA (LUCRECIA MARTEL, 2008) Y EL SECRETO DE SUS OJOS (JUAN JOSÉ CAMPANELLA, 2009).
- Published in:
- Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 377
- By:
- Publication type:
- Article
33
Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?
- Published in:
- Film & History (03603695), 2009, v. 39, n. 2, p. 49, doi. 10.1353/flm.0.0125
- By:
- Publication type:
- Article
34
Adapting Kiss of the Spider Woman: Every Picture Tells A Story.
- Published in:
- Journal of Visual Literacy, 2010, v. 29, n. 2, p. 106, doi. 10.1080/23796529.2010.11674676
- By:
- Publication type:
- Article
35
CINEMA, IMAGINÁRIO E IDENTIDADE EM FALSCHE BEWEGUNG (1975), DE WIN WENDERS.
- Published in:
- Sessões do Imaginário, 2009, v. 1, n. 21, p. 10
- By:
- Publication type:
- Article
36
Memory, culture, and difference: Critical reflections.
- Published in:
- Journal of International & Intercultural Communication, 2016, v. 9, n. 3, p. 199, doi. 10.1080/17513057.2016.1193932
- By:
- Publication type:
- Article
37
The Memory Effect: The Remediation of Memory in Literature and Film.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
38
Trauma, Memory and Religion in Film: Editorial.
- Published in:
- Journal for Religion, Film & Media, 2018, v. 4, n. 1, p. 7, doi. 10.25364/05.4:2018.1.1
- By:
- Publication type:
- Article
39
Noir and Exilic Cinema: Fritz Lang's Fury, Trauma, and the German Critique.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
40
Just an image: Godard, cinema, and philosophy.
- Published in:
- 2001
- By:
- Publication type:
- Film/TV Criticism and Review
41
Memory and Creative Forgetfulness in The Nine Muses.
- Published in:
- Black Camera: The New Series, 2015, v. 6, n. 2, p. 147, doi. 10.2979/blackcamera.6.2.147
- By:
- Publication type:
- Article
42
Memory, Authenticity, and (the Absence of) Ruins: Resonances between Werner Herzog and John Akomfrah.
- Published in:
- Black Camera: The New Series, 2015, v. 6, n. 2, p. 94, doi. 10.2979/blackcamera.6.2.94
- By:
- Publication type:
- Article
43
Intertitles, history and memory in Spring in My Hometown.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
44
LA «NIÑA BONITA». IMÁGENES DE LA VIOLENCIA (Y NO VIOLENCIA) DE LA SEGUNDA REPÚBLICA ESPAÑOLA EN EL CINE.
- Published in:
- Historia Contemporanea, 2019, v. 59, p. 235, doi. 10.1387/hc.18865
- By:
- Publication type:
- Article
45
The inadequate archive: Ethical remaking in Silvia Kolbowski’s After Hiroshima mon amour.
- Published in:
- French Cultural Studies, 2013, v. 24, n. 4, p. 417, doi. 10.1177/0957155813501114
- By:
- Publication type:
- Article
46
Personal camera as public intervention: remembering the Cultural Revolution in Chinese independent documentary films.
- Published in:
- Studies in Documentary Film, 2015, v. 9, n. 2, p. 143, doi. 10.1080/17503280.2015.1031570
- By:
- Publication type:
- Article
47
Arnon Goldfinger's The Flat (2011): Ethics and aesthetics in third generation Holocaust cinema.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
48
Reinventing Soviet visual memory: a case study of Marina Goldovskaya's documentary Solovki Power.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
49
Immersion in time': history, memory and the question of readability in the films of Aleksei German.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
50
Remembering (in) Ukrainian cinema of the 1960s: Rolan Serhiienko's White Clouds (1968).
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review