Works matching DE "MARIONETTES"
1
- Raritan, 1997, v. 17, n. 1, p. 67
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2
- Modern Drama, 2023, v. 66, n. 3, p. 319, doi. 10.3138/md-66-3-1260
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4
- German Life & Letters, 2017, v. 70, n. 4, p. 533, doi. 10.1111/glal.12174
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5
- Western Speech, 1946, v. 10, n. 1, p. 6
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6
- Journal for Cultural Research, 2019, v. 23, n. 1, p. 49, doi. 10.1080/14797585.2019.1590923
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8
- Contemporary Theatre Review, 1992, v. 1, n. 1, p. 31, doi. 10.1080/10486809208568244
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9
- Gazi University Journal of Gazi Educational Faculty (GUJGEF), 2007, n. 2, p. 211
- Güler, Mediha;
- Özdemır, Melda
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12
- Modernism/Modernity, 2016, v. 23, n. 1, p. 65, doi. 10.1353/mod.2016.0016
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13
- Early Popular Visual Culture, 2008, v. 6, n. 1, p. 67, doi. 10.1080/17460650801948356
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14
- Philosophy & Rhetoric, 1996, v. 29, n. 3, p. 211
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15
- Theatralia, 2015, v. 18, n. 2, p. 415, doi. 10.5817/TY2015-2-12
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16
- Theatralia, 2015, v. 18, n. 2, p. 387, doi. 10.5817/TY2015-2-11
- Novak, Agnès;
- Petráň, Dušan
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17
- Theatralia, 2015, v. 18, n. 2, p. 70, doi. 10.5817/TY2015-2-3
- Jirásková, Marie;
- Jirásek, Pavel
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18
- Theatralia, 2011, v. 14, n. 1, p. 114
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19
- Oxford Art Journal, 2019, v. 42, n. 2, p. 137, doi. 10.1093/oxartj/kcz005
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20
- Modernist Cultures, 2014, v. 9, n. 1, p. 115, doi. 10.3366/mod.2014.0077
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21
- Balkan Studies / Études Balkaniques, 2021, v. 57, n. 3, p. 294
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22
- Balkan Studies / Études Balkaniques, 2021, v. 57, n. 2, p. 294
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23
- Journal of Nippon Medical School, 2017, v. 84, n. 1, p. 49, doi. 10.1272/jnms.84.49
- Seiichi Shinji;
- Hayato Kan;
- Takeshi Yamada;
- Michihiro Koizumi;
- Aya Yamagishi;
- Yasuyuki Yokoyama;
- Goro Takahashi;
- Takuma Iwai;
- Keisuke Hara;
- Kohki Takeda;
- Keiichiro Ohta;
- Eiji Uchida
- Article
26
- MLN, 2013, v. 128, n. 2, p. 420
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28
- Journal of Modern Literature, 2015, v. 39, n. 1, p. 55, doi. 10.2979/jmodelite.39.1.55
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29
- Maska, 2016, v. 31, n. 179/180, p. 60, doi. 10.1386/maska.31.179-180.60_1
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30
- Dance Chronicle, 2019, v. 42, n. 2, p. 217, doi. 10.1080/01472526.2019.1624485
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31
- Arcadia -- International Journal for Literary Studies, 2010, v. 45, n. 1, p. 48, doi. 10.1515/ARCA.2010.003
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32
- Muse India, 2014, n. 58, p. 1
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33
- Theatre, Dance & Performance Training, 2017, v. 8, n. 1, p. 46, doi. 10.1080/19443927.2016.1247746
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34
- Sensations Magazine, 2007, n. 42, p. 206
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36
- October, 2022, n. 179, p. 95, doi. 10.1162/octo_a_00449
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37
- Forum for Modern Language Studies, 1999, v. XXXV, n. 3, p. 270, doi. 10.1093/fmls/XXXV.3.270
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38
- Arion, 2014, v. 22, n. 2, p. 37, doi. 10.2307/arion.22.2.0037
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39
- Asian Theatre Journal, 2009, v. 26, n. 2, p. 260, doi. 10.1353/atj.0.0053
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40
- Asian Theatre Journal, 2001, v. 18, n. 1, p. 69, doi. 10.1353/atj.2001.0003
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41
- Menotyra, 2008, n. 4, p. 16
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42
- Menotyra, 2008, n. 4, p. 6
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43
- Romance Studies, 2009, v. 27, n. 4, p. 298, doi. 10.1179/026399009X12523296128830
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44
- Opera Quarterly, 2012, v. 28, n. 1-2, p. 20, doi. 10.1093/oq/kbs043
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45
- Semiotica, 1983, v. 47, n. 1-4, p. 219
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49
- Quarterly Journal of Speech, 1943, v. 29, n. 1, p. 118
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